Paul H. Winchell
Portrait of a Seated Woman
c. 1930

Name: Portrait of a Seated Woman
Brand: Paul H. Winchell
Price: 2500 USD
Availability: InStock

About the Item

Portrait of a Seated Woman oIl on canvas, c. 1930 Signed on the reverse in oil paint: "Paul W" Created while the artist was a student at the Minneapolis Institute of Arts Provenance: Estate of the artist Condition: Cleaned and stretched by Monica Radecki, South Bend, Indiana. The painting is unframed Canvas size: 30 x 24 inches This work created while the artist was in art school. Winchell studied art at the Minneapolis and Chicago Art Institutes in the 1930’s. He went on to teach at both institutions. Winchell studied under the noted artists Daniel Garber and Leon Kroll. Winchell exhibited at the Minneapolis Institute of Arts, Art Institute of Chicago and the Kansas City Art Institute. He retired to a quiet life in Painsville, Ohio. Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris Anisfeld (1878-1973), Daniel Garber (1880 – 1958), Charles Woodbury (1864 – 1940), George Oberteuffer, (1878 – 1940) and Elmer A. Forsberg (1883 – 1950), although it was not stated whether each of these teachers was in Chicago or elsewhere. According to the Minneapolis School of Art Faculty Summer 1930 brochure he was an instructor at the Art Institute of Chicago for three years. According to the 1940 – 1941 catalogue, which provided a short biography and a photograph of the artist, he traveled and studied in Spain, Africa, Italy, England, Germany, and France. According to Crump, Winchell did not receive support from either the Public Works of Art Project or the Minnesota WPA Federal Art Project. In Minneapolis, where he was an instructor at the Minneapolis School of Art, he first appeared in 1930 in the Minneapolis Institute of Arts’ Sixteenth Annual Exhibition of the Work of Minneapolis and St. Paul Artists, where he exhibited three oil paintings. He received second honorable mention in oil painting for #69 Old Family. In 1931 he received third honorable mention in oil painting for #64, his Portrait of Miss C. Winchell exhibited his work subsequently in other Minneapolis Institute of Arts (MIA) exhibitions in 1933 and 1935 – 1938. According to Crump he also received first prize in the prints category at the Minnesota State Fair in 1940. Other exhibitions included the St. Paul Gallery and School of Art, the Midwestern Artists Association, and the Kansas City Art Institute. His bio at the Minneapolis School of Art also noted he exhibited at the Chicago Art Institute. According to Crump’s summary, based on information from Who Was Who in American Art, 1564-1975 (by Peter Falk), Winchell’s knowledge of gilding as a craft for framing may have provided income supplemental to his teaching. At the Minneapolis School of Art Winchell taught figure sketching, figure study, elementary illustration, and drawing. His Figure Sketching class in the summer of 1930 is described as follows: “Rapid sketching from the nude develops a clearness of vision, a quick grasp of essential facts, and a sureness of expression. This class affords an opportunity for study of the figure in action poses which vary in length from one minute to fifty minutes. By making dozens of studies in pencil, crayon, and brush, the student quickly learns to make spirited, rhythmic drawings, based upon a clear understanding. In this class some drawing is done from cast in support o the other work, but the method of approach is the same, and preserves a spontaneity in the results.“ Winchell’s Elementary Illustration course description from the same catalogue states: “This class work consists of simple illustration problems which require the representation of various objects, such as furniture, simple room interiors, buildings, sometimes in combination with the costumed figure. The theory and practice of perspective and the employment of many decorative treatments in pencil, wash, opaques, and ink, make this a very practical course for those who desire instruction in the elements of drawing as applied to a great variety of subjects. The class work takes the student to the museum galleries and occasionally out of doors for research in connection with the problems assigned.“ The above two course descriptions provide insight into the varied mediums explored by Winchell as well as his emphasis on rapid sketching and the importance of perspective. According to the Hennepin History Museum (September 22, 2011), Winchell lived at 2416 Dupont Ave So. in 1932 and 4 West 26th St. from 1936 – 1956. In 1946, according to the same source, he was hired as an artist for Brown & Bigelow in St. Paul who typically hired local artists to illustrate calendars with representational art such as hunting scenes. Contacts with Brown & Bigelow were never returned, and a local photographer said that they were not helpful for a different project concerning earlier artistic endeavors at the company. Crump notes that in 1948 Winchell worked at the Cedar Advertising Agency in St. Paul.

Creator:

Paul H. Winchell (1903 - 1972, American)

Creation Year:

c. 1930

Dimensions:

Height: 30 in (76.2 cm)Width: 24 in (60.96 cm)

Medium:

Oil

Movement & Style:

American Impressionist

Period:

1930-1939

Condition:

Gallery Location:

Fairlawn, OH

Reference Number:

Seller: FA100221stDibs: LU14011598312

View Invoice

Shop All Paul H. Winchell

Paul H. Winchell

Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris Anisfeld (1878-1973), Daniel Garber (1880 – 1958), Charles Woodbury (1864 – 1940), George Oberteuffer, (1878 – 1940) and Elmer A. Forsberg (1883 – 1950), although it was not stated whether each of these teachers was in Chicago or elsewhere. According to the Minneapolis School of Art Faculty Summer 1930 brochure he was an instructor at the Art Institute of Chicago for three years. According to the 1940 – 1941 catalogue, which provided a short biography and a photograph of the artist, he traveled and studied in Spain, Africa, Italy, England, Germany, and France. According to Crump, Winchell did not receive support from either the Public Works of Art Project or the Minnesota WPA Federal Art Project. In Minneapolis, where he was an instructor at the Minneapolis School of Art, he first appeared in 1930 in the Minneapolis Institute of Arts’ Sixteenth Annual Exhibition of the Work of Minneapolis and St. Paul Artists, where he exhibited three oil paintings. He received second honorable mention in oil painting for #69 Old Family. In 1931 he received third honorable mention in oil painting for #64, his Portrait of Miss C. Winchell exhibited his work subsequently in other Minneapolis Institute of Arts (MIA) exhibitions in 1933 and 1935 – 1938. According to Crump he also received first prize in the prints category at the Minnesota State Fair in 1940. Other exhibitions included the St. Paul Gallery and School of Art, the Midwestern Artists Association, and the Kansas City Art Institute. His bio at the Minneapolis School of Art also noted he exhibited at the Chicago Art Institute. According to Crump’s summary, based on information from Who Was Who in American Art, 1564-1975 (by Peter Falk), Winchell’s knowledge of gilding as a craft for framing may have provided income supplemental to his teaching. At the Minneapolis School of Art Winchell taught figure sketching, figure study, elementary illustration, and drawing. His Figure Sketching class in the summer of 1930 is described as follows: