Paul Kauvar SmithShovel Handles, 1950s Framed American Modernist Oil Painting, Green Bronze Blue1953
1953
About the Item
- Creator:Paul Kauvar Smith (1893 - 1977, American)
- Creation Year:1953
- Dimensions:Height: 30 in (76.2 cm)Width: 24 in (60.96 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:very good to excellent vintage condition - please contact us for a detailed condition report.
- Gallery Location:Denver, CO
- Reference Number:
Paul Kauvar Smith
Paul Kauvar Smith, born in Cape Girardeau, studied commercial art and design at the St. Louis School of Fine Arts from 1915–16 with a brief interruption during World War I. After the war, he returned to the School of Fine Arts and went on to study at the Washington University in St. Louis. In 1921, Smith moved to Colorado to study under John E. Thompson at the Denver Academy of Fine and Applied Arts. Thompson, who is considered to be the pioneer of modernism in Denver, was a strong influence on Smith. In 1923, Smith was hired by the Academy as an instructor. That same year, his work was accepted for the first time for display at the Denver Art Museum and he was also awarded two solo exhibitions. The museum later added his work to their Anne Evans collection. In 1959, the Denver Art Museum also reproduced one of his paintings titled Houses at Victor for their Western Heritage exhibition catalog. Smith became a permanent resident of Denver and was a member of the American Artists Professional League, as well as Colorado and Denver Art Guilds. He also joined a Denver group called The Colorado Fifteen. Fifteen came into existence in 1948 as an association of professional artists dedicated to the avant-garde. Smith died in Denver in 1977.
- ShippingRetrieving quote...Ships From: Denver, CO
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- 1940s Still Life with Flowers Oil Painting, Red, Yellow, Blue, PurpleBy John Edward ThompsonLocated in Denver, COOriginal vintage 1945 oil painting with an interior still life with a vase of flowers, tea cup, and drapery by 20th century Colorado modernist, John E. Thompson (1882-1945). Oil on c...Category
1940s American Modern Still-life Paintings
MaterialsOil
- American Modernist Interior Artist's Studio Oil Painting, Semi Abstract InteriorLocated in Denver, COOil on canvas painting by mid 20th century Denver artist Paul K. Smith. Semi abstract interior scene of an artists studio with flowers, paint supplies, ...Category
20th Century Abstract Expressionist Still-life Paintings
MaterialsOil
- Still Life with Masks, Vintage Semi-Abstract Painting, Red, Pink, Yellow, GreenBy Edward MarecakLocated in Denver, CO"Still Life with Masks", vintage original semi-abstract painting by 20th century Denver artist, Edward Marecak (1919-1993) from 1983. Oil Paint on board with a mid-century modern fe...Category
1980s American Modern Abstract Paintings
MaterialsOil, Board
- 1940 Modernist Still Life with Flowers, Framed Floral Oil Painting, Red YellowBy John Edward ThompsonLocated in Denver, COAn original modernist still life oil painting by John E. Thompson (1882-1945), table is draped in red cloth and flowers in vase are red, yellow, blue/purple and white with green stem...Category
1940s American Modern Interior Paintings
MaterialsOil, Canvas
- City Park, Denver, Colorado, Large Semi Abstract Colorful Oil LandscapeBy Edward MarecakLocated in Denver, COLarge format oil painting on canvas of City Park in Denver, Colorado by 20th century Denver modernist, Edward Marecak. Semi-abstract park scene with various types of trees, figures, ...Category
20th Century American Modern Landscape Paintings
MaterialsOil, Canvas
- Autumn Harvest, Original Semi-Abstract Landscape and Figurative Oil PaintingBy Edward MarecakLocated in Denver, COOriginal framed oil painting on burlap by Edward Marecak (1919-1993) titled "Autumn Harvest" from 1987. Signed and dated by the artist in the lower right corner. Presented in a custom framed, outer dimensions measure 20 x 29 x 1 ⅜ inches. Image size is 19 x 28 inches. Provenance: Estate of the Artist, Edward Marecak Painting is clean and in good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks, and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of “Peter and the Wolf,” awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier oeuvre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s, he was influenced by surrealist imagery and Paul Klee and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish...Category
1980s American Modern Landscape Paintings
MaterialsOil
- Henry Ernst Schnakenberg, (Still Life with Scull)By Henry Ernst SchnakenbergLocated in New York, NYHenry Schnakenberg is mostly known for New York City scenes. This is clearly a departure. It is signed at the lower left and dated '4-53' on the r...Category
1950s American Modern Still-life Paintings
MaterialsOil
- 'Blue Pierrot', Large Figural Oil, California Modernist, Woman Artist, Los AltosBy Janice HaefnerLocated in Santa Cruz, CASigned lower right, 'Haefner' for Janice Haefner (American, 1919-2002) and painted circa 1960; additionally signed, verso, and with artist address. This life-time member of the Pacific Art League lived in Los Altos...Category
1960s American Modern Figurative Paintings
MaterialsOil, Canvas
- The Green BoatBy Elaine Badgley ArnouxLocated in Burlingame, CAMid century modern masterwork, 'The Green Boat', by celebrated American woman artist, Elaine Badgley Arnoux. Painted in 1958 in the artists's unique style, ...Category
21st Century and Contemporary American Modern Still-life Paintings
MaterialsCotton Canvas, Oil
- Still Life Oil Painting Betsy Podlach American Post Feminist Modernist ArtBy Betsy PodlachLocated in Surfside, FLBetsy Podlach (American, born 1964.) Still life with Tin Cup, 1996 17.5 X 16.5 inches. Framed it measures 18.25 X 17.25 Betsy Podlach graduated from Harvard, cum laude, (she studied at Harvard with Alfred Decreido and William Reimann as well as Carlos Fuentes continuing her studies at the New York Studio School of Drawing, Painting, and Sculpture, Ms. Podlach was awarded an art fellowship and residency at The International School of Art in Umbria, Italy. Betsy Podlach is an American painter who considers the Italian Venetians and the american abstract expressionist painters her mentors. The two painters she is most inspired by are Titian and Jackson Pollock, Both use the picture plane and abstraction and space, light, movement and form to communicate a physicality built entirely on the principals of painting, in the “classical” sense of a flat plane and lines, color, shape, space and light applied to that flat surface to create magic – light, space, form, emotion, force, movement, the physical and the spiritual. She describes her work as a figurative version of abstract expressionism. She was influenced by many of the abstract expressionists from the NY school...Category
1990s American Modern Figurative Paintings
MaterialsCanvas, Oil
- Surrealist Still Life with Apples, Mid 20th Century Cleveland School ArtistBy Clarence Holbrook CarterLocated in Beachwood, OHClarence Holbrook Carter (American, 1904-2000) Still Life with Apples, 1940 Oil on canvas Signed and dated upper right 18 x 24 inches Clarence Holbrook Carter achieved a level of na...Category
1940s American Modern Still-life Paintings
MaterialsOil
- Post Impressionist Oil Painting Still Life with Fruit William Meyerowitz WPA ArtBy William MeyerowitzLocated in Surfside, FLWilliam Meyerowitz (1887 - 1981) Oil painting on canvas Depicting a still life scene with fruit bowl, bananas, flowers and quilt. Post Impressionist oil painting. Hand signed low...Category
1930s American Modern Figurative Paintings
MaterialsOil, Canvas