Items Similar to The Lamentation of Christ, 16th Century Oil Old Master
Want more images or videos?
Request additional images or videos from the seller
1 of 8
The Lamentation of Christ, 16th Century Oil Old Master
About the Item
Circle of Ridolfo Ghirlandaio
1483 - 1561
Oil on panel
Image size: 20 ½ x 16 ½ inches (52 x 42 cm)
Handmade contemporary style gilt frame
The lamentation of Christ was one of the most popular scenes depicted in European art from the 11th to the 18th century. Depicting the lamentation or pieta from the Italian word for ‘Pity’ of Christ with Jesus’s mother Mary cradling his body.
Christ is depicted nude, wearing only a blueish loincloth around his waist, a horizontal scar marking his rib cage. His head and torso are held upright, and his eyes are closed, his right arm lays to his side as does his left. Standing behind him, is the Virgin Mary, outfitted in her traditional dress of a robe with a white veil. She stands behind Christ and bends slightly, looking looking away from Christ to something that has caught her attention, her right hand holding his shoulder. Her left-hand carefully holds his arm.
This work is quite unusual with Mary . This stunning work jumps out with its dark background and strong flesh colours.
Ridolfo Ghirlandaio was the son of the eminent painter Domenico Ghirlandaio. Following his father’s death in 1494, when he was just eleven years old, Ridolfo is thought to have continued his training with his uncle Davide, who had taken over the Ghirlandaio workshop. Vasari noted that Ridolfo also studied with Fra Bartolommeo, and indeed the influence of the latter is evident in much of his early work, as is that of Piero di Cosimo and Raphael, with whom Ridolfo was friendly during the latter’s stay in Florence. (Vasari writes that Ridolfo completed the blue robe of the Virgin in Raphael’s painting La Belle Jardinière, today in the Louvre.) Ridolfo soon gained a measure of independence within the Ghirlandaio bottega, and several paintings of the early 1500’s commissioned from Davide would appear to be by his nephew. His earliest documented painting, however, is a Virgin of the Sacred Girdle in the Duomo in Prato, commissioned from both Davide and Ridolfo in 1507 but largely the work of the younger artist and completed in 1509.
As an independent artist, Ridolfo Ghirlandaio enjoyed a long and highly successful career, with a number of significant public commissions in Florence, including the fresco decoration of the Cappella della Signoria in the Palazzo Vecchio, begun in 1514, and two paintings of scenes from the life of Saint Zenobius for the Compagnia di San Zanobi, painted between 1516 and 1517. Ridolfo had a large and busy studio in Florence (where among his pupils was the young Perino del Vaga) and counted among his patrons members of the Medici, Antinori and Ricasoli families, among others. He produced altarpieces and frescoes for such Florentine churches as Santa Maria Novella, Santo Spirito and Santa Maria degli Angeli, as well as altarpieces for several towns outside Florence, and also enjoyed a particular reputation as a portrait painter.
- Dimensions:Height: 20.5 in (52.07 cm)Width: 16.5 in (41.91 cm)
- More Editions & Sizes:1 of 1Price: $39,197
- Medium:
- Movement & Style:
- Circle Of:Ridolfo Ghirlandaio (1483 - 1561, Italian)
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU5248042432
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2007
1stDibs seller since 2014
65 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Peasants Playing Bowls Outside an Inn, 17th Century Oil on Oak Old MasterLocated in London, GBStudio of David Teniers the Younger 1610 - 1690 Peasants Playing Bowls Outside an Inn Oil on oak cradled panel, signed Image size: 16 ½ x 22 ½ inches Gilt s...Category
17th Century Old Masters Figurative Paintings
MaterialsOil
- Soldier in an Interior, Early 17th Century Dutch OilLocated in London, GBPieter Symonsz Potter Dutch 1600 - 1652 Soldier in an Interior Oil on oak panel, red seal to reverse Image size: 15 x 10 3/4 inches Dutch Ebonised frame Bathed in a well lit roo...Category
Early 17th Century Old Masters Portrait Paintings
MaterialsOil, Board
- The Holy Family, 16th Century Venetian School, Oil on Canvas, Hand Carved FrameLocated in London, GBOil on canvas Image size: 26 x 37 inches (66 x 94 cm) Period hand carved gilt frame The pictorial arrangement of the Holy Family, with various saints in a landscape, was very popular in sixteenth-century Venice, following the prototype of Giovanni Bellini. Possibly intended for private devotion, this picture is a representative example of the compositional type known as the sacra conversazione...Category
16th Century Figurative Paintings
MaterialsCanvas, Oil
- The Rug Merchant, 19th Century Orientalist Oil Signed Oil Painting, 1879By Carl Friedrich Heinrich WernerLocated in London, GBOil on canvas, signed and dated '1879' bottom right Image size: 38 x 59 1/2 inches (96.5 x 151 cm) Ornate Orientalist style gilt frame Carl Werner Carl Friedrich Heinrich Werner wa...Category
1870s Figurative Paintings
MaterialsCanvas, Oil
- Summer in the City, Large Semi-Abstract 20th Century Oil Painting, Female ArtistBy Lena GurrLocated in London, GBOil on canvas, signed lower left Image size: 50 x 34 inches (127 x 86.25 cm) Hand made contemporary style frame This colourful painting depicts a group of swimmers as they throw themselves from a pier, into a cooling nearby body of water. Gurr has forever captured this movement, freezing these bodies in the air, mid-jump, with a constant promise that they will soon splash through the surface of the water below. Although bold and clearly quite abstract in nature, the details of this artwork are charming - a small child sits on the pier, already wrapped in a towel after his own watery dip. Note too how the nearest diver holds their nose with one hand, in an attempt to stop the water going in as they submerge. Lena Gurr had a prolific career in which she painted landscape scenes and still lifes but her most noted works are ones such as these, showing everyday city scenes that were laced with social commentary. Indeed, Gurr's noted that her artwork always aimed to show "the joys and sorrows of everyday life." During the course of her career Gurr's compositions retained emotional content as they evolved from a naturalistic to a semi-abstract cubist style. Discussing this trend, she once told an interviewer that as her work tended toward increasing abstraction she believed it nonetheless "must have some kind of human depth to it." Lena Gurr Lena Gurr, born in Brooklyn in 1897, studied at the Brooklyn Training School for Teachers, the Educational Alliance Art School, the Arts Students League with John Sloan, and with Maurice Sterne in Paris as well as in Mentone and Nice, France. Gurr was a member of the Artists League of America, the National Association of Women Artists, the New York Society of Women Artists, the Brooklyn Society of Artists, Audubon Artists and the American Artists Congress. She exhibited in numerous exhibitions held by these organizations as well as the Whitney Studio Club, National Academy of Design, Virginia Museum of Fine Arts, Brooklyn Museum, and the 1939 World's Fair. Her work is included in the collections of the Biro-Bidjan Museum, Russia and the Library of Congress, where she has been selected as a "Curator's Choice" in the Smithsonian Archives of American Art. In addition to her career as a painter, lithographer and serigrapher, she also taught art in the New York City public school system. She had three solo exhibitions at the ACA Gallery in 1935, 1939 and 1945, and a retrospective in 1963. Notable among Gurr's colleagues - many of them WPA artists - were Mary Cecil Allen...Category
Mid-20th Century Abstract Figurative Paintings
MaterialsCanvas, Oil
- Portrait of a Man with a RifleLocated in London, GBOil on layered paper Image size: 10 1/2 x 8 1/4 inches (26.5 x 21 cm) Contemporary swept frame This is an eighteenth century portrait of a...Category
Late 18th Century Naturalistic Figurative Paintings
MaterialsOil, Laid Paper
You May Also Like
- 17th Century By Domenico Maria Canuti Toilet of Venus with Cupids and SatyrsLocated in Milano, LombardiaDomenico Maria Canuti (Bologna 1626 - 1684) Toilet of Venus with Cupids and Satyrs Oil on canvas, cm. 79x98 - with frame cm. 102x121 Original gilded wo...Category
Late 17th Century Old Masters Figurative Paintings
MaterialsCanvas, Cotton Canvas, Oil
- 16th Century by Venetian Maestro Deposition of Christ Oil on PanelLocated in Milano, LombardiaFormerly Canesso Collection, Paris. Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genova, 2022, pp. 22, 23. In this precious panel we can admire a lament over the body of Christ by a large group of bystanders among whom we can recognise the Virgin and, in the foreground, St Catherine of Alexandria...Category
16th Century Old Masters Figurative Paintings
MaterialsOil, Wood Panel
- 18th Century by Francesco Lavagna Pair of Flower Vases Oil on CanvasLocated in Milano, Lombardia98 x 36 cm each without frame - 112 x 50 cm with frame Antique gilded and shaped wooden box frames Expertise by Prof. Giancarlo Sestieri This marvellous pair of flower vases has b...Category
Early 18th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Late 17th century portrait of a French princess, daughter of Louis XIVBy Pierre GobertLocated in PARIS, FRPortrait of Françoise Marie de Bourbon, Duchess of Orléans as Venus A magnificent painting depicting the princess in all the splendour of her youth, Françoise Marie de Bourbon, known as the second Mademoiselle de Blois (Maintenon, 1677 - Paris, 1749), daughter of Louis XIV and Madame Montespan, future wife of the Regent. Late 17th century, circa 1695 Pierre Gobert (Fontainebleau, 1662-Paris, 1744) and his workshop Oil on canvas Dimensions: h. 109 cm, w. 92 cm (42.91 in x 36.22 in) Important 19th century Louis XIV style giltwood and gilt stucco stucco finely carved with foliage and scrolls. Framed dimensions: h. 142 cm (55.9 inch), w. 126 cm (49.61 inch) The princess is portrayed full-length seated on a chariot pulled by two doves floating in the sky. Her slender face is draped in an ample antique blue dress...Category
Late 17th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Enormous French Oil Painting King Louis XIV of France on HorsebackBy Pierre MignardLocated in Cirencester, GloucestershireFrench School, after Pierre Mignard Louis XIV on Horseback oil on canvas, unframed painting: 60 x 41 inches provenance: private collection, UK The paint...Category
20th Century Old Masters Figurative Paintings
MaterialsOil, Canvas
- Huge Old Master Oil Painting 17th century Diana & Cupids in Panoramic LandscapeLocated in Cirencester, GloucestershireDiana The Huntress and her Cherubs Northern European artist, circa 1680's period oil on canvas, unframed canvas: 20 x 60.5 inches provenance: private collection, UK condition: some p...Category
17th Century Old Masters Figurative Paintings
MaterialsOil
Recently Viewed
View AllMore Ways To Browse
Old Well
Old Weller Antique
Old Wellers Antique
Large Old Master
Large Old Master Italian
Old Antique Other Antiques
La Belle Antique
16th Century Hand Art
Old Antique Dresses
Antique 16th Century Paintings
16th Panel
16th Century Panel
Old Master 16th Century
Italian Paintings 16th Century
Blue Robe
Jesus Christ Art
16th Century Painted Italian
16th Saint