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Dasha Pogodina
Seascape Landscape, Sea Painting - MONET CLIFF
2021

About the Item

ABOUT THE ARTWORK "Seascape Landscape, Sea Painting - MONET CLIFF" is a serene depiction of the dynamic interplay between sea and land. The artist harnesses a spectrum of blues and greens to capture the essence of the undulating ocean, with each stroke contributing to the overall sense of movement and rhythm of the waves. The cliffs are rendered in warm earth tones, creating a striking contrast against the cool hues of the water and imparting a sense of stability and resilience against the relentless sea. This painting is a dance of textures and colors, with the impasto technique adding depth and a tactile quality to the scene. The balance of light and shadow, the careful gradation of color, and the bold application of paint all combine to create a piece that is both a visual homage to the power of nature and a contemplative retreat for the viewer.

Creator:

Dasha Pogodina (1992, Ukrainian)

Creation Year:

2021

Dimensions:

Height: 19.69 in (50 cm)Width: 27.56 in (70 cm)Depth: 0.79 in (2 cm)

Medium:

Canvas,Mixed Media,Acrylic

Movement & Style:

Impressionist

Period:

2010-

Condition:

Gallery Location:

Zofingen, CH

Reference Number:

1stDibs: LU2203211877752

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Dasha Pogodina Ukrainian artist, based in Switzerland. Paintings are in private collections in the USA, South Korea, Italy, Great Britain, Germany, and Switzerland. Exhibitions 2022 Solo Exhibition Stärke und Verletzlichkeit / Escape Vide - Thun, Switzerland 2022 Group exhibitions In Ukraine / ZRC - Ljubljana, Slovenia 2018 Group exhibitions Room of my Minds, Ukraine 2017 Group exhibitions Garden as an Art, Kyiv, Ukraine 2014 Group exhibitions Gift of Volhvs Severodonetsk, Ukraine 2013 Group exhibitions Fragment of Life, Luhansk, Ukraine 2012 Collaborate Project Light of Hearts, Luhansk Ukraine Dasha Pogodina about her art New sexuality and personal integrity - are the basic areas of search in my artistic practice. In my practice, I problematize the ideal of the metamodern world with its total moderation and the desire to return to high ideals and values. As an artist, I concentrate on the nature of the corporeal, I perceive the body as a membrane reflecting me into this world and communicating the world to me. In search of answers, I enter into dialogue with the body-sensory lexicon of Kiki Smith and Paula Modersohn Becker and also find support in the sublime physicality of the early Gothic of the 13th century from Giotto, unencumbered by the tension of formal anatomy. My works are filled with color, and ethnic decoration and are illustrative at the same time. This turns my paintings into light, at first glance, stories, which, however, do not call the viewer to cold contemplation, but, on the contrary, open up the opportunity to safely return to their secret “I”. I use the space of naive archetypal images, creating a safe haven from aggressive modernity, with the opportunity to dive into the psychological depths of my own worldview. I build into my paintings the mechanics of oscillation of naivety and mockery, trust and cynicism, chastity and debauchery, strength and kindness, as a manifesto of courage to be vulnerable and herbivorous in a world where food chains still exist.