Paul Schulenburg

Magnolia Upper West

2019

Represented by George Billis Gallery, NYC & LA -- Kenny Harris's latest body of work was informed by two recent residencies in Tuscany, at Borgo Finocchieto and Monteverdi. Inspired by the heavy Tuscan light...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...

Represented by George Billis Gallery. I think of my work as being like a visual journal- observations and interpretations of people, places and things I experience day to day. Tran...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...

Represented by George Billis Gallery, NY & LA -- My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architect...

Represented by George Billis Gallery, NY & LA -- My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architect...

Glorious fun with food in this bold and colorful still life celebration where green, red, orange and yellow reigns, in this chili pepper scene from highly collectible American realis...

Exhibited: National Academy of Design, New York, 1906 (as no. 101) Art Institute of Chicago, 1908 (as no. 74)

Sweet and Sour by Mark Schiff We guarantee that you will love this painting. If not, you can return it for a complete refund, no questions asked.

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...