20th Century English School

Port of Fowey, Cornwall, Oil Painting on Canvas, English School

Oil on canvas, signed and dated '1724' bottom right Image size: 48 x 36 inches (121 x 91 cm) 19th Century hand carved gilt frame This rediscovered painting is a splendid example of ...

Oil on canvas, signed lower right Image size: 28 3/4 x 28 3/4 inches (73 x  73 cm) Contemporary frame Doris Zinkeisen was a British painter, stage-set and costume designer, writer a...

Oil on canvas, signed Image size: 20 x 24 inches Framed New English Art Club label to the back and his address for Herne Hill, London

Oil on canvas, signed lower left and dated '1912' Image size: 16 x 12 inches (30.5 x 40.5 cm) Original gilt frame This is a scene of the Thames Docks. It is most likely to be on Ban...

Oil on panel Image size: 5 1/2 x 8 inches (14 x 2o cm) Contemporary hand made frame A charming scene of an English country lane, featuring a group of travellers resting on their journey. Two maids seem deep in discussion while they wait with a gentleman wearing a tricorn hat and fashionable maroon...

Signed and dated '1902' lower right Contemporary style hand made frame Provenance: Tryon Gallery Private collection In this painting we can we Blackfriars Bridge in the background reaching across the River Thames with smoke billowing up into the sky behind. On the far right the unmistakable, and instantly recognisable, silhouette of St Pauls also breaks the sky line of the city. Finished in the early 18th Century, St Pauls has been a noticeable addition to the London cityscape ever since. This work by Wilkinson depicts 'The Pool' of London, a stretch of the River Thames from London Bridge to below Limehouse. As part of the Tideway of the Thames, the Pool was navigable by tall-masted vessels bringing coastal and oversea goods to the wharves that originally made up the Port of London. In 1909 the Pool came under the jurisdiction of the Port of London Authority. The docks here thrived until the late 1950s, despite suffering from extreme bomb damage during the Second World War. The tall-masted ships that Wilkinson has depicted here are perfect examples of traditionally rigged sailing craft of the time. They differ from modern sailing vessels in that they did not use newer materials (such as aluminium and steel) and have more complex rigging as a result. The term tall ship later came into widespread use in the mid-20th century with the advent of Tall Ships' races. Here, incredible attention to detail has been applied by Wilkinson in the accurate depiction of the various ships rigging...

Countryside, 1876 Oil on canvas 13 1/2 x 11 in. Framed: 17 1/2 x 15 x 1 1/2 in. Signed lower left and dated 1876

Description: A Landscape by the Nottingham Artist William F Burchell. Signed to the lower right, Title verso. The scene depicts two women stood outside of a cottage in the evening...

Description: Depicting a moody landscape in the New Forest, Hampshire. The foreground with a muddy path, leading toward the background of cattle and trees. In a beautiful period gilt wood frame, with beaded and cove decoration. Size: 37cm x 26.5cm unframed 43cm x 32cm framed Condition: Generally good condition, frame somewhat scratched and marked Biography: Frederick Golden Short...

Horse and Sulky reminiscent of Currier and Ives by George Christopher Horner (1821-1881), British artist, imported by Saltire Gallerie. Signed and da...

Lovely landscape painting of sunset titled Shere, Surrey by George Vicat Cole, RA (1833-1893). The painting is in the tradition of plein art, monogrammed VC lower right and dated 187...

Signed lower right "Nasmyth" leading to one of the whole pleiad of renowned Scottish artists starting with Alexander Nasmyth (1758 -1840). This painting showcases a scene of a landscape with shallow water, where a family is seen wading through a river ford in knee-deep water. The presence of a shepherdess on a high bank, observing the travelers with keen interest, adds a sense of pastoral charm to the composition. One of the focal points of the painting is a picturesque tree that has fallen into the river, adding a touch of drama to the overall scene. The contrast between the lush woodland and bushes on the right side of the foreground and the rolling valley on the left side further enhances the depth and perspective of the painting and superbly illustrates the traditions of the early 19th century British Art...