David Johnson"Byram Lake, New York" David Johnson, Hudson River School Landscape, Westchester
About the Item
- Creator:David Johnson (1827-1908, American)
- Dimensions:Height: 11.75 in (29.85 cm)Width: 15.87 in (40.31 cm)
- Medium:
- Period:
- Condition:Craquelure on bottom quarter.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841212367622
David Johnson
A landscape painter based in New York City and associated with the second generation of Hudson River School painters, David Johnson was noted for his ability to delineate accurate rock formations and foliage. He was especially influenced by the work of Hudson River painters Jasper Francis Cropsey, John Casilear, and John Frederick Kensett. He also painted an occasional still life.
Johnson was born and raised in New York City, but little else is known about his early life. He studied briefly with Cropsey but said that his best teacher was nature, which he utilized in his paintings from his frequent trips to the Hudson River Valley, especially the areas around West Point and Fort Putnam.
Johnson painted his first nature studies in 1849, and that year first received public acclaim for his work exhibited at the National Academy of Design and the American Art Union. In 1860, he was elected a full Academician.
Primarily Johnson painted in the Northeast, doing views of the Catskills, Adirondacks, Lake George, the Hudson River and the White Mountains, where he worked in the early 1850s with a colony of artists around North Conway. His early landscapes tend to be panoramas, rock studies, or forest interiors. In the middle of his career, he adopted a more luminist style and did tranquil marine scenes such as flowing rivers, and his later work showed Tonalist influence of the French Barbizon School with pastoral subjects. It is written that this period in his career was not much distinguished and that "Influenced by the barbizon style, his work became monotonous and less articulate." (Michael David Zellman, 300 Years of American Art)
In the 1880s, Johnson’s reputation began to diminish, and by the time he died his work was virtually unappreciated. Many years later, it was re-discovered by scholars who appreciated his great skills of naturalist documentation.
Find original David Johnson paintings on 1stDibs.
(Biography provided by Saratoga Fine Art)
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- "Sunlit Landscape, " Lawton Silas Parker, Impressionist LandscapeLocated in New York, NYLawton Parker Sunlit Landscape, circa 1910 Oil on board 10 x 12 inches Provenance: Adamson-Duvannes Galleries, Los Angeles Goldfield Galleries, Los Ange...Category
1910s Impressionist Landscape Paintings
MaterialsOil, Board
- "California Mountains, " Orrin White, Impressionism, Southwest Desert LandscapeBy Orrin A. WhiteLocated in New York, NYOrrin White California Mountain Landscape Signed lower right Oil on board 8 x 10 inches A nationally known landscape painter, who spent the prime of his career in California, Orrin White was born in Hanover, Illinois. He was artistically inclined at an early age but did not pursue an art career until he was in his thirties. After receiving a Bachelor of Arts degree from Notre Dame University...Category
Early 20th Century Impressionist Landscape Paintings
MaterialsOil, Board
- "Prospect Park, Brooklyn, " Nathan Hoffman, New York City Impressionist LandscapeLocated in New York, NYBorn in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...Category
1940s Post-Impressionist Landscape Paintings
MaterialsOil, Board
- "Vermont Landscape with Birch Trees" Luigi Lucioni, Realist Forest SceneBy Luigi LucioniLocated in New York, NYLuigi Lucioni Vermont Landscape with Birch Trees, 1936 Signed and dated lower left and inscribed indistinctly verso Oil on board 20 x 15 7/8 inche...Category
1930s Realist Landscape Paintings
MaterialsOil, Board
- "Doorway" Ken Davies, Realist House Porch ArchitectureLocated in New York, NYKen Davies Doorway, circa 1970 Signed lower left Oil on board 11 x 15 inches Provenance: The Heritage Gallery Inc., Columbus, Ohio, 1975 Private Collection, Columbus Acquired from the estate of the above Born in New Bedford, Massachusetts, Kenneth Davies...Category
1970s Realist Landscape Paintings
MaterialsOil, Board
- "Brighton Beach, August 5" Nathan Hoffman, Brooklyn, Impressionist, Sunny DayLocated in New York, NYNathan Hoffman Brighton Beach, August 5, 1941 Signed, titled, dated and estate stamped on the reverse Oil on board 9 3/4 x 14 inches Born in Russia, th...Category
1940s American Impressionist Landscape Paintings
MaterialsBoard, Oil
- Penobscot Bay ExpeditionBy Tom LovellLocated in Fort Washington, PAMedium: Oil on Board Signature: Signed Lower Right Tom Lovell was well known for his thought provoking illustrations for Life magazine, The Saturday Evening Post and National Geographic. He was the first artist to win the National Academy of Western Art's highest honor, the Prix de West, twice. This lot was painted circa 1960 just before he was commissioned to paint a series of Civil War battle...Category
1960s Landscape Paintings
MaterialsBoard, Oil
- A Passenger TrainBy Stevan DohanosLocated in Fort Washington, PADate: 1945 Medium: Oil on Board Dimensions: 16.00" x 33.75" Signature: Signed Lower Right Exhibitions: Exhibited at International Galleries Contemporary American Illustration, May 1...Category
1940s Landscape Paintings
MaterialsBoard, Oil
- The Rawhide Part IIIBy Maxfield ParrishLocated in Fort Washington, PAMedium: Oil on Paper Mounted to Board Signature: Signed Lower Right, Signed Again and Dated August of 1904 on Reverse The Rawhide Part III, 'He swung himself into the saddle and rode away.' Signed with initials M·P...Category
Early 1900s Landscape Paintings
MaterialsOil, Paper, Board
- View of SienaBy Bruno CroattoLocated in Roma, RMBruno Croatto (Trieste 1875 - Rome 1948), View of Siena (1941) Oil painting on panel 50 x 60 cm signed, located Siena and dated 1941.Category
1940s Other Art Style Landscape Paintings
MaterialsOil, Board
- Riva d'Arno in FlorenceLocated in Roma, RMDomenico Bresolin (Padua 1813 - Venice 1890), Riva d'Arno in Florence Oil on canvas applied to cardboard 26 x 40 cm. INFO: to get more information Publications D. Ritter, Venedig...Category
Mid-19th Century Academic Landscape Paintings
MaterialsCanvas, Oil, Cardboard
- The plain of Palermo as seen from Monte PellegrinoLocated in Roma, RMGiovanni Calamia Lombardo (Palermo 1849 - 1894) The plain of Palermo as seen from Mt. Pellegrino. Oil painting on panel 26 x 44 cm signed lower left.Category
Late 19th Century Academic Landscape Paintings
MaterialsOil, Board