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Ernest AlbertLandscape Oil Painting Attributed Ernest Albert American ImpressionistSalmagundicirca 1930
circa 1930
About the Item
The painting signed Ernest Albert is 10.5 x 15.5 unframed and could benefit from a cleaning and better frame unless you like this look. This painting has the tell tale signs of Alberts tiny patch work like brush strokes he developed and utilized in many of his works although later works have a heavier application of paint.
Possibly an early painting attributed to Ernest Albert done on masonite panel, which was developed around 1924.
Masonite was one of the most prevalently used of the new materials. This manufactured hardboard, which lies beneath the paint of innumerable 20th century artworks, was invented in Laurel, Mississippi, in 1924 by William H. Mason. Info found on the internet.
Here is information found online for Ernest Albert credited to 2 galleries.
Ernest Albert (1857-1946)
Ernest Albert worked as a newspaper illustrator while studying at the Brooklyn Institute School of Design, but upon graduation switched gears and began an apprenticeship in scene-painting at the Park and Union Square theaters in New York. As a theatrical artist, he traveled to Saint Louis, Chicago, and Cedar Rapids, Iowa. He settled once again in New York in 1894 and opened Albert Studios, a successful stage and scenic design company. Vose Gallery
Albert spent summers in Old Lyme after 1896 and became integrated in the budding artist colony. He concentrated primarily on easel painting after 1909. His paintings are noted for the Impressionistic brushwork and subtle gradations of light, and he participated regularly in exhibitions at the National Academy of Design. He was the founder and first president of the Allied Artists of America, and a member of the American Watercolor Society, the Connecticut Academy of Fine Arts, and the Lyme Art Association. Cooley Gallery
- Creator:Ernest Albert (1857 - 1946, Belgian)
- Creation Year:circa 1930
- Dimensions:Height: 14.13 in (35.9 cm)Width: 19.13 in (48.6 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In ready to hang condition.
- Gallery Location:Chesterfield, NJ
- Reference Number:1stDibs: LU1254112313822
Ernest Albert
A distinguished theatrical and scenic designer who also became a landscape painter and muralist, Ernest Albert worked in New York, St. Louis, and Chicago. He was born in Brooklyn, New York in 1857, and showing early talent, received the Graham Art Medal* at age 15, while he was studying at the Brooklyn Art Institute. Though Albert had some early success as a newspaper artist, his introduction to the theater world in 1877 began a career in stage design; he worked on productions starring most of the best-known performers of the day. During this time in 1879, he employed and befriended young Jules Guerin, who went on to become the Lincoln Memorial Muralist. From New York City, Albert went to St. Louis in 1880, and five years later to Chicago. In 1892, he became involved with the Chicago World's Colombian Exposition. He was responsible for the color schemes and ornamental design of many of the interiors of buildings in that renowned and successful fair. While in Chicago, he helped found the American Society of Scenic Painters. In 1894, Albert returned to New York City, where, from then on, his work in scenic design was centered. His Albert Studios did the sets for many successful productions. All along, he had painted whenever he could snatch the time. At the pinnacle of his career in 1905, he began to withdraw gradually from his theater work. His family was settled in the striking new house he had built in New Rochelle, New York; his financial independence was established; and from then on, he devoted most of his considerable talent and energy to his landscapes. Albert's landscapes, painted mostly in Old Lyme, Connecticut and later on Monhegan Island, Maine (as well as a few on the West Coast), are simple in composition but subtle in effect. His impressionistic rendering of color and light imbue his quiet country scenes with all the magic of the moment. The gentle strength of these pictures and of his still life ensured their popularity and earned him a place as one of America's respected artists. Albert was active in several organizations and was a founder and first president of the Allied Artists of America.
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