Ezelino Briante

Fishing boats on the lagoon, Venice

Work on wood Wooden frame and gilded plaster 37.5 x 49.5 x 7 cm

Work on canvas Plaster and gilded wood frame 90 x 127.5 x 5.5 cm

Work on canvas Empire frame in gilded wood 28.2 x 37 x 4 cm

Work on canvas Golden wooden frame 32 x 39 x 3 cm

Work on canvas Molded frame in gilded wood 68 x 78 x 6 cm

Work on canvas

Attributed to Carl-Wilhelm GÖTZLOFF (Dresden, 1799 -Naples, 1866) The Bay of Naples and Vesuvius from the Pausilippe Oil on canvas H. 66 cm; L. 98.5 cm Trained in Dresden by Caspar ...

Rome - Ettore Ferrante Italia 2004 - Oil on canvas cm.40x80 Ettore Ferrante is a refined and excellent landscape painter of the past. He combines his dedicated professionalism with a...

Architectural whimsy with Roman ruins, column and ancient arches. Year 1718. Oil on Canvas. Original canvas. Roman school of the early 18th century. The painting is part of the seri...

Virgilio Ripari was best known for his seascapes and impressions of Venice. His romantic and peaceful paintings of life of Venice and Italy with placid waters or full sails on boats...

Oil on canvas, not signed. Venitian School Mid XIX century. Framed, dim: 94x125 cm.

Rome - Ettore Ferrante Italia 2002 - Oil on canvas cm. 45x95 In this precious oil painting Ettore Ferrante is inspired by the views of the Dutch neutralized Italian painter Gaspar Adriaensz van Wittel, known as Casper, and known in Italy as Gaspare Vanvitelli. In particular this is a reinterpretation of the painting "View of the Tiber with Castel Sant'Angelo and San Pietro in the background" by Vanvitelli. Taken from the left bank of the river, the view has its focal point in the circular mass of Castel Sant’Angelo, the pontifical fortress built on the central core of Hadrian's mausoleum and enriched with ramparts and patrol paths overlooking the water. In the background of the view, the Vatican basilica with the papal palaces responds to the vestiges of imperial power, while in the center the Sant'Angelo bridge, adorned with statues painted between 1669 and 1671 by Gian Lorenzo Bernini and his pupils, connects the two banks replacing the ancient Aelius bridge built by Hadrian. No less interesting is the minor urban fabric...