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Garrett Middaugh Big Bend, Texas Landscape, Pastel, Landscape, Framed, Mexico Free Shipping2022
2022
About the Item
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Big Bend is done in pastel by Garrett Middaugh who lives in San Antonio, Texas. On the Frio is 18 x 24 without the frame. The frame adds about 4 ". It is protected by conservatorship glass. This is a view from Park Route 12 as you drive toward Boquillas Canyon, in the southeastern part of Big Bend. The range in the background is actually in Mexico.
Garrett Middaugh is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. His palette is muted, stark, embracing the neutral colors of everyday experience. Avoiding the romantic, his landscapes are often painted at high noon or in the dead of winter. He paints in a fluid hyper realist style and feels most influenced by other landscape artists such as Neil Welliver and Rackstraw Downes. He sees landscape painting as a form of meditation, projecting outward, while solving equations and mapping the scene, realizing accuracy of objects and relationships, of light, color, textures, distances.
"Landscape painting is for me a means of projecting outward, of meditating, examining the here and now of place. The process often feels similar to the satisfaction of solving math equations, intuitively realizing accuracy of objects and relationships, of light, color, textures, distances. For the most part I paint Texas. For several years I devoted a significant amount of time to painting its forests -- the complexity of forest alleviated my sense of horror vacui, the nearness and density of growth was comforting. I have also ventured into west Texas and Big Bend, and occasionally have attempted to capture the mesmerizing serenity of central Texas farm and ranchland." Garrett Middaugh
Finalist for Hunting Art Prize
Invitational Exhibition, Williams Tower, Houston, Texas
Pastel Society of the Southwest, 25th Annual Juried Membership Exhibition; Dal as, Texas – Award of
Excellence
Pastel Society of America, 32nd Annual Pastel Exhibition, 15 Gramercy Park South, New York
1st Place, Art Spirit Foundation Award
The artist is in corporate and private collections around the world. Other available paintings are shown.
Selected corporate collections
BNSF Railway, Houston, Texas
Prentice Women’s Hospital, Chicago, Illinois
Chevron, Inc. – Texas, Louisiana, Alaska
Valero, Inc., San Antonio, Texas
Cherokee Construction, Houston, Texas
Southwest Securities, Arlington, Texas
M.D. Anderson Hospital, Houston, Texas
AM Bank South, Nashville, Tennessee
Fidelity Investments, Dallas, Texas
Savant Design Group, Houston, Texas
USAA, San Antonio, Texas
Northern Trust, Houston, Texas
3M Corporation, St. Paul, Minnesota
Graves, Dougherty, Hearon & Moody Law Firm, Austin, Texas
Weingarten Realty, Houston, Texas
Omni American Credit Union, Fort Worth, Texas
- Creator:Garrett Middaugh (American)
- Creation Year:2022
- Dimensions:Height: 18 in (45.72 cm)Width: 24 in (60.96 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Houston, TX
- Reference Number:1stDibs: LU1405210658572
Garrett Middaugh
Garrett Middaugh is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. His palette is muted, stark, embracing the neutral colors of everyday experience. Avoiding the romantic, his landscapes are often painted at high noon or in the dead of winter. He paints in a fluid hyper realist style and feels most influenced by other landscape artists such as Neil Welliver and Rackstraw Downes. He sees landscape painting as a form of meditation, projecting outward, while solving equations and mapping the scene, realizing accuracy of objects and relationships, of light, color, textures, distances. "Landscape painting is for me a means of projecting outward, of meditating, examining the here and now of place. The process often feels similar to the satisfaction of solving math equations, intuitively realizing accuracy of objects and relationships, of light, color, textures, distances. For the most part I paint Texas. For several years I devoted a significant amount of time to painting its forests -- the complexity of forest alleviated my sense of horror vacui, the nearness and density of growth was comforting. I have also ventured into west Texas and Big Bend, and occasionally have attempted to capture the mesmerizing serenity of central Texas farm and ranchland." Garrett Middaugh
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