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Michael AlfordThe Final Over - Burton Court SW3 - original contemporary impressionism painting2024
2024
About the Item
"The Final Over - Burton Court SW3" is a striking oil on panel painting measuring 46 x 84 cm, meticulously framed to add an additional elegance and dimension to the piece. This artwork captures a quintessentially British scene, set against the historic and grand backdrop of Burton Court. The artist has beautifully rendered a game of cricket in progress, encapsulating not just the players in their whites, but the very essence and spirit of the sport that is so deeply ingrained in British culture.
The composition is balanced and harmonious, with the lush green of the playing field in the foreground contrasting against the architectural majesty of the court. The figures are painted with enough detail to convey action and intent, yet with a softness that allows them to meld seamlessly into the idyllic setting. The sky above, a dramatic expanse of blues and grays, suggests that the day is drawing to a close, adding a sense of urgency to the game's concluding moments.
This painting does more than just depict a scene; it tells a story of tradition, sport, and the shared experiences that connect us. The work is signed by the artist, affirming its authenticity and readiness for display. "The Final Over - Burton Court SW3" would be a distinguished addition to any collection, offering a window into the timeless appeal of cricket and the enduring beauty of London's landscapes.
- Creator:Michael Alford (1958, British)
- Creation Year:2024
- Dimensions:Height: 22.05 in (56 cm)Width: 37.01 in (94 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU468314437002
Michael Alford
Artist Biography Michael Alford is an established British artist whose works have featured in prominent prizes and exhibitions throughout the UK, and who has twice been appointed war artist to the British Military. Inspired by extensive travel, he composes representations of diverse landscapes and intriguing figures whilst simultaneously fusing classical techniques with a sharp, modern sensibility. Alford's overall aesthetic captures sensitive intricacy and luminous clarity. After returning, he chose to study art at the Slade School and the Chelsea School of Art. Diverse Landscape
Alford's varied body of work reflects his interest in many types of painting. He is well known for powerful cityscapes of contemporary urban centres —especially London—and for landscapes that capture diverse geographies through the eyes of a passionate traveller. His paintings of figures, clothed and nude, are sought after for their combination of fine draughtsmanship, acute observation and sense of drama. Military Honours for a traveller-painter
Alford has been awarded prizes including the Green and Stone Oil Painting Prize, the Agnes Reeve Memorial Prize for best painting of London, and the Prima Luce Mural prize. Alford is a member of the Chelsea Arts Society. He has twice been appointed war artist to the British Military and was also commissioned by the military to produce artwork in Iraq in 2016.
Style and Technique
Michael is a figurative painter with an expressive classical style. He depicts scenes of contemporary life with an emphasis on urban subjects, landscapes and the human figure. His wide-ranging catalogue includes cityscapes, city scenes (captured moments in the life of the city), landscapes, beach- and seascapes, figure groups and nudes. His approach is distinguished by vigorous brushwork, skilled draftsmanship, bold handling of colour and a sensitive rendering of the interplay of shadow and light.
Artist Statement
“Painting for me is recapturing the experience of seeing, without being too literal-minded about what that experience is or means.
My work always starts with direct observation of the visible world. It can be broad and sweeping, as in landscapes or cityscapes, or very close and intimate, as in figures, nudes or interiors. I often go out looking for subjects and return to the studio with sketches or drawings. These I use as a starting point for a process that turns raw observation—impressions—into something more abstract and evocative. The process often involves cutting out visual distractions and transient effects so that the resulting image has more power. Time acts as an important filter for me and so does physical distance between the initial sketch and the painting. Both help me distil the memory and pick out the essential forms.
My overall aim is to communicate my experience of seeing, to convey—through the use of light and shadow and mood—some of the magic and mystery I feel when I look at the world.” – Michael Alford
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- ShippingRetrieving quote...Ships From: London, United Kingdom
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