Want more images or videos?
Request additional images or videos from the seller
1 of 5
Patricia ChidlawGraffiti and Tank Car2021
2021
About the Item
Represented by George Billis Gallery, NYC & LA -- "When asked what kind of paintings I make, I usually call my work "Urban Landscapes" to distinguish them as paintings about areas of human habitation rather than landscapes that reference the natural world. But my subjects are certainly not all urban – some are suburban, some small towns and some are ruins, such as a faded sign and abandoned business bleaching in the desert sun as once populated areas return to their former empty silence. While I often treat older architectural forms, I want to make it clear these are not paintings about nostalgia – all are contemporary scenes, recently observed. Currently I've painted a number of pictures which seem neither urban nor rural but are set in that particular non-space that now covers so much of the landscape – the limbo of freeway exits and on-ramps and their attendant fast-food franchises.
What I feel these mostly unpopulated places I choose to paint have in common is a potency, some kind of emotional charge that enables them to function as settings for a subjective fictional narrative. As the artist I choose and edit the scenes, setting the stage for viewers to bring their imaginations and private meanings to these places made special by my selection and attention."
Notes: Hotel, Travel, Urban, Rural, Road Trip, Classic Car, Framed
Colors: Yellow, Orange, Blue, Warm
- Creator:Patricia Chidlaw (American)
- Creation Year:2021
- Dimensions:Height: 15 in (38.1 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Framed.
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU183210764662
Patricia Chidlaw
Painter and art critic Wyndam Lewis wrote “Art is the expression of an enormous preference.” We gravitate to the visual based on what appeals to us deep in our souls. That preference is such a personal and complicated response to countless factors - and not something easy to quantify. Patricia Chidlaw’s preferences - what she find visually engaging and beautiful - have stayed remarkably consistent over her forty years of painting. The morning light on the stark pavement of the L.A. River still takes her breath away. She is drawn to those older parts of cities - the forgotten alleys and underpasses. And yet these very spaces she finds so compelling are vanishing at an ever increasing speed as cities evolve and modernize. When asked what kind of paintings she makes, Chidlaw describes them as "urban landscapes” but her subjects are certainly not all urban – some are suburban, some are rural small towns, and some are ruins, such as a faded sign and abandoned business bleaching in the desert sun as once populated areas return to their former empty silence. While she often depicts older architectural forms, it is clear that these are not paintings about nostalgia – they are all contemporary scenes, recently observed. Chidlaw is endlessly attracted to light - to the changing light of the morning and evening, to how shadows play over Los Angeles, to the subtle shades of color in the sky and how that playings over clouds. And while natural light is a huge influence, Chidlaw is deeply drawn to the concrete and steel of the constructed world. Chidlaw writes of her explorations for this new series, “I have had a few recent visual surprises - who knew swimming pools would become illuminated with L.E.D. lights, that can segue through the entire color spectrum. In these places I have chosen, I think the attraction goes beyond the particulars of of patterns of light and dark and color to the emotions these places evoke for me.” When an artist chooses to make a painting of a particular place, the message is “I find this to be important” and in depicting that space, guides the viewer to find what the artist herself is so drawn to. Chidlaw encourages us to take a second look at the spaces we so often drive past - to stop and revel in the angles of bridges, the shadows falling across a cityscape, the vistas framed by unexpectedly elegant power lines - to take that moment and find the hidden beauty of these urban landscapes. Patricia Chidlaw received her BA from the University of California, Santa Barbara and has exhibited extensively on the West Coast and at numerous art fairs throughout the US. In 2014, she was the subject of a solo exhibition, Realm of the Commonplace - Paintings by Patricia Chidlaw, at the Nevada Museum of Art in Reno, NV. Her work appears in many private collections and has been featured in THE Magazine, ArtScene, Southwest Art, Artweek, and on KCET.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1996
1stDibs seller since 2015
239 sales on 1stDibs
Typical response time: 22 hours
- ShippingRetrieving quote...Ships From: Los Angeles, CA
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Farewell #4By Wes HempelLocated in Fairfield, CTRepresented by George Billis Gallery, NYC & LA -- For decades, Wes Hempel has been committed to re-envisioning the depiction of masculinity in contemporary art. By setting psychologically acute portraits of modern-day men against backdrops appropriated from such disparate sources as neoclassical history...Category
2010s American Realist Landscape Paintings
MaterialsCanvas, Oil
- Departure BeatBy Trevor YoungLocated in Fairfield, CTRepresented by George Billis Gallery, NYC & LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, lif...Category
21st Century and Contemporary American Realist Landscape Paintings
MaterialsCanvas, Oil
- End of InningBy Trevor YoungLocated in Fairfield, CTRepresented by George Billis Gallery, NYC & LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, lif...Category
21st Century and Contemporary American Realist Landscape Paintings
MaterialsOil, Canvas
- View from the Train, L.A. RiverBy Patricia ChidlawLocated in Fairfield, CTRepresented by George Billis Gallery, NYC & LA --When asked what kind of paintings I make, I usually call my work "Urban Landscapes" to distinguish them as paintings about areas of h...Category
2010s American Realist Landscape Paintings
MaterialsOil, Canvas
- Lincoln CenterBy Danny HellerLocated in Fairfield, CTRepresented by George Billis Gallery, NY & LA -- My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses on the cultural centers and glamorous institutions that signaled its strength – and enchantment – in the 1950s and 60s. Covering such bewitching landmarks as Lincoln Center...Category
21st Century and Contemporary American Realist Landscape Paintings
MaterialsCanvas, Oil
- Placid ComebackBy Trevor YoungLocated in Fairfield, CTRepresented by George Billis Gallery, NYC & LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on...Category
21st Century and Contemporary American Realist Landscape Paintings
MaterialsOil, Canvas
You May Also Like
- Angel Island, 2023By Willard DixonLocated in Burlingame, CAOil painting by Willard Dixon featuring a figure enjoying the view of Angel Island from San Francisco. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. Angel Island, painted in 2023. the canvas is 30 X 30 inches. Oil on canvas, and traditionally framed in contemporary, minimal hardwood floater frame.Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank...Category
21st Century and Contemporary American Realist Landscape Paintings
MaterialsCanvas, Oil
- Angel Island, Evening, 2023By Willard DixonLocated in Burlingame, CAOil painting by Willard Dixon featuring a figure enjoying the view of Angel Island from San Francisco's Crissy Field. Willard Dixon, who is one of the finest American contemporary re...Category
21st Century and Contemporary American Realist Landscape Paintings
MaterialsCanvas, Oil
- Evening Beach, 2023By Willard DixonLocated in Burlingame, CAOil painting by Willard Dixon featuring figures enjoying an evening at a beach. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coas...Category
21st Century and Contemporary American Realist Landscape Paintings
MaterialsCanvas, Oil
- 2023By Willard DixonLocated in Burlingame, CAWillard Dixon, 'San Francisco, Dusk' was painted in 2023. The original painting is 25 X 37 inches. Framed in a contemporary minimal hardwood, 25.5 x 37.5 inches. Ready to hang and en...Category
21st Century and Contemporary American Realist Landscape Paintings
MaterialsCanvas, Oil
- Marin Islands, DuskBy Willard DixonLocated in Burlingame, CAWillard Dixon, 'Marin Islands' was painted in 2023. The original painting is 19 X 52 inches. Framed in a contemporary minimal hardwood, 19.5 x 52.5 inches. Ready to hang and enjoy ov...Category
21st Century and Contemporary American Realist Landscape Paintings
MaterialsCanvas, Oil
- On The Banks of the Green RiverBy Mark BeardLocated in Hudson, NYoil on canvas, framed This landscape was based on glass plate negatives taken by the artist's great-grandfather in the 1880s in Yellowstone National Park. Artist made raw wood frame American countryside, American West, manifest destiny, Rocky Mountains, painting of the American West, painting of the Western countryside, the great outdoors, landscape painting About the artist: A visit to Mark Beard’s studio is like discovering Michelangelo’s lair: oil paintings layer the walls, lifedrawings litter the table at the feet of heroic bronzes; ceramics, architectural maquettes are everywhere; virtuosity, in every medium. And then it gets even more interesting. Mark’s talent is so overflowing that, years ago, he needed to channel himself into alter egos. Mark invented the persona of “Bruce Sargeant,” an imagined English artist, contemporary of E. M. Forster, Rupert Brooke, and John Sloan. Mark also created Bruce Sargeant’s teacher, Hippolyte-Alexandre Michallon, a 19th-century French Academist. Michallon also taught Edith Thayer Cromwell...Category
21st Century and Contemporary American Realist Landscape Paintings
MaterialsCanvas, Oil