1950s Landscape Paintings
4
to
270
607
310
576
45
712
196
10
189
218
297
126
88
Overall Height
to
Overall Width
to
294
175
111
96
27
12
4
2
1
1
1
1
317
198
153
95
82
68
64
63
60
56
55
52
42
40
39
38
35
24
24
23
577
2,964
14,315
26,240
339
328
556
600
706
918
932
857
997
865
297
31
12
10
8
8
894
728
411
398
142
Period: 1950s
Colorful New York Catskills Landscape Painting; Ukrainian-American Artist, 1952
Located in Baltimore, MD
This is a highly stylized 1952 New York State fall landscape oil on board by noted Ukrainian-American artist Mychajlo Moroz. The vintage painting has modernist tendencies that are ...
Category
Expressionist 1950s Landscape Paintings
Materials
Oil
Mid Century Autumn Trees Landscape
Located in Soquel, CA
Vivid mid century landscape of autumn trees blurring into colorful abstraction by Helen Gleiforst (American, 1903-1997). Presented in a giltwood frame. Image size: 10" H X 8" W.
G...
Category
American Impressionist 1950s Landscape Paintings
Materials
Masonite, Oil
Modernist Mid century Swedish tram and figure scene in Fauvist colors
Located in Woodbury, CT
Acquiring a mid-20th-century Fauvist painting by Wilhelm Henning is an opportunity to own a piece of art that captures the vibrant spirit and expressive color palette of the Fauvist ...
Category
Fauvist 1950s Landscape Paintings
Materials
Oil, Board
Vintage American Modernist Abstract Expressionist Framed Cubist Oil Painting
Located in Buffalo, NY
Antique American modernist abstract oil painting. Oil on canvas. Framed.
Category
Abstract 1950s Landscape Paintings
Materials
Canvas, Oil
French Impressionist Mother and Child Figurative Landscape Painting
Located in Douglas Manor, NY
#5-2858 A mother and child,figurative impressionistic style palette oil on canvas applied on board.Displayed in a wood frame.Artist unknown.Image size 10.5 H x 13.5 W
Category
1950s Landscape Paintings
Materials
Oil
"Bluebonnet Creek" Texas Hill Country 1957 39 x 49 Framed!!!
Located in San Antonio, TX
Porfirio Salinas
(1910-1973)
San Antonio Artist
Image Size: 30 x 40
Frame Size: 39 x 49
Medium: Oil on Canvas
Dated 1957
"Bluebonnet Creek" Texas Hill Country
Biography
Porfirio Salinas (1910-1973)
Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas.
From
the years of the Great Depression through President Lyndon Johnson's
Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained
one of the Lone Star State's most popular artists. Today, his works
remain popular with Texas collectors and those who love landscapes of
the beautiful "Hill Country" that lies in the center of the
state. One of the first Mexican American painters to become
widely recognized for his art, Salinas was a favorite of President
Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam
Rayburn, the longest-serving Speaker of the House of Representatives,
and Texas Governor John Connelly. In fact, President Johnson was so
enamored with his Salinas paintings that the artist will forever be
associated with America's first Texas-born President. Works by Porfirio
Salinas are in a number of museum collections, grace the halls of the
Texas State Capitol and the Governor's Mansion in Austin, and are
included in virtually every major private collection of Early Texas Art.
Porfirio
Salinas was born on November 6, 1910, near the small town of Bastrop,
Texas, about thirty miles from Austin. His father, Porfirio G. Salinas
(1881-1967), and his mother, Clara G. Chavez, struggled to make a
hardscrabble living as tenant farmers, but eventually were forced to
give up farming. The family moved to San Antonio, where Salinas' father
was able to get a job working as a laborer for the railroad, but the
scenic area around Bastrop, with its pine trees and the wide expanse of
the Rio Grande River, would forever remain a touchstone for the artist.
For the rest of his life, Salinas and his brothers went back frequently
to visit their grandmother in her little farmhouse. When in Bastrop,
Porfirio painted on the banks of the Rio Grande or in the groves of
pine trees. The Salinas family was close-knit and Porfirio was the
middle child of five children, so he had an older brother and sister as
well as a younger brother and sister. His mother was a native of
Mexico, so throughout his childhood the family made the long drive to
Mexico to visit Clara Salinas' family.
As a child growing up in
the bi-lingual section of San Antonio, Salinas drew and painted
incessantly and by the time he was ten, he was already producing work
that was mature enough to sell to his schoolteachers. Many years later
in an article in the New York Times he was described as a "boy whose
textbooks were seldom opened and whose sketchbook was never closed."
Instead of studying, the young artist spent his spare time watching
artists paint in and around San Antonio. As an aspiring painter,
Salinas was fortunate to grow up in the historic city, which had the
most active art scene in Texas. It was his exposure to older,
professional painters that encouraged the precocious young painter to
leave school early in order to help his family and pursue a career as a
professional artist, despite his father's inability to see art as a
career with any future for his son.
When Salinas was about
fifteen he came to know the artist Robert W. Wood (1889-1979). He met
Wood while he was employed in an art supply store and he soon began to
work as an assistant to the English-born painter, who had moved from
Portland to San Antonio in 1924. Although the diminutive Englishman was
already an established professional artist, he did not have a great
deal of formal art training and so he was then studying with the
academically trained Spanish painter Jose Arpa (1858-1952) in order to
augment his knowledge and give his work a more polished look. Salinas
was an eager young man, and while working in Wood's downtown San
Antonio studio he learned to stretch canvases, frame paintings and to
sketch in larger compositions from small plein-air studies for the
English artist. He began to accompany Wood and Arpa to the hills
outside San Antonio, where they painted small Plein-air studies of
fields of blue lupin - the state flower, the famous "Bluebonnets" of
Texas - in the springtime and scenes of the gnarled Red Oaks as they
changed color in the fall. He was soon assisting Wood in the tedious
work of painting the tiny blue flowers that collectors wanted to see in
the landscapes they purchased of central Texas. According to a
1972 newspaper story, "Legend has it that one day in the 1920s artist
Robert Wood decided he could not bear to paint another bluebonnet in
one of his landscapes. He hired young Porfirio Salinas to paint
them in for him at five dollars a painting." Whether this story is
accurate or apocryphal isn't clear, but the ambitious and independent
young Salinas wasn't destined to be anyone's assistant for very long.
The
formative event of Porfirio Salinas' teenage years was the Texas
Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the
eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of
paintings of wildflowers and Texas life were mounted in San Antonio
from 1927 to 1929. Held at the newly opened Witte Museum each spring,
the exhibition featured large cash prizes donated by the philanthropic
Davis, which were an inducement for artists to travel from all over the
United States to paint in the Hill Country of Texas. The "Davis
Competitions," as they were known, helped to cement San Antonio's
reputation as an art center, a legacy that remains with the "River
City" today. The shows generated a great deal of excitement in the
area, helping to make celebrities of the some of the artists who had
already settled there and encouraging others to make San Antonio their
home. Over the three years that the wildflower competitions were held,
more than 300 paintings were exhibited, and many thousands of viewers
saw the paintings at the Witte Museum and on tours throughout the state
and in New York. Each year Davis would generously purchase the winning
paintings and then donate them to the San Antonio Art League. Young
Porfirio Salinas would have been able to not only watch his two mentors
- Robert W. Wood and Jose Arpa - paint the works that they entered in
the Davis Competitions, he would have been able to see Arpa take
several of the major prizes, receiving the judge's accolades for
"Verbena," "Cactus Flower" and "Picking Cotton," works that are still
on view at the San Antonio Art League Museum today. Unfortunately,
Davis eventually put his donations to work in other charitable
endeavors, bringing to an end the wildflower events, but only after
they inspired Salinas and other young painters and had helped to make
wildflower paintings the most sought-after subject for traditionalist
Texas collectors.
In 1930, when he was only twenty, Salinas
hung out a shingle and began to paint professionally, augmenting the
sales of his easel paintings with what little business he could garner
by painting signs for local concerns. It was a struggle for the young
artist to make a living, as the effects of the Great Depression were
settling in. His early works are very similar to those of Robert
Wood's, both in subject matter and treatment. Salinas did small
paintings of Bluebonnets for the tourists who visited San Antonio to
see the famous Alamo as well as paintings of the Texas missions...
Category
Impressionist 1950s Landscape Paintings
Materials
Oil
"Lazy Days Blues" TEXAS BLUEBONNETS, NICE LARGER SIZE LANDSCAPE CIRCA 1950
Located in San Antonio, TX
Porfirio Salinas
(1910-1973)
San Antonio Artist
Image Size: 25 x 30
Frame Size: 34 x 39
Medium: Oil on Canvas
Circa 1950
"Lazy Day Blues" Texas Bluebonnet
Biography
Porfirio Salinas (1910-1973)
Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas.
From
the years of the Great Depression through President Lyndon Johnson's
Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained
one of the Lone Star State's most popular artists. Today, his works
remain popular with Texas collectors and those who love landscapes of
the beautiful "Hill Country" that lies in the center of the
state. One of the first Mexican American painters to become
widely recognized for his art, Salinas was a favorite of President
Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam
Rayburn, the longest-serving Speaker of the House of Representatives,
and Texas Governor John Connelly. In fact, President Johnson was so
enamored with his Salinas paintings that the artist will forever be
associated with America's first Texas-born President. Works by Porfirio
Salinas is in a number of museum collections, grace the halls of the
Texas State Capitol and the Governor's Mansion in Austin, and are
included in virtually every major private collection of Early Texas Art.
Porfirio
Salinas was born on November 6, 1910, near the small town of Bastrop,
Texas, about thirty miles from Austin. His father, Porfirio G. Salinas
(1881-1967), and his mother, Clara G. Chavez, struggled to make a
hardscrabble living as tenant farmers, but eventually were forced to
give up farming. The family moved to San Antonio, where Salinas' father
was able to get a job working as a laborer for the railroad, but the
scenic area around Bastrop, with its pine trees and the wide expanse of
the Rio Grande River, would forever remain a touchstone for the artist.
For the rest of his life, Salinas and his brothers went back frequently
to visit their grandmother in her little farmhouse. When in Bastrop,
Porfirio painted on the banks of the Rio Grande or in the groves of
pine trees. The Salinas family was close-knit, and Porfirio was the
middle child of five children, so he had an older brother and sister as
well as a younger brother and sister. His mother was a native of
Mexico, so throughout his childhood the family made the long drive to
Mexico to visit Clara Salinas' family.
As a child growing up in
the bi-lingual section of San Antonio, Salinas drew and painted
incessantly and by the time he was ten, he was already producing work
that was mature enough to sell to his schoolteachers. Many years later
in an article in the New York Times he was described as a "boy whose
textbooks were seldom opened and whose sketchbook was never closed."
Instead of studying, the young artist spent his spare time watching
artists paint in and around San Antonio. As an aspiring painter,
Salinas was fortunate to grow up in the historic city, which had the
most active art scene in Texas. It was his exposure to older,
professional painters that encouraged the precocious young painter to
leave school early in order to help his family and pursue a career as a
professional artist, despite his father's inability to see art as a
career with any future for his son.
When Salinas was about
fifteen he came to know the artist Robert W. Wood (1889-1979). He met
Wood while he was employed in an art supply store and he soon began to
work as an assistant to the English-born painter, who had moved from
Portland to San Antonio in 1924. Although the diminutive Englishman was
already an established professional artist, he did not have a great
deal of formal art training and so he was then studying with the
academically trained Spanish painter Jose Arpa (1858-1952) in order to
augment his knowledge and give his work a more polished look. Salinas
was an eager young man, and while working in Wood's downtown San
Antonio studio he learned to stretch canvases, frame paintings and to
sketch in larger compositions from small plein-air studies for the
English artist. He began to accompany Wood and Arpa to the hills
outside San Antonio, where they painted small Plein-air studies of
fields of blue lupin - the state flower, the famous "Bluebonnets" of
Texas - in the springtime and scenes of the gnarled Red Oaks as they
changed color in the fall. He was soon assisting Wood in the tedious
work of painting the tiny blue flowers that collectors wanted to see in
the landscapes they purchased of central Texas. According to a
1972 newspaper story, "Legend has it that one day in the 1920s artist
Robert Wood decided he could not bear to paint another bluebonnet in
one of his landscapes. He hired young Porfirio Salinas to paint
them in for him at five dollars a painting." Whether this story is
accurate or apocryphal isn't clear, but the ambitious and independent
young Salinas wasn't destined to be anyone's assistant for very long.
The
formative event of Porfirio Salinas' teenage years was the Texas
Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the
eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of
paintings of wildflowers and Texas life were mounted in San Antonio
from 1927 to 1929. Held at the newly opened Witte Museum each spring,
the exhibition featured large cash prizes donated by the philanthropic
Davis, which were an inducement for artists to travel from all over the
United States to paint in the Hill Country of Texas. The "Davis
Competitions," as they were known, helped to cement San Antonio's
reputation as an art center, a legacy that remains with the "River
City" today. The shows generated a great deal of excitement in the
area, helping to make celebrities of the some of the artists who had
already settled there and encouraging others to make San Antonio their
home. Over the three years that the wildflower competitions were held,
more than 300 paintings were exhibited, and many thousands of viewers
saw the paintings at the Witte Museum and on tours throughout the state
and in New York. Each year Davis would generously purchase the winning
paintings and then donate them to the San Antonio Art League. Young
Porfirio Salinas would have been able to not only watch his two mentors
- Robert W. Wood and Jose Arpa - paint the works that they entered in
the Davis Competitions, he would have been able to see Arpa take
several of the major prizes, receiving the judge's accolades for
"Verbena," "Cactus Flower" and "Picking Cotton," works that are still
on view at the San Antonio Art League Museum today. Unfortunately,
Davis eventually put his donations to work in other charitable
endeavors, bringing to an end the wildflower events, but only after
they inspired Salinas and other young painters and had helped to make
wildflower paintings the most sought-after subject for traditionalist
Texas collectors.
In 1930, when he was only twenty, Salinas
hung out a shingle and began to paint professionally, augmenting the
sales of his easel paintings with what little business he could garner
by painting signs for local concerns. It was a struggle for the young
artist to make a living, as the effects of the Great Depression were
settling in. His early works are very similar to those of Robert
Wood's, both in subject matter and treatment. Salinas did small
paintings of Bluebonnets for the tourists who visited San Antonio to
see the famous Alamo as well as paintings of the Texas missions...
Category
Impressionist 1950s Landscape Paintings
Materials
Oil
"POWERLINES" ART ALSO ON BACK OF PAINTING. INDUSTRIAL SUBJECT
Located in San Antonio, TX
Buck Schiwetz
(1898-1984)
Houston Artist
Image Size: 11.25 x 13.5
Frame Size: 17.75 x 19.5
Medium: Watercolor on Paper
Dated 1951
"Powerlines"
Buck Schiwetz (1898-1984)
Edward Muegge...
Category
Impressionist 1950s Landscape Paintings
Materials
Watercolor
French Yacht Harbor
Located in Douglas Manor, NY
5080 Oil on canvas of sailboats in a French harbor
Category
1950s Landscape Paintings
Materials
Oil
'View of San Francisco Bay', Bay Area Abstraction, Jack London, Modernist Oil
Located in Santa Cruz, CA
Initialed lower right, 'J.e.t.' for Jessie E. Thomason (American, 20th Century) and dated 1956. Exhibited: Jack London Art Festival, 1956.
Displayed in the original and period, paint...
Category
Abstract Expressionist 1950s Landscape Paintings
Materials
Canvas, Oil
Original French Impressionist Signed Oil Provencal Valley Old Town Gilt Frame
Located in Cirencester, Gloucestershire
The Provencal Village
French School, signed lower corner
circa 1950's
oil painting on canvas:20 x 24 inches
gilt frame: 26 x 30.5 inches
condition: excellent condition
provenance: fr...
Category
Impressionist 1950s Landscape Paintings
Materials
Oil, Canvas
R.Young Large oil painting on canvas Paris street view, Unframed, Eiffel Tower
Located in Framingham, MA
Up For Sale is a large original Oil Painting On canvas, depicting a Parisian street view of the Eiffel Tower.
Signed in the lower-right corner R.Young.
Unframed.
Condition: Good. Pl...
Category
Impressionist 1950s Landscape Paintings
Materials
Oil
'West Side, New York', Central Park, Manhattan Modernist Abstract, BMFA, Harvard
Located in Santa Cruz, CA
Signed lower left, 'Stoltenberg' for Donald Hugo Stoltenberg (American, 1927-2016) and dated 1957. Titled, verso on original artist's label, 'West Side, New York'.
Provenance: Mr. & ...
Category
Abstract 1950s Landscape Paintings
Materials
Canvas, Oil
French Impressionist South of France Landscape with hill top Village
Located in Woodbury, CT
Josine Vignon (1922-2022) was a French artist living on the Rue Beautreillis in the Marais district of Paris. She painted with a beautiful style, largely influenced by the Impression...
Category
1950s Landscape Paintings
Materials
Oil, Canvas
Apple Blossom Tree and Dandelions - Mid 20th Century Impressionist Landscape Oil
Located in Watford, Hertfordshire
William Henry Innes (1905-1999)
Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...
Category
Post-Impressionist 1950s Landscape Paintings
Materials
Oil Pastel
Country Celebration - Mid 20th Century Impressionist Oil Piece of Manor House
Located in Watford, Hertfordshire
William Henry Innes (1905-1999)
Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...
Category
Post-Impressionist 1950s Landscape Paintings
Materials
Oil Pastel
Listed Italian Artist P.G. Tiele oil painting on canvas, Paris Street View
Located in Framingham, MA
Up For Sale, This Beautiful Original Oil Painting On canvas depicts a Parisian street view. Signed In the Lower-right corner By P.G.Tiele.
Italian artist P.G. Tiele passed away in ...
Category
Impressionist 1950s Landscape Paintings
Materials
Oil
Plainpalais Market by Joseph Meneses - Oil on canvas 60x80 cm
Located in Geneva, CH
Work on canvas sold with frame
Total size with frame 77x97 cm
Josep MENESES is an artist born in 1930. The net lists 7 works by the artist presented for sale at public auction, main...
Category
Impressionist 1950s Landscape Paintings
Materials
Oil
Emile Albert Gruppe “Winter - Gloucester MA”
Located in Dallas, TX
Emile Albert Gruppe (American, 1896-1978)
"Winter - Gloucester, Mass"
Oil on canvas
Signed "Emile A. Gruppe" (lower right)
Canvas: 20 x 24 Inchesinches
Framed: 27 x 31 inches
Prove...
Category
American Impressionist 1950s Landscape Paintings
Materials
Canvas, Oil
Arctic Light - Orange Sun
By Karl Zerbe
Located in Fairlawn, OH
Arctic Light-Orange Sun
Unsigned
Gouache on Japanese fibrous paper
Series: Tundra Paintings
Exhibited: Karl Zerbe, Gouaches of the Artic
Nordness Gallery, (Madison Avenue, NY) Feb 3 through Feb 23, 1958
Cat. No. 12 (label with work, see photo...
Category
American Modern 1950s Landscape Paintings
Materials
Gouache
Mid Century Monastery Beach Carmel California Impressionist Oil Painting
Located in Soquel, CA
Mid Century Carmel Monastery Beach California Impressionist Oil Painting
Beautiful impressionist style painting of iconic Mon...
Category
Post-Impressionist 1950s Landscape Paintings
Materials
Oil, Masonite
1951 Monhegan, Maine MUSHROOMS painting by Morris Shulman ex. Rehn Gallery
Located in Exton, PA
Wild period abstract expressionist painting by Morris Shulman. The painting is egg tempera on Masonite measuring 32" x 22". Signed M Shulman and dated '51 at the lower right. Titled...
Category
Modern 1950s Landscape Paintings
Materials
Oil
Nancy Huntly St John’s College Bridge of Sighs Cambridge oil on canvas
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
Nancy Weir Huntly (1890-1963)
St John’s College Bridge of Sighs Cambridge
Oil on canvas; framed in an antique-white-finished frame with gilt slip.
Signed ‘Huntly’
50x61cm
Born in India, in Nusserabad, she studied art at the Royal Academy Schools in Dusseldorf. She lived in Welwyn Garden City, in Hertfordshire, with her daughter, Faith Sheppard...
Category
Impressionist 1950s Landscape Paintings
Materials
Oil
Into the Forest - Mid 20th Century Impressionist Oil Landscape by Dorothy King
By Dorothy King
Located in Watford, Hertfordshire
Dorothy King was born and lived in London in 1907. She studied at the Hornsey School of Art under JC Moody, then briefly at the Slade School of Fine Art with Randolph Schwabe. She to...
Category
Post-Impressionist 1950s Landscape Paintings
Materials
Canvas, Oil
Mid Century Original Abstract Expressionism -- Sierra Mountains Cabin Landscape
By Honora Berg
Located in Soquel, CA
Original Sierra Mountain Cabin Abstract Expressionist Landscape
Original acrylic painting depicting a cabin in the Sierra Mountains by Honora Berg (American, 1897-1985), circa 1950....
Category
Modern 1950s Landscape Paintings
Materials
Paper, Acrylic
Artist's Address - Mid 20th Century Impressionist Oil by Dorothy King - London
By Dorothy King
Located in Watford, Hertfordshire
Artist's Address - Mid 20th Century Impressionist Oil by Dorothy King - London
Dorothy King was born and lived in London in 1907. She studied at the Hornsey School of Art under JC M...
Category
Post-Impressionist 1950s Landscape Paintings
Materials
Canvas, Oil
The old dam. 1959, cardboard, watercolor, 68x54 cm
Located in Riga, LV
The old dam.
1959, cardboard, watercolor, 68x54 cm
The central focus of the painting is an old town, a historic district known for its antiquated architecture, cobbled streets, and...
Category
Realist 1950s Landscape Paintings
Materials
Paper, Watercolor
Emile Albert Gruppe Bringing In The Nets 30x36
Located in Dallas, TX
Emile Albert Gruppe (1896-1978)
Hauling in the nets
Oil on canvas
Signed lower right: Emile A. Gruppe
30" H x 36" W
A large and important classic by Gruppe of the Gloucester nautica...
Category
American Modern 1950s Landscape Paintings
Materials
Oil
Florentine Wall with Trees
By Gandy Brodie
Located in Lawrence, NY
Gouache on artist board
An artist whose work was simultaneously figurative and abstract, Brodie was praised as "one of the best painters of his generation" by art historian, Meyer Sc...
Category
Expressionist 1950s Landscape Paintings
Materials
Gouache
Antique American Impressionist Summer Beach Scene Framed Oil Painting
Located in Buffalo, NY
Impressive mid 20th century impressionist beach scene. Oil on board. Framed. No signature found.
Category
Impressionist 1950s Landscape Paintings
Materials
Canvas, Oil
Mid Century Abstract Expressionist Painting -- Half Dome From Yosemite Valley
By Honora Berg
Located in Soquel, CA
Mid Century Abstract Expressionist Painting of Yosemite's Half Dome
1950's abstract expressionist painting of Yosemite's iconic Half Dome by San...
Category
Abstract Expressionist 1950s Landscape Paintings
Materials
Rice Paper, Oil
California Farmhouse Landscape in Watercolor on Paper (Two Sided)
Located in Soquel, CA
California Farmhouse Landscape in Watercolor on Paper
Original watercolor painting of a farmhouse at the top of a hill by Bertram Spencer (American, 1918-1992). A small farmhouse si...
Category
American Impressionist 1950s Landscape Paintings
Materials
Paper, Watercolor
Emile Albert Gruppe Rocky Ocean View
Located in Dallas, TX
Emile Gruppe (American, 1896-1978) Bass Rocks, Gloucester coastal rocky formations with a sea view with a sailboat in the distance.
Oil on artist board. In an appropriate giltwood f...
Category
1950s Landscape Paintings
Materials
Paint
'Tuscan Landscape', California Fauve, Paris, De Young & Oakland Museums, SFAA
Located in Santa Cruz, CA
Signed, lower left, 'W. Georgetti' for Wedo Georgetti (American, 1911-2005) and painted circa 1955. Additionally signed, lower center.
Born in Italy, Wedo Georgetti came to the Uni...
Category
Post-Impressionist 1950s Landscape Paintings
Materials
Plywood, Oil, Laid Paper
"Lonely Rocks" - Original 1958 Watercolor on Paper
Located in Soquel, CA
"Lonely Rocks" - Original 1958 Watercolor on Paper
Original watercolor painting of a woman in a red dress standing on rocks along the seashore by Bertram Spencer (American, 1918-199...
Category
American Impressionist 1950s Landscape Paintings
Materials
Paper, Watercolor
'The Seine in Winter', School of Paris, Tonalist, Snowy French Landscape, Mood
Located in Santa Cruz, CA
Signed lower right, 'Charles Harris', for Charles Gordon Harris (American, 1891-1963) and additionally signed verso.
A substantial and atmospheric landscape showing a view of the S...
Category
American Impressionist 1950s Landscape Paintings
Materials
Oil, Fiberboard
Antoine Blanchard Cafe De La Paix
Located in Dallas, TX
Antoine Blanchard (1910 - 1988) Cafe de la Paix. Circa 1950 wonderful and vibrant scene from the Grand Boulevards of Paris under the rain in fall. You can hear the horses prancing an...
Category
1950s Landscape Paintings
Materials
Paint
Antoine Blanchard Boulevard De Capucines, Place De La Madeleine
Located in Dallas, TX
Antoine Blanchard (1910 - 1988) Boulevard Des Capucines, Place De La Madeleine. A wonderful and vibrant scene from the Grand Boulevards of Paris under the rain in fall. You can hear ...
Category
1950s Landscape Paintings
Materials
Paint
Emile Albert Gruppe Gloucester Docks
Located in Dallas, TX
Emile Albert Gruppe (American, 1896-1978) Gloucester Docks, circa 1950
Oil on canvas 20 x 24 inches (50.8 x 61.0 cm)
Original Frame: 26 X 30 Inches
Signed lower right: Emile A. Grup...
Category
1950s Landscape Paintings
Materials
Paint
Antoine Blanchard “L’Arc De Triumphe”
Located in Dallas, TX
Antoine Blanchard, oil on canvas, "L' Arc de Triumphe", Circa 1950. A typical rainy day on the boulevards of Paris with horse drawn carriages and pedestrians getting on with their da...
Category
1950s Landscape Paintings
Materials
Paint
Emile Albert Gruppe Morning Gloucester
Located in Dallas, TX
Emile Albert Gruppe (American, 1896 - 1978), "Morning, Gloucester", oil on canvas, signed lower left "Emile A. Gruppe",
Canvas: 24 x 20 Inches
Framed: 27.25 x 23.25 Inches
Conditi...
Category
1950s Landscape Paintings
Materials
Paint
La Rochelle France mixed media painting urbanscape
Located in Barcelona, Barcelona
Emilio Grau Sala (1911-1975) - La Rochelle - Mixed media
Artwork 49x65 cm.
Frame measures 69x85 cm.
Son of cartoonist Juan Grau Miró, he was born in Barcelona in 1911. Although he a...
Category
Fauvist 1950s Landscape Paintings
Materials
Mixed Media
Arthur Meltzer “Winter Farm Landscape” Watercolor
Located in Dallas, TX
Arthur Meltzer (1893 - 1989) "Winter Farm Landscape"
Image Size: 12 x 21 inches
Framed: 32.5 x 23.5 inches
watercolor on paper landscape painting with Farm houses, barns and a tra...
Category
1950s Landscape Paintings
Materials
Paper
Arthur Meltzer “Winter Farm Landscape” Watercolor
Located in Dallas, TX
Arthur Meltzer (1893 - 1989) "Winter Farm Landscape"
Image size: 12 x 21 inches
Framed: 32.5 x 23.5 inches
watercolor on paper landscape painting with F...
Category
1950s Landscape Paintings
Materials
Paper
Mid Century Abstract Expressionist Painting -- San Francisco Shore Birds
By Honora Berg
Located in Soquel, CA
Mid Century Abstract Expressionist Painting of San Francisco Bay Shorebirds at Surf's Edge
1950's abstract expressionist paintin...
Category
Abstract Expressionist 1950s Landscape Paintings
Materials
Oil, Rice Paper, Watercolor
Mid Century Modern Impasto Oil Painting - Venice St. Mark's Basilica at Sunset
Located in Soquel, CA
Mid Century Modern Impasto Oil Painting -- Venice at Sunset with St. Mark's Basilica
Wonderful and evocative modern painting of Venice with gondolas and St. Marks Basilica by postw...
Category
Modern 1950s Landscape Paintings
Materials
Oil, Linen, Stretcher Bars
La fenetre a Meneaux - French Cubist Landscape Oil Painting by Andre Lhote
By André Lhote
Located in Marlow, Buckinghamshire
Signed and dated oil on canvas landscape by French cubist painter André Lhote. The piece depicts a view of a mountainous landscape from a Mullion window - a decorative with a vertica...
Category
Cubist 1950s Landscape Paintings
Materials
Canvas, Oil
La Madeleine, Paris Street Scene
Located in Cotignac, FR
Mid 20th Century oil on canvas painting of a Paris street scene with the columns of La Madeleine in the distance, signed Deuvray bottom left. The canvas is on its original stretcher ...
Category
Modern 1950s Landscape Paintings
Materials
Oil, Canvas
Octave Denis Victor Guillonnet (1872 - 1967) Les Oliviers, oil on panel signed
Located in Paris, FR
Octave Denis Victor Guillonnet (1872 - 1967)
Les Oliviers, A landscape with olive trees
signed "EODV Guillonnet" lower right
Oil on wood panel
38 x 46 cm
Framed : 44 x 52 cm
Provena...
Category
Post-Impressionist 1950s Landscape Paintings
Materials
Oil
House In The Green - Original Acrylic On Paper
By Honora Berg
Located in Soquel, CA
House In The Green - Original Acrylic On Paper
Original acrylic painting depicting a white house in the woods surrounded by greenery by Honora Berg (American, 1897-1985). Two white ...
Category
American Impressionist 1950s Landscape Paintings
Materials
Paper, Acrylic
A Beautiful European Landscape/Mountainscape by artist European Artist E. Fieth
Located in Chicago, IL
A beautiful, large romantic landscape/mountainscape in green tones. Signed E. Fieth to lower left. The painting has a silver/champagne-toned frame.
Category
Post-Impressionist 1950s Landscape Paintings
Materials
Canvas, Oil
In the English Countryside Oil on Canvas Painting by R. Boughton
Located in Atlanta, GA
This elegant oil on mounted canvas by R. Boughton (England, 20th Century) features an English landscape composition. The artwork is signed in the bottom left corner. The impressionis...
Category
Post-Impressionist 1950s Landscape Paintings
Materials
Canvas, Oil
'Children on the Beach, Fisher Island USA' Oil painting on board
By Paul Maze
Located in St. Albans, GB
Paul Lucien Maze
Oil on Board
6.5 x 23.5" (16.25 x 58.75cm)
12.5 x 29.5 (31.25 x 73.75cm)
Provenance: Exhibited Brown and Derby , Cork Street
21 May 1887 – 17 September 1979
Paul L...
Category
Post-Impressionist 1950s Landscape Paintings
Materials
Oil
Mid Century Dutch Windmill Original Oil in French Impressionist Style
Located in Soquel, CA
Mid Century Dutch Windmill Original in French Impressionist Style
Colorful French impressionist style oil painting by F. Simont (Dutch 19th/20th Century), circa 1950. Boat anchored ...
Category
Impressionist 1950s Landscape Paintings
Materials
Linen, Stretcher Bars, Oil
Nancy Huntly Trinity College Bridge Cambridge oil on canvas mid century
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
Nancy Weir Huntly (1890-1963)
Trinity College Bridge Cambridge
Oil on canvas; framed in an antique-white-finished frame with gilt slip.
Signed ‘Huntly’
50x61cm
Born in India, in Nusserabad, Huntly studied art at the Royal Academy Schools in Dusseldorf. She lived in Welwyn Garden City, in Hertfordshire, with her daughter, Faith Sheppard...
Category
Impressionist 1950s Landscape Paintings
Materials
Oil
French Country Landscape
By Roger Bertin
Located in Los Angeles, CA
A beautiful Fauvist French country landscape by Roger Bertin. Born in Rue Gabrielle in Montmartre, Paris in 1915, and lived in the same house all his life. His godfather was the poet...
Category
Post-Impressionist 1950s Landscape Paintings
Materials
Oil
Landscape with characters spanish original oil on canvas painting
Located in Barcelona, Barcelona
Joaquim Marsillach i Codony (1905-1986) - Landscape with characters
Oil on canvas
Oil measures 46x55 cm.
Frame measures 69x78 cm.
Marsillach Codony...
Category
Impressionist 1950s Landscape Paintings
Materials
Canvas, Oil
Monuments: Sunrise, 1950s Southwestern Desert Landscape Oil Painting, 24 x 30 in
Located in Denver, CO
'Monuments: Sunrise', original vintage 1950s oil painting of a southwestern desert landscape in early morning with rock formations, trees and brush with brilliant sky with clouds by ...
Category
American Realist 1950s Landscape Paintings
Materials
Oil, Board
Recently Viewed
View AllMore Ways To Browse
Pasadena Texas
British Military Oil Paintings
Louis Country Club
Modern Farmhouse Painting
Oceanside Paintings
R L Strong
Scottish Castle Painting
Seurats Pointillism
Taylor Smith Taylor
Taylor Smith
Upstate Ny Oil Painting
Vintage Inn Sign
Vintage Inn Signs
William Cook
Winter In Central Park
Yvonne Love
Antique Armories
Antique Armory