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"Parisian Street Scene" French Impressionist Oil Painting of Paris with Figures

Mid-20th Century

This painting depicts a landscape scene of a Parisian Scene by Pont Neuf with Notre Dam in the distance behind the bridge. The attractive perspective is what makes this painting so i...

This painting depicts a colorful Mid Century Street in Paris France, a popular subject of the times painted by many important impressionist 20th Century painters. This piece is a bol...

This painting is a tremendously vivid and alive street scene from Paris in the 20th Century, depicting The Place du Tertre. This square is in the 18th arrondissement of Paris, France. Only a few streets away from Montmartre's Basilica of the Sacré Cœur and the Lapin Agile...

A charming depiction of a village in Paris with figures and bicycle. The colors are breathtaking, as the impressionistic details are noted with thicker use of paint. The composition ...

A charming depiction of children playing by the park in a village setting. The colors are breathtaking, as the impressionistic details are noted with thicker use of paint. The compos...

This painting depicts a whimsical townscape of a Mexican village with a couple playing checkers near the road. The bright colors and quick brush strokes are what makes this painting ...

Signed oil on original canvas figures in landscape circa 1930 by French post impressionist painter Lucien Genin. The work is centred around the Porte Saint-Denis - a triumphal arch located in Paris, France. The street is bustling with city-goers and cars pass by the tall buildings painted in red, yellow and white. Signature: Signed lower left Dimensions: Framed: 27"x31" Unframed: 20"x24" Provenance: Private French collection Lucien Génin came from a family of stone-cutters. He first studied at the art school in Rouen, then in 1919 entered the École des Arts Décoratifs in Paris. He settled in Montmartre early in the 1920s, and in 1936 moved to the Latin Quarter. Although he had received a thorough training, he created his own completely spontaneous technique aiming at approaching his subjects with a fresh look. Beside a few views of Rouen, Lorient, Dinan and Villefranche-sur-Mer, Génin specialised in the popular theme of views of Paris. He worked swiftly, making rapid jottings, and thus could produce many paintings. At auction his pictures were sometimes sold in lots. He painted both in oils and in gouache. Lucien Génin showed work at the Salon d'Automne in 1926 and 1930. His work featured at the Marcel Aymé and the Painters exhibition, Galerie Roussard...

EDOUARD LÉON CORTÈS French, 1882 - 1969 PLACE DE LA RÉPUBLIQUE signed "EDOUARD CORTÈS." (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) framed: 33-1/2 x 44-1/4 inc...

ALBERTO PLA Y RUBIO Spanish, 1867 - 1937 AT THE ANNUAL FAIR signed & dated "Pla Rubio, 909" (lower right) oil on canvas 14 X 25-5/8 inches (35.5 X 65 cm.) ...

Oil on canvas by Henri-André Martin (1918-2004), France, 1999. Road in Eygalieres, Alpilles, Provence. With frame: 52x67 cm - 20.5x26.4 inches. Without frame: 46x61cm - 18.1x24 inches. Format 12P. Signed and dated lower left "Henri-André Martin 99" (see photo). Located on the back (see photo). Can be matched to make a pair with another painting by Henri-André Martin that we offer on 1stdibs whose title is "Henri-André Martin Road in the Alpilles, Provence, Oil on Canvas, 1980s". Born in Lyon in 1918, the child and the adolescent Henri-André Martin spent his youth in Saint-Étienne, his father, Edme Martin, first installed as a practicing doctor in Lyon, having been appointed doctor of the anti-tuberculosis dispensaries of the Loire. During his first years of studying medicine in Lyon, he nevertheless enrolled in the Beaux-Arts. Appointed hospital intern upon his return from captivity in 1942, he ended his medical career as director of the otolaryngology university clinic at Édouard-Herriot hospital. But painting was his passion. Painting was for Henri-André Martin the way of expressing his feelings. By nature very reserved and of an extreme modesty that many took for coldness, it was what allowed him to express his strong artistic sensitivity and, his pictorial periods are as many reflects of his anxieties, of his hopes, of his joys. At every period of his life, wherever he goes and whenever he has a moment, he paints gouaches, often of small size, but sometimes of larger size. He also paints beaches that have been compared to those of Boudin. Their invoice shows, however, that this figure is only appearance and that in fact, these beaches made of water, sky and sand, readily dispense with the motif, the work of the material seeming to have more importance. as the subject. Despite the fact that until the 1970s he painted "on the ground", his canvases remain far removed from the anecdote. Often harsh like the landscapes of Provence, the Parisian walls which express concern, or the railways, the switch tracks which suggest, in ocher and black, all the embarrassment of choice. We find the same nostalgic gravity in the canvases of the carcasses of boats which, as his friend Louis Pons later wrote, "seem to die of immobility" or in the canvases of Venice, or the landscapes of Eygalières. In the following years, his painting became simpler, more synthetic, such as these landscapes with tortured almond trees, black and gnarled olive trees, plane trees standing out against the ocher sky of the dawn of Provence, in winter. These are also the canvases of Hamburg in the dough becomes heavier, the colors darken, marking all the gravity of the port landscapes. Workshop work gradually takes precedence over motif painting. The pivotal period coincides with that of his work on the olive tree, during which he leads the realization of the "Trunks", a collection of six lithographic plates, of the book L'olivier comprising many lithographs and serigraphs, but also texts. poetic and numerous paintings. He then became passionate about everything related to the olive tree (literature, painting, traditions, history), but also to the tree itself, its thousand-year-old history, its poetry, its symbols, but also its culture, its size. oil production...

Oil on canvas by Jallais, France, 1960s. Boats in port. In its pretty dark brown wooden frame. With frame: 68x58 cm - 26.8x22.8 inches, without frame: 61x50 cm - 24x19.7 inches. 12F ...

*THIS PRICE INCLUDES 5% IMPORT DUTY APPLICABLE IF THE WORK REMAINS IN THE UK ONLY. Bords du Loing by Alfred Sisley (1839-1899) Oil on canvas 46.1 x 55.7 cm (18¹/₈ x 21⁷/₈ inches) S...