Blair Hughes Stanton

Early 20th Century British nude girl with a guitar, 1929 by Blair Hughes Stanton

1929

A strikingly original and expansive retro painting of a nude set against a painted graphic design from 1976 by British born artist Ewart Johns. The strong blue and green background ...

This captivating artwork exemplifies the Ewart John's bold and vibrant style, exuding a sense of energy and playfulness. Set against a varied green backdrop, the nudes in the foregro...

A stunning original oil painting by Mid 20th Century British artist Roy Spencer. The work has come directly from his studio and is new to the market. It is a well sized and extremel...

A stunning original oil painting by Mid 20th Century British artist Roy Spencer. The work has come directly from his studio and is new to the market. It is a well sized and extremely decorative work. The details of the work are: Roy Spencer (British, 1918 - 2006) Reclining lady in lace nightgown...

William Malherbe (French, 1884 – 1955) La Baigneuse Oil on canvas 51 x 35.1/2 in. (130 x 90 cm.) William Malherbe was a French Post Impressionist painter born in 1884. His success c...

A beautifully executed oil painting of a nude lying down on a bed by Modern British artist Ewart Johns (1923 - 2013), 1980 Ewart Johns (British, 1923 – 2013) Nude On Bed, Back View ...

Phillip Roberts Title: Reclining Nude Medium: Oil on Canvas Year: circa 1970s Size: 20 x 18 inches Framed Size: 26 x 24 x 2 inches Signed, lower ight COA provided Framed Ref.: 924802-862 --------------------------------- Phillip received a BFA degree in painting from the Kansas City Art Institute, Kansas City, Missouri in 1972. Studied two years under painting department chairman, Wilbur Niewald. While attending school in Kansas City he became intrigued with the impressionist school of painting and their use of nature as a source of information for their work. Using the infinite variations of nature in the still life, figure and landscape, the artist is presented with limitless subject matter. Claude Monet, Camille Pissarro and other painters of nature were earlier influences on Phillip's work. Dealing with ever-changing elements of nature, movement of light and shadow in the landscape, field workers finishing their tasks, Phillip adopted a broken color style of applying paint to his canvas. This approach allowed the image on the canvas to be developed quickly, and all at one time. Phillip has lived and painted in the Northwest since 1989. His long desire to paint the subject matter of the impressionists painters and his belief that beautiful subject matter increases the probability of painting beautiful paintings, inspired two painting trips to Mexico and ten trips to Europe. In April of 2007, April of 2008 and again in 2014, a rented boat on the Canal du Midi, France served as a form of transportation, a floating studio and hotel. Early painting trips to France, England, and Spain were shared adventures with English painter Jeffrey Pratt...

ON THE RED CHAIR Size: 71.5 x 50 cm (including frame) Oil on Board A large and very well-executed mid-century modernist oil composition, painted onto canvas and dated 1962. In this...

Zita Sudnika, Night. 1993. Oil on canvas, 70x105 cm The painting portrays a nude woman lying on her side, resting on a colorful, abstract-patterned surface. The woman has red hair, ...

Artist/ School: Miguel Anibal (Chile, b. 1935), signed and dated 2013 'Paris'. Miguel Anibal is a painter, fresco artist and engraver born in 1935 in Chi...

Antique American modernist nude signed drawing. Pencil on paper. Unsigned. Framed. Image size, 9L x 12H.

Wonderful oil on canvas circa 1960 by French modernist painter Maurice Brianchon. The work depicts a blonde-haired nude seated on a wooden chair turned away from the artist with her chin resting in her hand. Signature: Signed lower left Dimensions: Framed: 38"x33" Unframed: 29"x24" Provenance: Fondation de L'Hermitage (Lausanne) - Exhibition Maurice Brianchon 13th October 1989 - 28th January 1990 As a young man, Maurice Brianchon studied at school in Le Mans before joining the École des Beaux-Arts in Bordeaux. He went on to study at the École des Arts Décoratifs in Paris, remaining there from 1917 to 1923 and working under the direction of Eugène Morand. It was here that he met and became friends with Oudot and Legueult. When he exhibited for the first time at the Salon d'Automne he was immediately elected as a member. He received the Blumenthal Award in 1924 and the Carnegie Prize in 1939. He was a founder member of the Salon des Tuileries and was appointed to serve on the committee in 1941. He also exhibited at the Salon de la Société Nationale des Beaux-Arts in Paris. He took part in major exhibitions abroad, including the Venice Triennale, Antwerp, Rio de Janeiro, New York, Madrid, Brussels and Stockholm. He soon made his mark as a decorative artist, creating stage sets for the Opéra for a production of Griséldis (1922) in collaboration with Legueult, and for Noble and Sentimental Waltzes ( Valses Nobles et Sentimentales) (1938), Sylvia (1941) and The Model Animals ( Les Animaux Modèles) (1944). He created a large, decorative piece entitled Symphony at the Palais de Chaillot, where he worked with Chapelain-Midy, Planson and Oudot. He also decorated the Lycée Janson-de-Sailly with murals. With his wife Marguerite Louppe he produced three large panels commissioned by the state in 1942 for the Conservatoire. The Gobelins and Aubusson tapestry works produced tapestries after his cartoons. He also produced cartoons for...