Evgenij Klenø

'Charlotte with Carnations', Paris, Royal Academy of Art, Denmark, Copenhagen

1977

Signed lower right, 'Vivian R. Huebler' for Vivian Ruth Lewis Huebler (American, 1890-1975); additionally signed, verso, with artist address and painted circa 1955. Vivian Huebler w...

Signed lower right "Sears" (American, 20th century) and dated 1960. A substantial, Expressionist style figural oil showing a partially-draped woman seated at a dressing-table and br...

Signed lower right, 'Helge' for Helge Jensen (Danish, 1899 - 1986) and painted circa 1925. This Danish Post-Impressionist first studied with Harald Giersing (1915-1916) before initi...

Signed lower right, 'Rob Leepin' for Robert Leepin (Danish, 1884-1967) and painted circa 1925. Robert Leepin first studied under Lauritz Tuxen and Viggo Johansen at Denmark's Royal ...

Signed lower left, "Kleno" for Evgenij Klenø (Dutch, 1921-2005). Oil nude showing a young woman standing with hands clasped below her chin and knees tur...

Stamped, verso, with the estate stamp for Victor Di Gesu (American, 1914-1988) and painted circa 1958. A substantial, Post-Impressionist style figural oil showing a young woman seat...

Reuven Rubin Israeli | 1893-1974 Orientala Signed “Reuven Rubin" Oil on canvas A striking and unique work rendered in a breathtaking jewel-toned palette, Orientala by Rueven Rubin...

Deux Baigneuses dans un Paysage by GEORGES MANZANA PISSARRO (1871-1961) Oil on canvas 38 x 46 cm (15 x 18 1⁄8 inches) Signed and dated lower left, Manzana Pissarro 55 This work is ...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Rebecca Couchée by JULES PASCIN (1885-1930) Oil over pencil on canvas 73.1 x 91.8 cm (28 ¾ x 36 ⅛ inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris Provenance Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above, 1952 Perls Galleries, New York, no. 13565 Private collection, Osaka Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery Inc., New York Private collection, USA, acquired from the above, June 2011 Literature Luis Seoane...

René Magritte 1898-1967 Belgian Le carnaval du sage (The Sage’s Carnival) Signed “Magritte” (lower right); titled and dated "Le carnaval du sage 1947" (en verso) Oil on canvas The enigmatic paintings of René Magritte have become some of the most familiar and celebrated of the Surrealist movement. Among the most influential of the Surrealist painters of the 20th century, Magritte is an artist of international renown, as beloved for his popular appeal as he is for the psychological intensity of his works. The present oil on canvas, entitled Le carnaval du sage, was executed in 1947 at the height of his career, and it is a tour-de-force example of the haunting, mysterious scenes that comprise his oeuvre. Painted in the years following the Second World War, Le carnaval du sage showcases several recurring themes from Magritte’s oeuvre. Chiefly, a juxtaposition between the visible and the hidden is keenly felt. Throughout his career, Magritte explores the psychological obsession with revealing what is hidden, particularly with regard to the human face. In his Le fils de l’homme, he obscures the face of a man in a bowler hat with an apple, while his Les amants (Metropolitan Museum of Art) conceals the faces of two lovers with white sheets. In Le carnaval du sage, Magritte juxtaposes the blatant nudity of his central figure by masking her face, simultaneously revealing and concealing her from the viewer. The work also incorporates two of Magritte’s most common tropes – the glass of water and the baguette. Lending the scene a strange sense of domesticity, they appear infinitely familiar and distinctly out of place, and thus heighten the uncanny effect of Magritte’s composition. In the background hovers a ghost obscured by a sheet, a figure which was of particular fascination to Magritte beginning in 1946. He once wrote to his fellow Surrealist Paul Nougé: "I saw in a dream an answer to the problem of the ghost: the traditional ghost draped...

Nu Assise by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas
 55 x 47 cm (21 ⅝ x 18 ½ inches) 
Signed lower left, Ludovic Rodo
 Executed circa 1910 This work is accompanied by a cer...

Immersed in the serenity of nature, I crafted an intimate scene, awash with the rich tones of oil paint. My brushstrokes breathe life into a dance of blossoms and leaves, enveloping ...