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Charles Jervas
Portrait by Charles Jervas of Henrietta Pelham–Holes, Duchess of Newcastle.

About the Item

This charming 17th Century half length portrait by Charles Jervas is believed to be of Henrietta Pelham–Holes, Duchess of Newcastle. The sitter is wearing a blue silk gown. Circa 1700 Oil on Canvas 27 x 19 1/2 inches 68.5 x 49.5 cm In a fine gilded carved wood frame. ABOUT THE SUBJECT: The sitter of svelte poise depicts grace and style. Stylistically taking the fancy of the moment with clearness and brilliancy in his flesh tints. Jervas work follows the English eighteen century tradition of portrait painting, epitomized by the likes of Kneller and Dahl. Henrietta "Harriet" Pelham-Holles, Duchess of Newcastle upon Tyne, was the wife of British statesman and prime minister Thomas Pelham-Holles, 1st Duke of Newcastle. She was the daughter of Francis Godolphin, 2nd Earl of Godolphin, and Henrietta Churchill, 2nd Duchess of Marlborough. She was also the granddaughter of Sidney Godolphin, 1st Earl of Godolphin, as well as John Churchill, 1st Duke of Marlborough, and Sarah Churchill, Duchess of Marlborough. Until her marriage, she was known as Lady Harriet Godolphin and like her husband, she was a devoted Whig and supporter of the Hanoverian succession. They married on 2 April 1717. During the 1720s, they became famous for throwing sumptuous parties, a tradition that continued for several decades. These were attended even by her husband's political opponents. ABOUT THE ARTIST: Charles Jervas was born in Ireland in 1675 and trained under Godfrey Kneller. Between 1698 and 1708 Jervas studied in Paris and Rome, and acted as an agent for British art collectors. On his return to London he set up a successful portrait studio and with the help of his patron, Prime Minister Robert Walpole, Jervas secured the post of king’s painter. In this capacity he painted King George II, Queen Caroline and Prince William, Duke of Cumberland. Jervas resided in London until his death in 1739.
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