Juliette Kida Renault

Classic 1950s Husband and Wife and Gagged Parrot, Esquire Magazine Illustration

1950s

This graphic and flatwork was an Interior illustration for the Saturday Evening Post. George Giusti( Italian - American 1908-1990)- ''The Last Snapshot''- ink and acrylic on illust...

Thin edged metal frame Philip Castle is an Irish Painter and husband to artist Barry Castle He is rarely exhibited and Prince Rainier of Monaco once pu...

Signed lower right. Inscribed on the reverse 'My first color illustration, Nov. 1954.' Work is unframed, Film Noir in paint

Jon Whitcomb was know for is dipictions of Handsome men and glamous women. Most likely for a major newsstand magazine like. Cosmopolitan, McCall's and Pl...

This work is remarkable for its intense dramatic lighting effects and wide-angle composition. Very few artists conceived and executed with acutely dramatic light in the arc of art hi...

A modern interpretation of the biblical story Suzanna and the Elders. Signed lower right Ink and wash on paper The Downtown Gallery Felix Landau Gallery Ernest Brown & Phillips, Ltd...

Cute with the e 2022 oil pastel, pen, acrylic, and watercolor on paper 6.5 x 4.5 inches Christina Nicola’s paintings are a direct reflection of herself — a liberated, queer, Black f...

Cute with the e 2022 oil pastel, pen, acrylic, and watercolor on paper 6.5 x 4.5 inches Christina Nicola’s paintings are a direct reflection of herself — a liberated, queer, Black f...

Embracing my roots and my cultural background through having a special spiritual connection to the women I depict on my canvases. The theme of women, womanhood and femininity is at t...

Embracing my roots and my cultural background through having a special spiritual connection to the women I depict on my canvases. The theme of women, womanhood and femininity is at ...

A vibrant colourful French portrait of Janine, muse of the artist Armand Avril. Signed and dated mid right. Presented in new contemporary framing under glass. Armand Avril (1926) i...

Cute with the e 2022 oil pastel, pen, acrylic, and watercolor on paper 6.5 x 4.5 inches Christina Nicola’s paintings are a direct reflection of herself — a liberated, queer, Black femme. With the erotic and intimacy front and center on her canvases, whether they’re miniature or large, Christina’s work offers a lens into this moment in her life — a moment intentionally focused on reclamation & personal exploration. In addition to honing in on her practice, she has also carved out spaces for Black and brown femme and non-binary artists to showcase their work with a series of exhibitions, the most recent being Sapphic Summer at Brian Leo Projects. Looking forward, the self-proclaimed “AfroRomantic Lyrical Abstractionist ” plans to publish a memoir in conversation with her paintings, debut her first solo museum exhibition, and continue to co-create curative spaces for artists of color...