Panel Portrait Paintings

JAMES WOLANIN "Cool In The Summer" Acrylic & Gloss Varnish on Panel 50 x 36 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy c...

JAMES WOLANIN "Valley Girl" Acrylic & Gloss Varnish on Panel 48 x 48 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated w...

JAMES WOLANIN "Summertime" Acrylic & Gloss Varnish on Panel 40 x 40 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated wo...

Court Portrait Of Robert Dudley, 1st Earl Of Leicester (1532-1588) English School Oil On Panel Large antique portrait of Robert Dudley, 1st ea...

Rick Beerhorst Looking Through Love oil on canvas 13h x 13w in 33.02h x 33.02w cm RIB008 Rick Beerhorst B. 1960 Education 1987 University of Illino...

This painting measures 45 X 45 cm and is painted on stretched linen. The cat and the bird, typically mortal enemies are held together by this noble woman. This becomes a metaphor for how opposed aspects of our inner nature coexist and add dimension and richness to our personalities. –Rick Beerhorst...

Rick Beerhorst Venetian Venus oil on canvas 23.50h x 23.50w in 59.69h x 59.69w cm RIB006 Rick Beerhorst B. 1960 Education 1987 University of Illinois...

The Amour II is a painting by contemporary artist Joachim van der Vlugt. Oil on wood, 110 x 110 cm. This work is signed, sold unframed. This portrait represents a man wearing a gas ...

Very fine 17th century Flemish old master "Allegory of the four elements" attributed to Frans Francken the Younger The figures are the Nereid Amphitrite, holding a coral and represe...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from the late Renaissance period. Spanish school. Size: Cm 19 x Cm 13.5 Oil on wooden panel. On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment. About 1600-1610. As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here: DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?) (1534, Autillo de Campos, Spain - 1601, Córdoba) Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba. He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid. Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age. He studied Latin, arts, and theology at the University of Salamanca. In 1562, he traveled to Rome with his brothers Pedro and Luis. In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary. After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon. He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books. During the brief outbreak of the Black Plague...

Days End is a contemporary take on a traditional figurative pose. Joanna Aplin’s paintings are clean and captivating. Her classically trained yet contemporary approach to color, form...

Joseph Lorusso's (US based) "Seeing Shadows" is an original, handmade oil painting that depicts a female figure at a table with a wine glass in the foreground. The painting is frame...

My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scenes of play, group interacti...

Claude Firmin (1864-1944), Portrait of a Young Boy on 19 October 1897 Claude Firmin, a painter from Avignon and member of the Groupe des Treize, created this superb yet intimate por...

Figure with Cherubim in Wilderness Italian School, 17th century oil painting on wood panel framed 13 x 11 inches condition: overall for its age very good, though the work is most likely a preparatory...

David Finsonius (Veere 1597- Bergen op Zoom 1646/1648) Portrait of a girl with a rose and a red coral necklace With traces of the artist’s signature and annotated AETATIS S.V. 2 1...

Kazuya Ushioda's (Japan) "With Tomorrow's Sun" is an original, handmade oil painting that comes framed, with the framed dimensions being approximately 1...

A fine signed and dated 1880 Spanish oil on panel portrait of a man wearing a white shirt and waistcoat by Manuel Pla y Valor. The work is superbly painted in the realist style and i...

Dana Hawk (NY, US based) "Mask II" is an original, handmade oil painting that depicts the lower half of a female model's face. This 5" x 5" piece is unframed but ready to hang. Art...

"Listening to the Whispers of the Orchids" by Kelly Birkenruth, an original oil painting from 2024, measures 12 x 9 inches and is executed on panel. This piece depicts a portrait of ...

Dana Hawk (NY, US based) "Mask I" is an original, handmade oil painting that depicts a female model's partially closed eye in shadow. This 5" x 5" piece is unframed but ready to hang...

Shelli Langdale's "Girl with Peppers" is an original, handmade oil painting that a girl with red hair and chili peppers floating around her. This piece is unframed yet ready to hang....

Karen Offut's (US based) "Fire Starter" is an original, handmade oil painting that depicts a male portrait with his face in profile wearing a fur coat in a cold winter landscape. The...

Karen Offut's (US based) "Seeing Shadows" is an original, handmade oil painting that depicts a female portrait with her face in profile wearing a fur coat with a blue background. The...

Dan Cohen's "Maria Prophetissa," a compelling 2020 oil on panel, depicts a female model in a surreal setting. This 30x 20-inch artwork, framed to 30.75 x 20.75 inches, is ready to ha...

Dana Hawk (NY, US based) "In and of a Clown World" is an original, handmade oil painting that depicts a female model in profile with red hair. The piece is framed and ready to hang. ...

Matt Talbert's "Stillness" (2024) is an oil painting on linen, measuring 21 x 14 inches (53.34 x 35.56 cm). The unframed artwork features a nude female figure seated beside a window,...

Portrait of Henry IV, King of England (1367-1413), 16th Century English School Portrait - Early Oil On Panel Large 16th Century court portrait of Henry IV, King Of England (1367-14...

Original Oil Painting by David Kassan David Kassan (b. 1977, Little Rock, AR) received his BFA from Syracuse University and continued his studies at the National Academy School of Fi...

Austin Howlett's "First Steps" is an original, handmade oil painting that depicts a tall female figure walking through a snow covered landscape. Artis...

Kelly Birkenruth's "Adam" (2024) is an original oil painting on panel, measuring 14 x 11 x 2 inches. This striking artwork features the detailed portrayal of a male torso, emphasizin...

Kelly Birkenruth's "Decisions" (2023) is an original oil painting on panel, measuring 14 x 11 x 2 inches. This striking piece portrays a young man in deep contemplation, with his hea...

Kelly Birkenruth's "Portrait in Blue" (2021) is a captivating original oil painting on panel, measuring 10 x 8 x 2 inches. This exquisite piece showcases a delicate profile of a youn...

Kelly Birkenruth's "Co-Conspirators" (2024) is an original oil painting on panel, measuring 16 x 12 x 2 inches. This captivating artwork features a double portrait of two young women...

Dutch School, Elegant Couple, Tavern Interior Scene, Cabinet Piece, A PAIR

Kelly Birkenruth's "Portrait in Green" (2021) is an exquisite original oil painting on panel, measuring 10 x 8 x 2 inches. This stunning piece captures the profile of a young woman w...

Kelly Birkenruth's "Messy Bun" (2023) is an original oil painting on panel, measuring 6 x 6 x 2 inches. This charming artwork features the back profile of a young woman with her hair...

Kelly Birkenruth's "Sleek Ponytail" (2023) is an original oil painting on panel, measuring 6 x 6 x 2 inches. This elegant artwork features the back profile of a young woman with her ...

Kelly Birkenruth's "Eve" (2024) is an original oil painting on panel, measuring 14 x 11 x 2 inches. This exquisite artwork features a detailed portrayal of a female back, capturing t...

Kelly Birkenruth's "Shying Away" (2023) is an evocative original oil painting on panel, measuring 18 x 12 x 2 inches. This captivating artwork features the delicate profile of a youn...

Kelly Birkenruth's "Meditation" (2023) is an original oil painting on panel, measuring 18 x 12 x 2 inches. This evocative artwork depicts a young woman in a meditative pose, seated w...

"Nude, Reflection" by Michael Alford is an exquisite original figurative painting that captures the essence of human vulnerability and self-reflection. Executed with masterful stroke...

Dog Painting: "Portrait of a Chihuahua with Red Bow" Zacharias Noterman (Belgium, France 1824-1890) Circa. 1870s Oil on wood panel (mahogany) Original stucco and gilt frame 13 1/2 x...

"Le Souvenir" by Michael Alford is an enthralling original figurative nude painting that narrates a story of contemplation and grace. Executed with masterful brushstrokes in oil on b...

Portrait of Baccio Bandinelli 1493 - 1560 after Andrea del Sarto 1486 – 1530 Italian, created Circa 1863 Signed Gianni Oil on Panel. Oval Image size 8.3 inches x 6.5 inches ( 21cm x ...

"Waterloo Bridge" by Michael Alford is a mesmerizing original impressionistic cityscape that captures the enchanting beauty of London's Waterloo Bridge station at night. Crafted with...

"Outside Dining, West End" by Michael Alford is a captivating original impressionistic cityscape that transports viewers to the vibrant heart of London's West End. Executed with skil...

"Cannon Street" by Michael Alford is a captivating original impressionistic cityscape that beautifully captures the essence of London in a unique and evocative manner. Executed with ...

Madonna & Child, 15th Century Tuscan School Large 15th Century Tuscan School depiction of the Madonna & Child, tempera & gold on engraved panel. Excellent quality and condition Tus...

Brad Davis's "Noumena" (2024) is a compelling oil on wood panel painting, framed to dimensions of 34 x 26 inches, capturing a unique interplay between a real woman and a sculptural b...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Mona Lisa Orange and Purple measures 20 x 16" x 1.5" and is oil on birch panel . Ready to hang with wire ...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Mona Lisa iGreen measures 20 x 16" x 1.5" and is oil on birch panel . Ready to hang with wire on the back....

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Mona Lisa Orange measures 20 x 16" x 1.5" and is oil on birch panel . Ready to hang with wire on the back...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Mona Lisa in Blue measures 20 x 16" x 1.5" and is oil on birch panel . Ready to hang with wire on the back...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Mona Lisa Violet measures 20 x 16" x 1.5" and is oil on birch panel . Ready to hang with wire on the back....

Diane with Braids is from 2012 and is 12 x 10 and comes to you framed in minimal hardwood. This oil on panel painting by Shevlno link traditional representation with abstraction. Th...

Diane in Red is from 2015 and is 12 x 10 and comes to you framed in minimal hardwood. This oil on panel painting by Shevlino link traditional representation with abstraction. Throug...