Louis XV as a child, workshop of Pierre Gobert, c. 1716, 18th c. French School

circa 1716

Portrait of a lady as Flora Robert Le Vrac Tournieres (1667-1752) First half of 18th century French School Oil on oval canvas, Dimensions: h. 27.2 in, w. 21.7 in Magnificent original...

18th century French School François de Troy (1645 – 1730), Paris, circa 1725 Portrait of a Woman as the Goddess Ceres Oil on canvas: h. 39 in, w. 31.3 in Regen...

Rare double portrait depicting Louis XIV and his brother Philippe de France as children. 17th century French School, circa 1645, attributed to Charles and Henri Beaubrun. Oil on canvas, dimensions: h. 48.03, w. 35.43 in. Important 17th century carved and giltwood frame Framed dimensions: h. 60.23, w. 48.42 in. This rare portrait is part of a series of works illustrating the childhood of the two princes, mainly commissioned by Anne of Austria, the mother and regent, after the death of Louis XIII. Expressing her fierce desire to preserve her son's crown, she uses visual communication as a channel of sovereign expression. The portraits serve to strengthen the royal power weakened by the minority of the young Louis...

Portrait of Princess of Bourbon as Hebe Pierre Gobert, circa 1730 Presumed portrait of Elisabeth Thérèse Alexandrine of Bourbon-Condé, Mademoiselle de Sens, depicted as the goddess Hebe kidnapped by Zeus, transformed into an eagle. 18th century French School, around 1730 Pierre Gobert (1662-1744) and workshop Oil on canvas Dimensions: canvas: h. 129 cm, w. 95cm Dimensions: framed: h. 156 cm, w. 124cm Louis XIV style giltwood and cardved wood frame Large and imposing portrait of the young princess portrayed seated on an eagle in the heavens. Seen from the front, the princess is dressed in a low-cut white chiffon dress, exposing her throat. Delicately made-up oval face, dominated by large blue-gray eyes is surrounded by powdered hair, raised, releasing the forehead and the ears, and of which some locks fall on his shoulder. A large blue scarf passed over the shoulder covers her knees and flies in the wind. A garland of flowers coming from the back goes over the knees and down again on the eagle. In her right hand she holds a golden goblet and in her left hand an ewer. The eagle supporting the young woman seizes in its claws the thunderbolt (the beam of fiery lightning), the attribute of Zeus. The figure of the young woman is enlivened by the fluidity of the antique drapes...

Portrait of French King Louis XV (1710-1774) in armour 18th century French school Workshop of Jean Baptiste Van Loo (1684-1745) Circa 1730 Oil on canvas, dimen...

Portrait of a Lady as Venus ATTRIBUTED TO PIERRE GOBERT (1662-1744) FRENCH SCHOOL AROUND 1720 OIL ON CANVAS: H. 55.51 in, W. 42.91 in. IMPORTANT 18TH CENTURY GILTWOOD FRAME (RE-GILT)...

Charles HERMANN-LÉON (born Léon Charles Sigismond HEMRMANN) (Le Havre 1838 - Paris 1908) Portrait of a young woman Oil on canvas H. 54 cm; L. 41 cm Signed and dated upper right - 187...

François-Joseph KINSON (Bruges 1770 – Bruges 1839) Portrait of a young woman near a spring, accompanied by her dog Oil on canvas H. 73 cm; L. 60 cm circa 1815-1817 We owe this elega...

This early 20th-century oil painting by French artist Honoré Louis Umbricht (1860-1943) depicts Marguerite Grosjean (b. 1895), the daughter of law of Alexandre Grosjean, the mayor of Besançon. Umbricht was a distinguished painter of genre scenes, landscapes, stills and portraits. Born in the attractive city of Obernai, in the Alsace region of North-East France, he had inspiration at his fingertips. Distant mountains, picturesque valleys, the sparkling Ehn River, and sprawling rural plains - a veritable smorgasbord of views. He honed his draughtsmanship under the tuition of his uncle, ‘Hess’, and was soon offered a scholarship by the German government to study in Munich. He refused, however, and headed for Paris to train under the highly-regarded Léon Bonnat (1833-1922). Bonnat’s studio was synonymous with success and he encouraged his students to paint freely and with expression. His own portraits were influenced by the Spanish masters, such as Diego Velázquez (1599-1660), and he extolled the virtues of this style. Umbricht was in fine company as Bonnat also trained John Singer Sargent, P. S. Krøyer, Erik Werenskiold, Henri de Toulouse-Lautrec and Gustave Caillebotte among others. Following his training, the Paris Salon beckoned and the young Umbricht’s debut came in 1880. By 1884, he’d been awarded his first medal and several more would follow including at the Chicago and London Exhibition and the prestigious Exposition Universelle (1900). He was subsequently knighted with the Cross of the Order of Leopold. Midway through his career, the critics were alive with praise describing his portraits as “full of mastery” and with “very true and harmonious” colouring. In 1911, the newspaper ‘Le Rappel...

"Oil On Canvas From The Eighteenth Century Entourage De Largilliere With Frame" 18th Century French School, Surroundings of Nicolas de Largilliere Presumed portraits of Louise Elisa...

Oil on canvas Image size: 21 1/2 x 17 3/4 inches (55 x 45 cm) Original gilt frame In this portrait this young woman is depicted facing forward with her head slightly raised and turned left towards the viewer. She is dressed in a blue satin dress. The low-cut drapery, exposing her décolletage, was not unusual for the time as 18th century women would often wear their dresses off-the-shoulder or fitted with a very open neckline. Her perfectly oval face is enlivened by wide brown eyes, full cheeks and a mouth that sketches a half smile. Her cheeks rose with blush, which was a popular cosmetic style during the Rococo period and contrasts with her ivory skin and powdered hair. Her tied hair is studded with many flowers and the ribbon around the woman's throat accentuates her bare neck. Alexander Roslin Alexander Roslin was one of the most important portrait painters of Europe in the 18th century. He was born in Malmö in Sweden but soon moved into Europe to paint at various royal courts. From 1750 on he worked mainly in Paris. Here he was destined to achieve great success. He had collected letters of recommendation on his journey through Europe, including that of the Duchess of Parma, the sister-in-law of Louis XV. Soon he was admitted to the court and the Royal Academy in Paris and when he married in 1759 he was the most wanted artist in Paris for portraits. He was married to the miniature painter Marie Suzanne Giroust. Although he painted mainly French nobility...

After Baron Gérard, circa 1835 Portrait of King Louis-Philippe Oil on canvas H. 79 cm; L. 65 cm Provenance : Private collection, Périgord, by descent since the 19th century This po...