Robert Le Vrac Tournières

18th c. French School, portrait of a lady as Flora by Robert Le Vrac Tournieres

HENRI MILLOT PORTRAIT OF LOUISE-DOROTHÉE VON HOFFMAN Signed “h. millot” and dated 1724 on the back of the original canvas Henri Millot, French painter (Paris, active between 1699 an...

18th century French School François de Troy (1645 – 1730), Paris, circa 1725 Portrait of a Woman as the Goddess Ceres Oil on canvas: h. 39 in, w. 31.3 in Regen...

A late 17th century French School, Workshop of Nicolas de Largillière (Paris, 1656-1746) Circa 1690 This lovely young woman is portrayed at mid-height, disguised as Flora, goddess of...

François de Troy (1645 – 1730) - Duchesse de Fontanges The young woman, traditionally identified as Mademoiselle de Fontanges, Louis XIV's mistress, is depcited in bust facing forward, her head slightly raised and turned to the left. She seems to dominate the viewer. She is dressed in a blue satin dress and wrapped in an orange satin stole that shines with its most golden luster. His hand with graceful fingers with the index and ring fingers spread apart and the middle finger glued to the ring finger keeps slippery fabrics on his chest. Its stole flying in the wind creates an instantaneous movement and the arm bent at the elbow obliquely transforms its static pose. The perfectly oval face is enlivened by wide gray eyes, a turned-up nose, full cheeks and a mouth that sketches a half-smile. Her powdered and tied hair is studded with many flowers. The young woman wearing no jewelry, the radiance of her youth and her translucent hue are her only ornaments. The juxtaposition between the icy blue satin and the incandescent orange like the heart and the contours of a flame indicates François de Troy's great talent as a colourist. Its vibrant and nervous touch enlivens fluid fabrics, making them sparkling and changing. Their surface is worked in quivering brushstrokes, the serifs and the glazes forming an elegant arrangement. The glazes of the face are treated by superimposing light and transparent layers, producing pearly reflections and a translucent rendering, the technique in which de Troy particularly excels. By François de Troy (Toulouse 1645 – Paris 1730) Early 18th century French School Oil on canvas in oval format: h. 27.95 in, w. 25.18in 19th century period frame Framed dimensions: h. 41.34 in, w. 33.46 in Although unsigned, like the majority of works by François de Troy, our portrait has been authenticated by the French expert cabinet "Turquin" as an autograph work by François de Troy. Provenance : Paris, Heim-Gairac gallery in 1965. Thence private collection. Published in the book on the life of Louis XIV “The Sun King: Louis XIV at Versailles”, Nancy Mitford...

Rare double portrait depicting Louis XIV and his brother Philippe de France as children. 17th century French School, circa 1645, attributed to Charles and Henri Beaubrun. Oil on canvas, dimensions: h. 48.03, w. 35.43 in. Important 17th century carved and giltwood frame Framed dimensions: h. 60.23, w. 48.42 in. This rare portrait is part of a series of works illustrating the childhood of the two princes, mainly commissioned by Anne of Austria, the mother and regent, after the death of Louis XIII. Expressing her fierce desire to preserve her son's crown, she uses visual communication as a channel of sovereign expression. The portraits serve to strengthen the royal power weakened by the minority of the young Louis...

Portrait of Princess of Bourbon as Hebe Pierre Gobert, circa 1730 Presumed portrait of Elisabeth Thérèse Alexandrine of Bourbon-Condé, Mademoiselle de Sens, depicted as the goddess Hebe kidnapped by Zeus, transformed into an eagle. 18th century French School, around 1730 Pierre Gobert (1662-1744) and workshop Oil on canvas Dimensions: canvas: h. 129 cm, w. 95cm Dimensions: framed: h. 156 cm, w. 124cm Louis XIV style giltwood and cardved wood frame Large and imposing portrait of the young princess portrayed seated on an eagle in the heavens. Seen from the front, the princess is dressed in a low-cut white chiffon dress, exposing her throat. Delicately made-up oval face, dominated by large blue-gray eyes is surrounded by powdered hair, raised, releasing the forehead and the ears, and of which some locks fall on his shoulder. A large blue scarf passed over the shoulder covers her knees and flies in the wind. A garland of flowers coming from the back goes over the knees and down again on the eagle. In her right hand she holds a golden goblet and in her left hand an ewer. The eagle supporting the young woman seizes in its claws the thunderbolt (the beam of fiery lightning), the attribute of Zeus. The figure of the young woman is enlivened by the fluidity of the antique drapes...

Louis Joseph César DUCORNET (Lille 1806 – Paris 1856) Portrait of a young girl Oil on canvas H. 92 cm; L. 73 cm Signed upper left, dated 1837 When he came into the world in Lille in...

French school circa 1840 Sketch of a dandy portrait Oil on canvas mounted on cardboard H. 21 cm; L. 20.5 cm

Musketeers - Oil on canvas cm.90x80, Italia, 2006, Eugenio De Blasi (3c59a) Eugenio De Blasi's painting is inspired by the neoclassical genre of the French painter Alex De Andreis who portrays his favorite subjects The Musketeers...

What is so wonderful and unusual about this 18th Century portrait is the relatability of the sitter. There is an openness to the world in his gaze, curiosity, a sense of humour, pass...

Charles HERMANN-LÉON (born Léon Charles Sigismond HEMRMANN) (Le Havre 1838 - Paris 1908) Portrait of a young woman Oil on canvas H. 54 cm; L. 41 cm Signed and dated upper right - 187...

Oriental girl - I. Di Matteo Italia 1997 - Oil on canvas cm. 60x50. The painting by I. Di Matteo depicts a typically oriental young woman in her hair an...