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Niccolò StanchiPair fo Still Lives - Oil on Canvas by N. Stanchi - Late 17th CenturyLate 17th Century
Late 17th Century
About the Item
Beautiful pair of still lives ascribed to N. Stanchi, realized in the second half of 17th century.
Both in very good conditions, they include a contemporary wooden gilded frame.
Dimensions are:
- Vertical Still Life: 42 x 3 x 32.5 cm.
- Horizontal Still Life: 32 x 2.8 x 42 cm.
They both come with a international passport.
Niccolò Stanchi (1623-1690)
A Master of Still Lives mainly famous for his representation of flowers, he joined the group of painter who decorated the Galleria Borghese in Roma. In this occasion Stanchi was committed to realize decorations of wreath of flowers on mirrors.The Stanchi brothers, (Niccolò had two brothers painters as well, Giovanni and Angelo), constituted one of the most fervent workshops of still lifes in Baroque Rome starting from 1630.
Ref.
- Lanfranco Ravelli, Stanchi dei fiori, Bergame, 2005
- Alberto Cottino, Natura silente. Nuovi studi sulla natura morta italiana, Turin, 2007.
- Creator:Niccolò Stanchi (1623 - 1690, Italian)
- Creation Year:Late 17th Century
- Dimensions:Height: 16.54 in (42 cm)Width: 12.8 in (32.5 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:Late 17th Century
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Niccolò Stanchi
Niccolò Stanchi, a master of still lives, is mainly famous for his representation of flowers. He joined the group of painters who decorated the Galleria Borghese in Roma. On this occasion, Stanchi was committed to realizing decorations of a wreath of flowers on mirrors. The Stanchi brothers, (Niccolò had two brothers painters as well, Giovanni and Angelo), constituted one of the most fervent workshops of still lifes in Baroque Rome starting from 1630.
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- ShippingRetrieving quote...Ships From: Rome, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
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