Andy WarholIvan Karpca. 1975
ca. 1975
About the Item
- Creator:Andy Warhol (1928 - 1987, American)
- Creation Year:ca. 1975
- Dimensions:Height: 15.5 in (39.37 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745212807632
Andy Warhol
The name of American artist Andy Warhol is all but synonymous with Pop art, the movement he helped shape in the 1960s. He was phenomenally prolific, and the archive of original photography, prints, drawings, paintings and other art that he left behind is beyond vast.
Andy Warhol is known for his clever appropriation of motifs and images from popular advertising and commercials, which he integrated into graphic, vibrant works that utilized mass-production technologies such as printmaking, photography and silkscreening. Later in his career, Warhol expanded his oeuvre to include other forms of media, founding Interview magazine and producing fashion shoots and films on-site at the Factory, his world-famous studio in New York.
Born and educated in in Pittsburgh, Warhol moved to New York City in 1949 and built a successful career as a commercial illustrator. Although he made whimsical drawings as a hobby during these years, his career as a fine artist began in the mid-1950s with ink-blot drawings and hand-drawn silkscreens. The 1955 lithograph You Can Lead a Shoe to Water illustrates how he incorporated in his artwork advertising styles and techniques, in this case shoe commercials.
As a child, Warhol was often sick and spent much of his time in bed, where he would make sketches and put together collections of movie-star photographs. He described this period as formative in terms of his skills and interests. Indeed, Warhol remained obsessed with celebrities throughout his career, often producing series devoted to a famous face or an object from the popular culture, such as Chairman Mao or Campbell’s tomato soup. The 1967 silkscreen Marilyn 25 embodies his love of bright color and famous subjects.
Warhol was a prominent cultural figure in New York during the 1960s, ’70s and ’80s. The Factory was a gathering place for the era’s celebrities, writers, drag queens and fellow artists, and collaboration was common. To this day, Warhol remains one of the most important artists of the 20th century and continues to exert influence on contemporary creators.
Find a collection of original Andy Warhol art on 1stDibs.
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1970s Pop Art Black and White Photography
MaterialsPhotographic Film
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Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. 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Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...Category
1970s Pop Art Black and White Photography
MaterialsPhotographic Film
- Baroness de Waldner - unique acetate of Brazilian actress, with provenanceBy Andy WarholLocated in New York, NYAndy Warhol Baroness de Waldner, ca. 1975 Unique Acetate positive This piece comes with a signed letter of provenance from the representative of Chromacomp, Warhol's printer. Frame i...Category
1970s Pop Art Portrait Photography
MaterialsPhotographic Film, Mixed Media
- Quentin CrispBy Andy WarholLocated in Santa Monica, CAAn English expat living in New York City, Quentin Crisp came to prominence following the publication of his 1968 autobiography, The Naked Civil Servant. ...Category
1980s Pop Art Black and White Photography
MaterialsPhotographic Paper, Silver Gelatin
- Alba Clemente and Julian SchnabelBy Andy WarholLocated in Santa Monica, CAIllustrated in The Andy Warhol Diaries by Andy Warhol. Edited by Pat Hackett, Warner Books, 1991. Julian Schnabel was a regular at The Factory and was so close to Warhol and the ot...Category
1980s Pop Art Black and White Photography
MaterialsPhotographic Paper, Silver Gelatin
- Henry Geldzahler and Jean-Michel BasquiatBy Andy WarholLocated in Santa Monica, CAJean-Michel Basquiat first attracted attention for with graffiti work on the Lower East Side of Manhattan in the late 1970s. Basquiat first met Andy Warhol in 1980. At this point, Pat Hackett had been working for Warhol for about a decade already. This was also the year Hackett and Warhol published Popism: The Warhol Sixties. As two valuable additions to The Factory, Hackett and Basquiat most likely spent a good amount of time together. Henry Geldzahler...Category
1980s Pop Art Black and White Photography
MaterialsPhotographic Paper, Silver Gelatin
- Andy Warhol, Andy Warhol on a Seaplane in Montauk, 1982By Andy WarholLocated in Santa Monica, CAThis is a unique work. Image dimensions: 8 x 10 in. Framed dimensions: 16.5 x 18 in. Work is framed to archival standards by Handmade Frames of Brooklyn, New York. Stamped twice on ...Category
1980s Pop Art Black and White Photography
MaterialsSilver Gelatin, Photographic Paper
- Matt DillonBy Andy WarholLocated in Santa Monica, CAThis is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual A...Category
1980s Pop Art Black and White Photography
MaterialsPhotographic Paper
- Barbara AllenBy Andy WarholLocated in Santa Monica, CAImage dimensions: 10 x 8 in. Framed dimensions: 18.5 x 16 in. Work is framed to archival standards by Handmade Frames of Brooklyn, New York. This is a unique work. Stamped on the r...Category
1970s Pop Art Black and White Photography
MaterialsSilver Gelatin, Photographic Paper
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