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Eugène AtgetUntitled [Modern Interior]printed c. 1950
printed c. 1950
About the Item
Gelatin silver print made by Berenice Abbott
Signed in pencil by Berenice Abbott, verso
10 x 8 inches, sheet size
9.25 x 7 inches, image size
This artwork is offered by ClampArt, located in New York City.
Eugène Atget was a French flâneur and a pioneer of photography noted for his determination to document all of the architecture and street scenes of Paris before their demolition by urban modernization. Most of his photographs were first published by American artist Berenice Abbott after his death. An inspiration to a wide range of artists, Atget’s genius was only recognized by a small number of young artists in the last years of his life, and he did not live to see the wide acclaim his photography would eventually receive.
- Creator:Eugène Atget (1857-1927, French)
- Creation Year:printed c. 1950
- Dimensions:Height: 10 in (25.4 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93232904653
Eugène Atget
Eugene Atget (1857- 1927) took up photography in the late 1880s, turning his camera on Paris in 1898. He captured Parisian streetscapes, shop fronts, and architectural details in a straight, documentary style, in contrast to the Pictorialist trend at the time. Atget made beautiful and sensitive documents and by the early 1920s, up until his death, Atget's works became increasingly expressive, metaphorical, and were championed by the Surrealists for their poetic and haunting mood. Thanks to the support of American photographer Berenice Abbott (1898- 1991), French photographer Eugene Atget became recognized as one of the great early modern photographers. He recorded Old Paris and Atget’s lifespan corresponded with urban planner Haussmann and his famous transformation of Paris into a modern city. Atget documented Paris painstakingly on meanderings throughout the City of Light into the 20th Century. Berenice Abbott is famous for her black-and-white photographs of New York City. She also created a large body of portraits that she made in Paris. Abbott found inspiration in the Parisian streetscapes of Eugene Atget, an influence that would carry over into her work and the series “Changing New York” (1935-38). A major body of Abbott’s work was made during the Works Progress Administration/Federal Art Project."
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