Lucille Khornak

Three nudes in masks

Late 20th Century

Lucille Khornak (American), "Geoffrey Beene", Black and White screen print on Harmon paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 x...

Lucille Khornak (American), "Angelo Tarlazzi", Black and white screen print on Harmon paper, 20 x 16. Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 ...

Lucille Khornak (American), "Arnold Scaasi", Black and white screen print on Harmon paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 x ...

Lucille Khornak (American), "Issey Miyake", Black and white screen print on Harmon paper, 16 x 20, Late 20th Century Hand signed by Lucille Khornak Available sizes: 11 x 1...

Lucille Khornak (American), "Donna Karan", Black and White Screen Print on Harmon paper, 16 x 20, Late 20th Century Hand signed by Lucille Khornak Available sizes: 11 x 14...

Lucille Khornak (American), "Jean-Charles de Castelbajac", Black and White Screen Print on Harmon Paper, 16 x 20, Late 20th Century Hand signed by Lucille Khornak Availabl...

Monica Vitti (Associated Press Photo) is a vintage b/w photo of the Italian actress on a boat at sea realized in the 1960s. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...

Monica Vitti is a vintage black and white photo of the italian actres, realized in 1960s. L'agenzia Nazionale Stampa Associata (ANSA) Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...

An English expat living in New York City, Quentin Crisp came to prominence following the publication of his 1968 autobiography, The Naked Civil Servant. ...

Image dimensions: 8 x 10 in. Framed dimensions: 16.5 x 18 in. Work is framed to archival standards by Handmade Frames of Brooklyn, New York. This is a unique work. Stamped on the r...

Photograph of Bianca Jagger holding a birthday cake for Alana Stewart on her birthday by Andy Warhol in 1985. This photograph is published in "Andy Warhol Party...

Gay Talese is a former journalist for The New York Times and Esquire magazine who helped define literary journalism in the 1960s. Image dimensions: 8 x 10 in. Framed dimensions: 16...