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SIMON PROCTERSIMON PROCTER Chanel the Crucible B&W, Spring/Summer 2014, Le Grand Palais Paris2020
2020
About the Item
Limited edition of 3 + 1 Artist Proof - mounted on DIASEC ( plexi mounting )
alternative size : 120 x 150 cm Limited edition of 10 + 2 Artist Proof - 9 500
Series from the book LAGERFELD, THE CHANEL SHOWS , Rizzoli Editions
About this photo : Le Grand Palais , 2014 , Chanel Fashion Show
With a staircase at each end, and an orchestra in the middle featuring guest starring musician Sebastien Tellier in a pastel suit, Karl Lagerfeld unveils a ‘Cambon Club’ setting. Simon was on the roof and achieved an unique view of the focal point - a gigantic, magical, old-fashioned zoetrope.
- Creator:SIMON PROCTER (1968, British)
- Creation Year:2020
- Dimensions:Height: 79.14 in (201 cm)Width: 63 in (160 cm)Depth: 1.19 in (3 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU142126787172
SIMON PROCTER
Simon Procter was born in 1968 in Lancashire, Northern England. He studied fine art for many years, originally focusing on both painting and sculpture, and holds a B.A. Honors degree in Fine Art from Trent University, United Kingdom. Procter moved to Paris in the late ‘90s and, while doing a variety of odd jobs in the city, met one of the associates at Visionaire. Thereafter, Procter took up photography and used his unique fine art aesthetic to develop a photographic technique that captures and documents the grand scale of fashion shows and the architectural spaces in which they take place. This synthesis of fashion photography and classical painting distinguishes Procter’s work. His first fashion photography endeavor was shooting a Dior show from 100 feet above the runway. The resulting images were published in two major stories in “V Magazine” and exhibited at Colette, with a sponsorship by both Armani and Prada. He has since produced works for Adidas Y-3, L’Oréal Paris, Christian Dior, Armani, Chanel, and Stella McCartney among others. His photography has been featured in numerous publications including “Vogue Nippon,” “Harper’s Bazaar” and “The New York Times” and has been exhibited in Paris’ Grand Palais, the Moscow Museum of Art and The Museum of Fine Arts, Boston. It was also the subject of a coffee-table book, “Lagerfeld: The Chanel Shows,” published by Rizzoli in 2019.
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