Jerry Schatzberg

Bob Dylan, Revisited II, New York`, 1966

Signed, titled and numbered in pencil on recto Archival pigment print Image: 15-3/4" x 18-3/4", Paper: 26-1/4" x 26-1/4", Matted: 29" x 29-1/2" Edition 22 of 265

Bob Dylan, Blonde on Blonde, New York, 1966 Signed and numbered in ink on verso Archival pigment print Image: 22-1/2" x 11-1/4", Paper: 24" x 20", Matted: 30" x 24" AP 4 of 5

Bob Dylan and Allen Ginsberg sitting at Jack(John L.) Kerouac's Grave, Lowell, MA, 1975 Signed and numbered in ink on recto Archival pigment print Paper: 20" x 24" Edition 2 of 50

Estate sealed and numbered on recto Archival pigment print Paper: 20" x 16" Edition 1 of 50

Signed and numbered in ink on verso Archival pigment print Image: 13-1/8" x 19", Paper: 14-1/8" x 20", Matted: 20" x 24" AP 1/3

Bob Dylan on Stage Rolling Thunder Revue Tour, 1975 Estate sealed and numbered on recto Archival pigment print Paper: 20" x 16" Edition 3 of 50

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...

Rebecca Skinner’s “Momentary” is a 30 x 20 inch metal print and is part of her “Transient” series. The color photograph of a bedroom in an abandoned home gives the viewer a sense of ...

Archival pigment print Signed and numbered on label, verso 20 x 24 inches (Edition of 10) 43 x 50 inches (Edition of 7) This photograph is offered by ClampArt, located in New York City. Since the great success of her monkey portraits...

Archival pigment print Signed and numbered on label, verso 24 x 20 inches (Edition of 10) 50 x 43 inches (Edition of 7) This photograph is offered by ClampArt, located in New York ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...

Rebecca Skinner’s “Industrial Beauty” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 16 x 24 inch color photog...