Diana ThorneycroftA People’s History (Fire-swept Algoma)2009
2009
About the Item
- Creator:Diana Thorneycroft (1956, Canadian)
- Creation Year:2009
- Dimensions:Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montreal, CA
- Reference Number:1stDibs: LU4762042833
Diana Thorneycroft
Diana Thorneycroft is a Winnipeg-based contemporary artist, born in 1956, in Claresholm, Alberta, Canada. She has exhibited various bodies of work across Canada, the United States and Europe, as well as in Moscow, Tokyo and Sydney. She is the recipient of numerous awards, including the 2016 Manitoba Arts Award of Distinction, assistance to visual arts long-term grant from the Canada Council, several senior arts grants from the Manitoba Arts Council and a fleck fellowship from the Banff Center for the Arts. Her early work was the subject of national radio documentaries and a CBC national documentary for television. From 2000-02, Diana's photo-based exhibition, “The Body, its Lesson and Camouflage” toured to eight venues. Several images from this show were included in the 2002 Phaidon Press publication, Blink, which presents the work of 100 rising stars in photography. Diana is best known for her photographic work depicting facets of Canadian identity. Some of the work is humorous, sometimes dark, frequently both. From 2007-14, she completed four photography series, “The Canadiana Martyrdom Series," “Group of Seven Awkward Moments," “A People's History” and “Canadians and Americans (best friends forever... it's complicated).” Canadian Art Magazine selected the “Group of Seven Awkward Moments” as one of The Top 10 Exhibitions of 2008. Equally as dark, is her drawing series, “There Must Be 50 Ways to Kill Your Lover,” which is divided into three categories, Foul Play, Desperate Housewives and Failed Relationships. In 2013, Diana began working on a complex installation, entitled “Black Forest (dark waters).” The exhibition, which had its inaugural opening in 2018, is composed of three interconnected bodies of work and two sculptural installations that are presented as physical evidence of the cryptic narrative that unfolds in the suite of 19 photographs.
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- Group of Seven Awkward Moments (In Algonquin Park)By Diana ThorneycroftLocated in Montreal, QuebecCanadians have a funny kind of national identity, meaning specifically we do not really have one. To say that there is a national identity is to enter into a discussion without end -because there are just too many different kinds of people in Canada- it would be impossible to pin identity to anything, let alone a top-down Multicultural Act, or a Group of Seven. Strangely though, in art, that is exactly where Canadian begins, with a Group of Seven. In Diana Thorneycroft’s new series Group of Seven Awkward Moments, the momentous humor Canada is famous for is contrasted with the nation’s dirty little secret: that it is not funny at all, and in fact, much too serious, bordering on menacing. The new series of works falls into a line of art objects created by Canadian artists within the last few years that utilize parody and play to explode the hallowed imagery of nationalized corporatism. In the case of Thorneycroft, the use of backdrops that are reproduced works of the Group of Seven and Tom Thompson...Category
Early 2000s Contemporary Still-life Photography
MaterialsDigital
- Group of Seven Awkward Moments (Fatal Accident near Ski Tracks)By Diana ThorneycroftLocated in Montreal, QuebecCanadians have a funny kind of national identity, meaning specifically we do not really have one. To say that there is a national identity is to enter into a discussion without end -because there are just too many different kinds of people in Canada- it would be impossible to pin identity to anything, let alone a top-down Multicultural Act, or a Group of Seven. Strangely though, in art, that is exactly where Canadian begins, with a Group of Seven. In Diana Thorneycroft’s new series Group of Seven Awkward Moments, the momentous humor Canada is famous for is contrasted with the nation’s dirty little secret: that it is not funny at all, and in fact, much too serious, bordering on menacing. The new series of works falls into a line of art objects created by Canadian artists within the last few years that utilize parody and play to explode the hallowed imagery of nationalized corporatism. In the case of Thorneycroft, the use of backdrops that are reproduced works of the Group of Seven and Tom Thompson...Category
Early 2000s Contemporary Still-life Photography
MaterialsDigital
- Group of Seven Awkward Moments (Northern Lights)By Diana ThorneycroftLocated in Montreal, QuebecCanadians have a funny kind of national identity, meaning specifically we do not really have one. To say that there is a national identity is to enter into a discussion without end -because there are just too many different kinds of people in Canada- it would be impossible to pin identity to anything, let alone a top-down Multicultural Act, or a Group of Seven...Category
Early 2000s Contemporary Still-life Photography
MaterialsDigital
- Group of Seven Awkward Moments (The West Wind)By Diana ThorneycroftLocated in Montreal, QuebecCanadians have a funny kind of national identity, meaning specifically we do not really have one. To say that there is a national identity is to enter into a discussion without end -because there are just too many different kinds of people in Canada- it would be impossible to pin identity to anything, let alone a top-down Multicultural Act, or a Group of Seven. Strangely though, in art, that is exactly where Canadian begins, with a Group of Seven. In Diana Thorneycroft’s new series Group of Seven Awkward Moments, the momentous humor Canada is famous for is contrasted with the nation’s dirty little secret: that it is not funny at all, and in fact, much too serious, bordering on menacing. The new series of works falls into a line of art objects created by Canadian artists within the last few years that utilize parody and play to explode the hallowed imagery of nationalized corporatism. In the case of Thorneycroft, the use of backdrops that are reproduced works of the Group of Seven and Tom Thompson...Category
Early 2000s Contemporary Still-life Photography
MaterialsDigital
- Group of Seven Awkward Moments (Byng Inlet)By Diana ThorneycroftLocated in Montreal, QuebecCanadians have a funny kind of national identity, meaning specifically we do not really have one. To say that there is a national identity is to enter into a discussion without end -because there are just too many different kinds of people in Canada- it would be impossible to pin identity to anything, let alone a top-down Multicultural Act, or a Group of Seven...Category
2010s Contemporary Still-life Photography
MaterialsDigital
- Group of Seven Awkward Moments (Davis Strait)By Diana ThorneycroftLocated in Montreal, QuebecCanadians have a funny kind of national identity, meaning specifically we do not really have one. To say that there is a national identity is to enter into a discussion without end -because there are just too many different kinds of people in Canada- it would be impossible to pin identity to anything, let alone a top-down Multicultural Act, or a Group of Seven. Strangely though, in art, that is exactly where Canadian begins, with a Group of Seven. In Diana Thorneycroft’s new series Group of Seven Awkward Moments, the momentous humor Canada is famous for is contrasted with the nation’s dirty little secret: that it is not funny at all, and in fact, much too serious, bordering on menacing. The new series of works falls into a line of art objects created by Canadian artists within the last few years that utilize parody and play to explode the hallowed imagery of nationalized corporatism. In the case of Thorneycroft, the use of backdrops that are reproduced works of the Group of Seven and Tom Thompson...Category
Early 2000s Contemporary Still-life Photography
MaterialsDigital
- Hello, Goodbye, Contemporary Photography Butterfly SeriesBy Roberta FinebergLocated in New york, NYFrom the transformative to the ephemeral, the birth and death of a butterfly is reimagined in a photo series by Roberta Fineberg inspired by the poetry of the 13th Century Persian po...Category
2010s Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Digital, Archival Pigment, Digital Pigment
- Tamed, Butterfly Series, Contemporary Still Life Photography by Roberta FinebergBy Roberta FinebergLocated in New york, NYFrom the transformative to the ephemeral, the birth and death of a butterfly is reimagined in Roberta Fineberg's photo series based on a poem by the 13th Century Persian poet Rumi who believed: ‘Whatever you know, or don’t - only love is real...Category
2010s Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Digital, Archival Pigment, Digital Pigment
- Broken Wing, Butterfly Series, Contemporary Color PhotographyBy Roberta FinebergLocated in New york, NYFrom the transformative to the ephemeral, the birth and death of a butterfly with a broken wing is reimagined in a photo series by Roberta Fineberg inspired by a poem by the 13th Century Persian poet Rumi who wrote: ‘Whatever you know, or don’t - only love is real...Category
2010s Contemporary Color Photography
MaterialsArchival Paper, Digital, Archival Pigment, Rag Paper, Digital Pigment, A...
- Hottie, from the Butterfly Series, Contemporary PhotographyBy Roberta FinebergLocated in New york, NYFrom the transformative to the ephemeral, the birth and death of a butterfly is reimagined in a photo series by Roberta Fineberg inspired by a poem by the 13th Century Persian poet R...Category
2010s Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Digital, Archival Pigment, Digital Pigment
- Dream Span, Butterfly Series, Contemporary Color PhotographyBy Roberta FinebergLocated in New york, NYFor Dream Span a contemporary color photograph of a butterfly, Roberta Fineberg explores the natural and man-made world in which a caterpillar breaks free of its skin for a metamorph...Category
2010s Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Digital, Archival Pigment, Digital Pigment
- Cloud, Contemporary Color Photography on ReflectionsBy Roberta FinebergLocated in New york, NYFor the image “Cloud” the artist Roberta Fineberg’s attention and equilibrium remained anchored on an anthropomorphic cloud during an unusual springtime (the pandemic 2020) in New York. Sheltering in place, with the soul of the City laid bare, birds sang louder than usual outside city dwellers’ windows. Sunlight illuminated the empty streets, formerly bustling. Nature reigned. A contemporary color photograph, Cloud, 2020 by Roberta Fineberg is 18" x 24" (sheet size) an archival pigment print on baryta paper in an edition of 5. Photograph is signed by the artist. Provenance: RF Archive *** Artist Bio: As a photographer and visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and subjects such as the ephemeral (butterfly series), stolen moments (documentary work), play, timelessness, the enduring, and significance of matter. In July 2022, Roberta Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include: Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2022; 2020), CADAF online art...Category
2010s Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Digital, Archival Pigment, Digital Pigment...