Helen FrankenthalerOffset lithograph poster (Signed by both Helen Frankenthaler and Aaron Copland)1982
1982
About the Item
- Creator:Helen Frankenthaler (1928, American)
- Creation Year:1982
- Dimensions:Height: 30 in (76.2 cm)Width: 26.75 in (67.95 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:elegantly matted and framed in a museum quality wood frame with UV plexiglass.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213303662
Helen Frankenthaler
Prolific and pioneering painter Helen Frankenthaler said it was “a combination of impatience, laziness and innovation” that drove her to thin her paints with turpentine so that they would seep into the fabric of an unprimed canvas. Her breakthrough in the early 1950s led the way for a spellbinding new style of painting that would come to be known as Color Field.
Although Color Field is often considered a strain of Abstract Expressionism, Frankenthaler’s work differed from the gestural “Action Painting” that typified the paintings of artists like Willem de Kooning and Lee Krasner. Her vast and immersive expanses of color created at a fearless scale captivated art critics and greatly influenced her peers including Morris Louis and Kenneth Noland.
Frankenthaler knew from an early age that she wanted to be a painter. The youngest daughter of a New York State Supreme Court justice, she grew up on Manhattan’s Park Avenue and as a child delighted in the little ways color and form revealed themselves, whether dribbling red nail polish in a sink full of water or drawing her steps from the Metropolitan Museum of Art to her family’s apartment. As a student at Bennington College, her rare vision was enriched by the mentorship of painter Paul Feeley, who gave her lessons in Cubism. After dabbling in art history at Columbia University, she rented a studio downtown and befriended rising New York art stars like Jackson Pollock and Robert Motherwell, whom she later married.
Characterized by “direct, exuberant gestures,” the Abstract Expressionist technique was all about gusto, and Frankenthaler had it in spades. One of the few women of this era to garner widespread critical acclaim, Frankenthaler had a significant impact on the mid-20th-century art world. She exhibited in the high-profile 1951 Ninth Street Show and, in 1957, she appeared in a Life magazine spread on women artists photographed by Gordon Parks. In 1960, the Jewish Museum held her first major museum show, a retrospective of her 1950s work. A 1969 solo exhibition at the Whitney Museum of American Art further introduced Frankenthaler to the broader art world.
While Frankenthaler remains best known for bold, expressive “soak-stain” paintings such as Mountains and Sea (1952), she worked across diverse media for decades, with forays into woodcutting, drawing and printmaking that also pushed boundaries. She also taught at Harvard, Yale and Princeton, fostering generations of artists. She died in 2011.
Find original Helen Frankenthaler art on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- Sam Francis McGovern '72 Poster (Hand signed by Sam Francis) Abstract lithographBy Sam FrancisLocated in New York, NYSam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...Category
1970s Abstract Expressionist Abstract Prints
MaterialsOffset, Lithograph
- Lt Ed. Lithograph from the Deluxe (Hand Signed) 1984 Olympic Committee portfolioBy Sam FrancisLocated in New York, NYSam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset, Pencil
- Glaspalast Edition poster, Munich, Germany 1996 (Hand Signed by Sean Scully)By Sean ScullyLocated in New York, NYSean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph poster Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scul...Category
Early 2000s Abstract Abstract Prints
MaterialsLithograph, Offset, Ink, Permanent Marker
- Future Shadow II Abstract Expressionist lithograph pencil signed numbered 3/5By Mark di SuveroLocated in New York, NYMark di Suvero Future Shadow II, ca. 2001 Lithograph on Arches 88 Paper with Deckled Edges Signed and numbered from an edition of 5 by the artist on the front 32 × 23 inches Unframed The work was gifted directly by the artist to the present owner. This is a variation of a print the artist created as a donation to the Venice California...Category
Early 2000s Abstract Expressionist Abstract Prints
MaterialsLithograph, Pencil
- Deluxe Hand Signed & Numbered 25/30 Cat: Lembark 155 Carnegie Museum lithographBy Sam FrancisLocated in New York, NYSam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark 15 × 22 inches Hand signed and nu...Category
1970s Abstract Expressionist Abstract Prints
MaterialsPencil, Lithograph
- Untitled Abstract Expressionist print for the Carnegie Museum of ArtBy Joan MitchellLocated in New York, NYJoan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Untitled (Two Figures)By Willem de KooningLocated in New York, NYA very good impression of this scarce offset lithograph on cream wove paper. Artist's proof, aside from the edition of 100. Signed in ink, lower right, and inscribed "A/P" in pencil,...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Mod Abstract Expressionist Modernist Lithograph Edward Avedisian Color Field ArtBy Edward AvedisianLocated in Surfside, FLEdward Avedisian (1936-2007) Cleo, Fur Queen, 1969 Lithograph in color on Arches wove paper. Hand signed, dated and numbered in pencil. Edition 100 Dimensions: 22.25 inches X 30.25...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Lament for LorcaBy Robert MotherwellLocated in London, GBLithograph on white Tyler Graphics Ltd. (TGL) handmade paper 44x61 in (111.8x154.9cm) Edition of 52Category
1980s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Pierre Soulages - Original LithographBy Pierre SoulagesLocated in Collonge Bellerive, Geneve, CHPierre Soulages - Original Lithograph Published in the deluxe art review "XXe siècle" 1970 Unsigned as published Dimensions: 32 x 24 cm Pierre Soulages or the "painter of black" as ...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
- De Kooning Breaks ThroughBy Red GroomsLocated in New York, NYA very good impression of this three-dimensional color lithograph on Rives BFK wove paper, cut-out, glued and mounted on original white plastic base. Signed and numbered 18/75 in red...Category
1980s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- An 8 Set--3 * An 8 Set--5By Sam FrancisLocated in New York, NYVery good impressions of these extremely scarce, early color lithograph proofs, double-sided, on Rives BFK. Each an unique proof with color variations, aside from the edition of 100. One side signed, inscribed "monoprint" and numbered 10/16 in pencil. Printed by Joe Funk at Joseph Press...Category
1960s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph