Karel Appel

Floating Red, 1979 Large Signed Limited Edition Silkscreen Print

1979

Pierre Fernandez Arman Year: 1978 GREY MOOD Medium Type: Silkscreen, on grey vellum paper Size-Width Size-Height: 22'' x 30'' Edition Size: Signed in pencil and marked 12/150 Ste...

Pierre Fernandez Arman Year: 1978 Parade Medium Type: Screen print on Arches Paper Size-Width Size-Height: 22'' x 30'' Edition Size: Signed in pencil and marked 9/150 Step into ...

Pierre Fernandez Arman Year: 1978 Squeezed Blue Fiddle Medium Type: Screen print on Arches Paper Size-Width Size-Height: 22'' x 30'' Edition Size: Signed in pencil and marked 121/...

John Hultberg After The Party - 1977 Print - Silkscreen   26'' x 34'' Edition: signed in pencil and marked 168/200 Unframed In Excellent Condition Jo...

Pierre Alechinsky Invisible Flying object - 1978 Print - Lithograph on Arches Archival Paper   25.75'' x 19.5'' Edition: Signed in pencil and marked 10/100 After completing his studies at the École Nationale des Arts Décoratifs in 1947, Pierre Alechinsky immediately became one of the founders and most active members of the CoBrA group . He began working with other members 'four-handed', especially with Appel and Dotremont, producing oil paintings filled with a multitude of small figures; his taste for ironical titles and curved lines was already becoming evident. After Cobra disbanded, Alechinsky moved to Paris where he studied printmaking and moved in Surrealist circles. His work contains residual figurative motifs, such as goblins, reptiles of every description, volcanoes, and rushing streams. The beasts and geographical elements arouse disquiet as well as smiles of complicity. The recipient of the Andrew Mellon...

Karel Appel Blue Mask 1971 Lithograph - 43" x 29" inches Edition: signed in pencil and marked 1/100 Description Karel Appel is one of the founding members of the CoBrA movement in ...

Screenprint in colors, on wove paper Sheet: 30 3/8 x 22 1/2 in. (77.2 x 57.2 cm) Edition of 75 Signed in pencil, dated and inscribed 'Artist Proof' on lower margin

Artist: Domenick Turturro, Italian/American (1936 - 2002) Title: Wind White Leaves Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: 40 AP Image Size: 17 x...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - D Year: circa 1980 Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 11 (The Butterfly) Year: 1980 Medium: Silkscreen, signed in pencil Image Size: 19 x 27 inches Size: 22 x 30 in. (55.88 ...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...