Items Similar to Samaras at Whitney Museum of American Art Exhibition Poster
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Lucas SamarasSamaras at Whitney Museum of American Art Exhibition Poster1973
1973
About the Item
Lucas Samaras
Samaras at Whitney Museum of American Art Exhibition Poster, 1973
Offset lithograph poster
32 × 24 inches
Unframed
This early vintage poster was published for the Samaras exhibition at the Whitney Museum of American Art from November 18 to January 7, 1973.
Publisher
Pace Editions Inc.
About Lucas Samaras:
Eluding historical categorization, Lucas Samaras’s oeuvre is united through its consistent focus on the body and psyche, often emphasizing autobiography.
The theme of self-depiction and identity has been a driving force behind his practice, which, at its onset in the early 1960s, advanced the Surrealist idiom yet proposed a radical departure from the presiding themes of Abstract Expressionism and Pop art.
Samaras emigrated with his family from Greece to the United States in 1948, settling in West New York, New Jersey. He attended Rutgers University, New Brunswick, New Jersey, studying under Allan Kaprow and George Segal, and then at Columbia University, New York, where he studied art history under Meyer Schapiro. His interest in self-investigation began during this period, when he initiated painting self-portraits from the front and back using a mirror. He also gravitated toward the use of pastels, which enabled him to work quickly, exploring figurative and geometrical forms in rich colors and with luxuriant texture, characteristics that would reoccur throughout his work. He soon shifted toward objects, producing assemblage reliefs and boxes comprised of elements culled from his immediate surroundings and five-and-dime stores—cutlery, nails, mirrors, brightly colored yarn, and feathers—affixed with liquid aluminum or plaster.
His first New York exhibition was held at Reuben Gallery in 1959, which came on the heels of his first group show at the gallery, Kaprow’s 18 Happenings in 6 Parts. Through his involvement at the Reuben Gallery and his participation in Happenings, Samaras met Jim Dine, Red Grooms, and Claes Oldenburg. He had met Robert Whitman, another key figure in the Happenings movement, while at Rutgers and the two collaborated on performances. Samaras debuted his assemblage boxes in 1961 at Green Gallery, New York. For the artist, the boxes possessed elements of sculpture, architecture, and painting, amplified by the inclusion of objects such as mirrors and photographs—additions that situated Samaras as one of the earliest artists to emphasize his ego and corporeal self in his art. His early boxes led to his inclusion in his first institutional group show, The Art of Assemblage, held at The Museum of Modern Art, New York, in 1961.
In 1965, Samaras joined Pace Gallery, which mounted an exhibition of his works made between 1960 to 1966, that included Samaras’ immersive Room No. 2 (1966), also known as Mirrored Room. A culmination of his mirrored boxes, Room No. 2 was his first installation to become a part of a museum collection, acquired in 1966 by the Albright-Knox Art Gallery, Buffalo, New York. Samaras received his first major solo exhibition at The Museum of Modern Art, New York in 1969, which was followed by his first international museum exhibition, held at the Kunstverein Museum in Hanover (1970). By the mid-1970s, he had also received his first large-scale commission for which he produced Silent Struggle (1976), a sculpture comprised of Cor-ten steel, initially installed at the Hale Boggs Federal Courthouse in New Orleans.
In 1969, Samaras began to expand upon his use of photography, experimenting with a Polaroid 360 camera, which appealed to his sense of immediacy. His innovation further materialized with his use of the Polaroid SX-70 in 1973 in a melding of self-portraiture and abstraction, created by manipulating the wet-dye emulsions with a stylus or fingertip before the chemicals set. This processed progressed with digital art in 1996 when he obtained his first computer and began to experiment with printed texts on typewriter paper. By 2002, he had acquired a digital camera and the use of Photoshop became an integral component of his practice. These technologies gave way to Photofictions (2003), a series characterized by distorted self-portraits and psychedelic compositions.
Gesturing toward a larger investigation of (self) reflection in his work, found in his mirror rooms, self-portraiture, and use of digital mirror-imaging, Samaras’s oeuvre acts as an extension of his body while underscoring the transformative possibilities of the everyday—a true blurring of art and life.
Courtesy of Pace Gallery
- Creator:Lucas Samaras (1936, American)
- Creation Year:1973
- Dimensions:Height: 32 in (81.28 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745214077332
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2007
1stDibs seller since 2022
299 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Offset Lithograph Warmly Inscribed to Renowned African American Arts EducatorBy Sam GilliamLocated in New York, NYSam Gilliam Offset Lithograph Warmly Inscribed to Renowned African American Arts Educator, 1988 Offset Lithograph Card Hand written, signed and inscribed card with a warm personal message from the artist Frame Included Hand written, signed and inscribed offset lithograph card with a warm personal message from Sam Gilliam to Lindsay Waldorf Patterson. Measurements: Frame: 14 7/8 x 12 x 1/2 inches Card: 8 x 5 inches The inscription reads: To Lindsay: With Warmest Regards Sam Gilliam Lindsay Waldorf Patterson was an American English literature educator and author as well as a MacDowell Colony fellow (3 awards); Edward Albee Foundation fellow (2 awards); recipient award National Foundation on Arts & Humanities. Hand signed on the front Provenance: From the estate of Lindsay Waldorf Patterson. Lindsay Waldorf Patterson was an American English literature educator and author as well as an MacDowell Colony fellow (3 awards); Edward Albee Foundation fellow (2 awards); recipient award National Foundation on Arts & Humanities. Formerly an account executive, Harrison Advertising Agency, New York City, 1964; feature writer and columnist assistant to Langston Hughes, Associated Negro Press, 1965; special feature writer (film) Uptight,, Paramount Pictures, 1968; co-host Celebrity Hour program, Station WRVR-FM, New York City, 1974-1977; co-host Black Conversations program, Station WPIX-television, New York City, 1976-1979; assistant Professor of English, Queens College, Flushing, New York, since 1990. Adjunct Professor Afro-American & Caribbean literature, black theater...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset, Ink
- Mid Century Mod exhibition of 27 international artists (Hand Signed by Jim Dine)By Jim DineLocated in New York, NYJim Dine, Jackson Pollock, Arshile Gorky, Roberto Matta, Sam Francis, Mark Rothko, Franz Kline, Kenneth Noland, Robert Rauschenberg, Jasper Johns, Joan Mitchell, Helen Frankenthaler,...Category
Mid-20th Century Abstract Abstract Prints
MaterialsLithograph, Offset
- Retrospective exhibition poster, The National Gallery, Thailand (Hand signed)Located in New York, NYKamol Tassananchalee Retrospective exhibition poster The National Gallery, Thailand (Hand signed), 1990 Offset lithograph poster Hand signed and dated by Kamol Tassananchalee in blu...Category
1990s Abstract Abstract Prints
MaterialsLithograph, Offset
- Glaspalast Edition poster, Munich, Germany 1996 (Hand Signed by Sean Scully)By Sean ScullyLocated in New York, NYSean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph poster Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scul...Category
Early 2000s Abstract Abstract Prints
MaterialsLithograph, Offset, Ink, Permanent Marker
- Historic poster for Park Place Artists (Robert Grosvenor, Leo Valledor & others)Located in New York, NYEdwin Ruda, Dean Fleming, Leo Valledor, David Von Schlegell, David Novros, Tony Magar, Bernard Kirschenbaum, Robert Grosvenor, Peter Forakis, Mark di Suv...Category
1960s Abstract Abstract Prints
MaterialsLithograph, Offset
- Sean Scully: Material World (Monograph Hand signed and dated by Sean Scully)By Sean ScullyLocated in New York, NYSean Scully: Material World (Hand signed and dated by Sean Scully), 2022 Hardback monograph on Munken Lynx, 150 gsm paper (hand signed by Sean Scully) Boldly signed and dated by Sean Scully in black marker on the first front end page 11 1/2 × 9 3/4 × 3/4 inches Unframed This lavish hardback monograph [book] with no dust jacket, as issued, was published in conjunction with the exhibition "Sean Scully Material World" at the Thorvaldsens Museum, Copenhagen, from September 2, 2022 to March 5, 2023. It was, exceptionally, hand signed by Sean Scully for us at a special event at Rizzoli books in Manhattan, where he was in conversation with curator and book contributor Raphy Sarkissian...Category
2010s Abstract More Art
MaterialsMixed Media, Permanent Marker, Lithograph, Offset
You May Also Like
- The Wheel (Maeght) - Vintage Lithograph Poster, 1982Located in Paris, FRPierre ALECHINSKY The Wheel (Maeght), 1982 Lithograph and offset Printed signature in the plate On paper 88 x 60 cm (c. 35 x 24 inch) Created for Maeght / Derriere le Miroir in 1982...Category
1980s Abstract Abstract Prints
MaterialsLithograph, Offset
- Gothic Ornate - Offset and Lithograph on Paper - Early 20th CenturyLocated in Roma, ITGothic Ornate is an original print on paper realized with the offset and lithograph technique. Included a Passepartout: 49x 34 cm. The state of preser...Category
Early 20th Century Abstract Abstract Prints
MaterialsLithograph, Offset
- Alexander Calder Exhibition Poster - Vintage Offset Print and Lithograph - 1971By Alexander CalderLocated in Roma, ITAlexander Calder - Poster Exhibition is a contemporary artwork realized in 1971 Mixed colored offset print This print was realized on the occasion of the exhibition dedicated to th...Category
1970s Abstract Abstract Prints
MaterialsLithograph, Offset
- Alexander Calder Exhibition Poster - Vintage Offset Print and Lithograph - 1971By Alexander CalderLocated in Roma, ITAlexander Calder - Poster Exhibition is a rare mixed colored offset and lithograph print realized in 1971 This print was realized on the occasion of the exhibition dedicated to the ...Category
1970s Abstract Abstract Prints
MaterialsLithograph, Offset
- Abstract - Offset and Lithograph after Willem De Kooning - 1985By Willem de KooningLocated in Roma, ITAbstract is an offset and lithograph print realized after a drawing by Willem De Kooning of 1945. The print suite was realized in 1985 in a limited edition of 2500, and curated by X...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Alexander Calder Exhibition Poster - Vintage Offset Print and Lithograph - 1971By Alexander CalderLocated in Roma, ITAlexander Calder - Poster Exhibition is a vintage poster realized in 1971. Mixed colored offset and lithograph print. This print was realized on the occasion of the exhibition dedi...Category
1970s Abstract Abstract Prints
MaterialsLithograph, Offset
Recently Viewed
View AllMore Ways To Browse
Large Exhibition Poster
Large Art Exhibition Poster
Exhibition Posters 1960s
Greece Poster
Vintage Greek Art
Vintage Museum Exhibition Posters
Greece Vintage Poster
Vintage Greek Posters
Vintage Architecture Posters
Room Posters Vintage
Greece Vintage Posters
Vintage Feather Art
Met Poster
Pop Art Exhibition Posters
Art Cutlery
Set Of Ten Prints
Bright Green Art Vintage
Greek Prints Set