Michael KniginSilkscreen Surrealist Pop Art Print "Pas De Deux"2006
2006
About the Item
- Creator:Michael Knigin (1942 - 2011, American)
- Creation Year:2006
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good, please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3826659532
Michael Knigin
Michael Knigin, painter, printmaker, muralist, photographer, and teacher, was born in Brooklyn, New York on December 9, 1942. He received his BFA in 1966 from the Tyler School of Art, Temple University in Philadelphia. In 1964 he was awarded a Ford Foundation Grant, which enabled him to study printmaking at the Tamarind Lithography Workshop and collaborate with Rufino Tamayo. Knigin was a full professor at the Pratt Graphic Center in Manhattan between 1967 and 2003. From 1968 through 1972, he also co-owned and directed the Chiron Press where he worked with Andy Warhol, Louise Nevelson, Kenneth Noland, Larry Poons, and Tom Wesselman. In 1974, he served as Art and Technical Director of the Burston Graphics Art Centre in Jerusalem. In 1988, Knigin was appointed to the NASA Art Team and was sent to the Kennedy Space Center to visually interpret the launch of the space shuttle Discovery. In 1991, Nasa recalled him to interpret the touchdown of the space shuttle Atlantis. Knigin's works were exhibited widely and are in numerous permanent collections including the Albright-Knox Museum, Brooklyn Museum, Carnegie Mellon Institute, Cooper Hewitt Museum, Library of Congress, McNay Museum, Mexico City Museum of Modern Art, Portland Museum of Art, Smithsonian Museum of American Art, Whitney Museum of American Art, and the Worchester Museum of Art. With Murray Zimiles, Knigin co-authored The Technique of Fine Art Lithography in 1969, and Contemporary Lithographic Workshops around the World in 1974. Michael J. Knigin died on January 19, 2011.
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- American Modernist Cubist Lithograph Screenprint "Reclining Woman" Max WeberBy Max WeberLocated in Surfside, FLReclining Cubist Nude Woman Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to more figurative Jewish themes in his art. He is best known today for Chinese Restaurant (1915), in the collection of the Whitney Museum of American Art, "the finest canvas of his Cubist phase," in the words of art historian Avis Berman. Born in the Polish city of Białystok, then part of the Russian Empire, Weber emigrated to the United States and settled in Brooklyn with his Orthodox Jewish parents at the age of ten. He studied art at the Pratt Institute in Brooklyn under Arthur Wesley Dow. Dow was a fortunate early influence on Weber as he was an "enlightened and vital teacher" in a time of conservative art instruction, a man who was interested in new approaches to creating art. Dow had met Paul Gauguin in Pont-Aven, was a devoted student of Japanese art, and defended the advanced modernist painting and sculpture he saw at the Armory Show in New York in 1913. In 1905, after teaching in Virginia and Minnesota, Weber had saved enough money to travel to Europe, where he studied at the Académie Julian in Paris and acquainted himself with the work of such modernists as Henri Rousseau (who became a good friend), Henri Matisse, Pablo Picasso, and other members of the School of Paris. His friends among fellow Americans included some equally adventurous young painters, such as Abraham Walkowitz, H. Lyman Sayen, and Patrick Henry Bruce. Avant-garde France in the years immediately before World War I was fertile and welcoming territory for Weber, then in his early twenties. He arrived in Paris in time to see a major Cézanne exhibition, meet the poet Guillaume Apollinaire, frequent Gertrude Stein's salon, and enroll in classes in Matisse's private "Academie." Rousseau gave him some of his works; others, Weber purchased. He was responsible for Rousseau's first exhibition in the United States. In 1909 he returned to New York and helped to introduce Cubism to America. He is now considered one of the most significant early American Cubists, but the reception his work received in New York at the time was profoundly discouraging. Critical response to his paintings in a 1911 show at the 291 gallery, run by Alfred Stieglitz, was an occasion for "one of the most merciless critical whippings that any artist has received in America." The reviews were "of an almost hysterical violence." He was attacked for his "brutal, vulgar, and unnecessary art license." Even a critic who usually tried to be sympathetic to new art, James Gibbons Huneker, protested that the artist's clever technique had left viewers with no real picture and made use of the adage, "The operation was successful, but the patient died."[8] As art historian Sam Hunter wrote, "Weber's wistful, tentative Cubism provided the philistine press with their first solid target prior to the Armory Show." The Cellist...Category
Mid-20th Century Cubist Abstract Prints
MaterialsScreen
- German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims SurrealismBy Hans BellmerLocated in Surfside, FLAfter Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie ...Category
20th Century Abstract Prints
MaterialsEtching
- German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims SurrealismBy Hans BellmerLocated in Surfside, FLAfter Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie ...Category
20th Century Abstract Prints
MaterialsEtching
- German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims SurrealismBy Hans BellmerLocated in Surfside, FLAfter Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie ...Category
20th Century Abstract Prints
MaterialsEtching
- German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims SurrealismBy Hans BellmerLocated in Surfside, FLAfter Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie ...Category
20th Century Abstract Prints
MaterialsEtching
- German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims SurrealismBy Hans BellmerLocated in Surfside, FLAfter Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie ...Category
20th Century Abstract Prints
MaterialsEtching
- Custom Print I (from 11 Pop Artist, Volume I) I Dream of Jeannie & Blue CarBy Peter PhillipsLocated in New York, NYPeter Phillips Custom Print I (from 11 Pop Artist, Volume I), 1965 Silkscreen on foil coated paper 24 × 20 inches Pencil signed, dated and numbered 100/200. Unframed This dazzling, ...Category
1960s Pop Art Nude Prints
MaterialsScreen
- Shiny Nude (Stealingworth, 33), Lt. Ed silkscreen on kromekote paper + envelopeBy Tom WesselmannLocated in New York, NYTom Wesselmann Shiny Nude (Stealingworth, 33), 1977 Silkscreen on glossy cast-coated Kromekote paper 8 × 8 inches Edition 489/1000 Pencil numbered 489/1000 with artists printed name ...Category
1970s Pop Art Nude Prints
MaterialsScreen, Paper
- Keith Haring Theater der Welt Frankfurt (Keith Haring 1985)By Keith HaringLocated in NEW YORK, NYKeith Haring, Theater der Welt Lithograph, Frankfurt, Germany 1985: Original 1st printing produced during Haring's lifetime. Bold, stand-out colors that make for brilliant, largely s...Category
1980s Pop Art Nude Prints
MaterialsScreen
- KabbalahBy Richard MeierLocated in New York, NYRichard Meier Kabbalah, 2011 Silkscreen collage with hand-coloring and photography sheet size: 30" x 30" signed numbered dated in pencil by the artist edition of 50 Richard M...Category
Contemporary Abstract Prints
MaterialsMixed Media, Screen
- Guardian signed #2/20 Paula Craioveanu Photograph 20x16in in mat 28x20inBy Paula CraioveanuLocated in Forest Hills, NYUNDER THE SKIN 5 Surreal Nude, part of my "Under the Skin" series. Printed on Hahnemuhle art photo paper with white borders, size is 20x16in. In mat overall size 28x20in. This par...Category
2010s Surrealist Nude Prints
MaterialsPhotographic Paper
- Centaurs signed #2/20 Paula Craioveanu Photograph 20x16in in mat 28x20inBy Paula CraioveanuLocated in Forest Hills, NYUNDER THE SKIN 5 Surreal Nude, part of my "Under the Skin" series. Printed on Hahnemuhle art photo paper with white borders, size is 20x16in. In mat overall size 28x20in. This par...Category
2010s Surrealist Nude Prints
MaterialsPhotographic Paper