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Peter HalleyHalley/Kozik1997
1997
About the Item
Peter Halley, Frank Kozik
Halley/Kozik, 1997
Offset Lithograph.
Hand signed by both Peter Halley and Frank Kozik on the lower front. Edition 75/100
22 1/2 × 35 inches
Unframed
This color lithograph was created on the occasion of the Peter Halley and Frank Kozik exhibition at Wooster Gardens from May 3 - June 14, 1997. Hand signed by both artists on the lower front and is annotated as a study proof: S/P 75/100.
Frank Kozik was born in Madrid, Spain in 1962 . At the age of 14 he moved to the United States and settled in Austin, Texas. Credited with single handedly reviving the “lost” art of the concert poster, his creative career rose largely out of his enthusiasm for Austin’s growing underground punk rock scene in the mid-eighties. Starting with black and white flyers for friends’ bands posted on telephone poles, his reputation grew as an artist whose work was graphically compelling as well as culturally gripping. This exhibition was an installation featuring an eight-year survey of punk rock posters by Frank Kozik (Wooster Gardens, 558 Broadway, along with the work of Peter Halley, through June 14).
A rare collaboration; uncommon to find this print hand signed by both artists!
Some creasing along the edges that will frame out but otherwise in fine condition.
- Creator:Peter Halley (1953, American)
- Creation Year:1997
- Dimensions:Height: 22.5 in (57.15 cm)Width: 35 in (88.9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Some creasing along the edges that will frame out but otherwise in fine condition.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745212449802
Peter Halley
Peter Halley is an American artist known for his distinctive geometric paintings that explore the intersection of technology, society, and architecture. Born in 1953 in New York City, Halley developed an early interest in art and went on to study at Yale University, where he received his Master of Fine Arts degree in 1978.Halley's work is characterized by vibrant, flat colors and repetitive, abstract forms, often resembling circuit boards or prison cells. His paintings reflect his fascination with the effects of technology on human interaction and the isolation of modern society. Halley coined the term "prison cells" to describe the confined spaces and social structures that he believes have been created by technology and urban architecture. Throughout his career, Halley has exhibited his work internationally, gaining recognition for his unique style and thought-provoking concepts. He has also been involved in art criticism and writing, contributing to various publications and expanding the discourse on contemporary art. Today, Peter Halley's art continues to captivate audiences, provoking discussions about the impact of technology on our lives and the nature of human connections in an increasingly digital world. His contributions have made him an influential figure in the field of contemporary art.
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