Peter MaxMona Lisa, Peter Max1998
1998
About the Item
- Creator:Peter Max (1937, American, German)
- Creation Year:1998
- Dimensions:Height: 12 in (30.48 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU1342113568102
Peter Max
Born Peter Max Finkelstein in Berlin in 1937, psychedelic Pop art icon Peter Max spent the first part of his childhood in Shanghai after his parents emigrated from Germany to flee the Nazis. While there, Max developed his deep interest in American pop culture — namely comic books, jazz and cinema. Max’s paintings, graphic design, prints and illustrations, which were inspired by these interests, were also informed by his experience with synesthesia, a sensory condition that causes him to see music and hear color.
After relocating to Haifa, Israel, then Paris, where he spent a significant amount of time in sketching classes at the Louvre, a teenage Max and his family finally moved to the United States, settling in Brooklyn. Max enrolled in the Art Students League of New York in 1956, training under Frank J. Reilly, and then the School of Visual Arts. Throughout art school, Max focused on photorealism, but he found the style too restrictive. When he graduated and opened his graphic design studio with friends in 1962, he began experimenting with abstraction and color — just in time for the psychedelic era.
The technicolor works for which Max would become known are characterized by big and bold graphic qualities — not dissimilar to what you’d find in his beloved comic books. Some deeper themes emerged across his work too: Max spent a good portion of the 1960s and 1970s creating his signature cosmic style, inspired by his fascination with astronomy and Eastern philosophies.
For Max and his partners, the graphic design business was highly successful, with commissions rolling in from advertising agencies, magazines and even Hollywood in the form of movie posters. The artist was featured on the cover of Life in 1969, and by the 1970s, he was practically a household name.
Max's body of work extended into product design, including a line of clocks for General Electric, while his domination of the commercial art scene continued for decades. He was commissioned to paint a postage stamp honoring the World’s Fair of 1974 (Expo ‘74); a Statue of Liberty series in which some proceeds went on to fund the statue’s restoration; posters and other advertising materials for major events like the Super Bowl, the U.S. Open and the Grammys; a Dale Earnhardt race car; and even the hull of the Norwegian Breakaway cruise ship.
Commercial activities aside, Max has long been the subject of many museum exhibitions, from his first solo show in 1970, “The World of Peter Max,” at the M.H. de Young Memorial Museum in San Francisco to 2016's “Peter Max: 50 Years of Cosmic Dreaming” at the Tampa Museum of Art in Florida. Today, his work belongs to the collections of the Museum of Modern Art in New York, the Philadelphia Museum of Art and other institutions.
Find original Peter Max lithographs, paintings, signed art and other works for sale on 1stDibs.
- ShippingRetrieving quote...Ships From: Fairfield, CT
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- Flag, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: Flag Year: 1997 Medium: Lithograph and acrylic on Arches paper Size: 12 x 14 inches Condition: Excellent Inscription: Signed and by the artist. PETER...Category
1990s Pop Art Abstract Prints
MaterialsMixed Media, Acrylic, Lithograph
- Two Sages, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: Two Sages Year: 1998 Medium: Lithograph and acrylic on Arches paper Size: 12 x 14 inches Condition: Excellent Inscription: Signed and by the artist. ...Category
1990s Pop Art Abstract Prints
MaterialsMixed Media, Acrylic, Lithograph
- Zero Man in Love, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: Zero Man in Love Year: 1997 Medium: Lithograph and acrylic on Arches paper Size: 10.5 x 8.5 inches Condition: Excellent Inscription: Signed and by the...Category
1990s Pop Art Abstract Prints
MaterialsMixed Media, Acrylic, Lithograph
- Better World, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: Better World Year: 1998 Medium: Lithograph and acrylic on Arches paper Size: 12 x 14 inches Condition: Excellent Inscription: Signed and by the artist...Category
1990s Pop Art Abstract Prints
MaterialsMixed Media, Acrylic, Lithograph
- Sitka, Peter AlexanderBy Peter Alexander, 1939Located in Fairfield, CTArtist: Peter Alexander (1939) Title: Sitka Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed and n...Category
1980s Pop Art Landscape Prints
MaterialsLithograph
- San Blas II, Peter AlexanderBy Peter Alexander, 1939Located in Fairfield, CTArtist: Peter Alexander (1939) Title: San Blas II Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed...Category
1980s Pop Art Landscape Prints
MaterialsLithograph
- Italian Post Modern Pop Art Lithograph Vintage Poster Memphis Galerie MaeghtBy Valerio AdamiLocated in Surfside, FLVintage gallery exhibition poster. Bright vivid red and bold yellow. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was...Category
1980s Pop Art Landscape Prints
MaterialsLithograph, Offset
- Italian Post Modern Pop Art Lithograph Vintage Poster Memphis Galerie MaeghtBy Valerio AdamiLocated in Surfside, FLVintage gallery exhibition poster. Navy blue and bold yellow stars with vibrant orange. Surrealist man in hat with scythe or fishing rod. The Galerie Maeght is a gallery of modern ar...Category
1980s Pop Art Landscape Prints
MaterialsLithograph, Offset
- Pop Art Aspen Road Sign D'arcangelo Silkscreen Chiron Press Vintage Art PosterLocated in Surfside, FLAllan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Historic rare Ed Ruscha Leo Castelli Gallery exhibition offset lithograph posterBy Ed RuschaLocated in New York, NYEdward Ruscha: New Paintings, Leo Castelli Gallery, 1980 Offset lithograph poster 22.5 x 18 inches Unframed Published by Leo Castelli Gallery Good vintage condition with some handli...Category
1980s Pop Art Abstract Prints
MaterialsLithograph, Offset
- L.A.! HOLLYWOOD Signed Lithograph, Los Angeles Icons, Pop Art Graffiti StyleBy Alex EchoLocated in Union City, NJL.A.! HOLLYWOOD is a handmade limited edition color lithograph with metallic gold silkcreen by the American artist Alex Echo. It was printed using traditional hand lithography and se...Category
1990s Pop Art Landscape Prints
MaterialsLithograph
- LADY WITH FEATHERS Signed Lithograph, Woman's Face Profile, Exotic Feather HatBy Peter MaxLocated in Union City, NJLADY WITH FEATHERS is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithography techn...Category
1980s Pop Art Landscape Prints
MaterialsLithograph
