Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Soulages, Composition n°12, Pierre Soulages: Peintres d'aujourd'hui (after)

1962

About the Item

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published by Fernand Hazan, Paris; lithographic plates produced by Clichés Union, Paris; printed by Lecot printing and Daniel Jacomet, Paris, 1962. Excepted from the folio (translated from French), Three hundred, seventy-five examples of this edition, numbered from 1 to 375, and shot on the presses of Daniel Jacomet, in Paris. PIERRE SOULAGES (1919-2022) was a French painter, printmaker, and sculptor. In 2014, President François Hollande of France described him as "the world's greatest living artist." His works are held by leading museums of the world, and there is a museum dedicated to his art in his hometown of Rodez. Inspired by the art of Paul Cézanne and Pablo Picasso, Soulages began studies at the École nationale supérieure des beaux-arts in Paris, but soon dropped out because he was disappointed by the traditional style. Soulages said, "My instrument is not black but the light reflected from the black." Naming his own practice Outrenoir (Beyond Black), the paintings he produces are known for their endless black depth, created by playing with the light reflected off of the texture of the paint. Knowing that he needed a new term to define the way that he worked, Soulages invented 'Outrenoir' to define his practice. Not having a translation into English, the closest meaning is 'beyond black'; in a 2014 interview he explained the definition of the term, "Outrenoir doesn't exist in English; the closest is "beyond black." In French, you say "outre-Manche," "beyond the Channel," to mean England or "outre-Rhin," "beyond the Rhine," to mean Germany. In other words, "beyond black" is a different country from black."
  • Creation Year:
    1962
  • Dimensions:
    Height: 14.173 in (36 cm)Width: 11.181 in (28.4 cm)
  • Medium:
  • Movement & Style:
  • After:
    Pierre Soulages (1919, French)
  • Period:
  • Condition:
  • Gallery Location:
    Auburn Hills, MI
  • Reference Number:
    1stDibs: LU1465214142042
More From This SellerView All
  • Soulages, Composition n°8, Pierre Soulages: Peintres d'aujourd'hui (after)
    By Pierre Soulages
    Located in Auburn Hills, MI
    Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...
    Category

    1960s Post-War Abstract Prints

    Materials

    Lithograph

  • Soulages, Composition n°7, Pierre Soulages: Peintres d'aujourd'hui (after)
    By Pierre Soulages
    Located in Auburn Hills, MI
    Original Edition Lithograph on wove paper. Signed in the plate and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'a...
    Category

    1960s Post-War Abstract Prints

    Materials

    Lithograph

  • Soulages, Composition n°11, Pierre Soulages: Peintres d'aujourd'hui (after)
    By Pierre Soulages
    Located in Auburn Hills, MI
    Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...
    Category

    1960s Post-War Abstract Prints

    Materials

    Lithograph

  • Soulages, Composition n°6, Pierre Soulages: Peintres d'aujourd'hui (after)
    By Pierre Soulages
    Located in Auburn Hills, MI
    Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...
    Category

    1960s Post-War Abstract Prints

    Materials

    Lithograph

  • Soulages, Composition n°3, Pierre Soulages: Peintres d'aujourd'hui (after)
    By Pierre Soulages
    Located in Auburn Hills, MI
    Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...
    Category

    1960s Post-War Abstract Prints

    Materials

    Lithograph

  • Soulages, Composition n°10, Pierre Soulages: Peintres d'aujourd'hui (after)
    By Pierre Soulages
    Located in Auburn Hills, MI
    Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...
    Category

    1960s Post-War Abstract Prints

    Materials

    Lithograph

You May Also Like
  • Grey Folded Clouds - II Blue and white
    By Joe Goode
    Located in London, GB
    Joe Goode Grey Folded Clouds - II Blue and white (blue paper sky) 1971 Lithograph, Edition of 50 41 x 61 cms (16 x 24 ins)
    Category

    1970s Abstract Abstract Prints

    Materials

    Lithograph

  • Charles Lapicque - Original Handsigned Lithograph - Ecole de Paris
    By Charles Lapicque
    Located in Collonge Bellerive, Geneve, CH
    Charles Lapicque Original Handsigned Lithograph Dimensions: 56 x 38 cm Edition: EA 14/20 Hand Signed and Numbered Charles Lapicque was one of the great painters of the “Ecole de Paris...
    Category

    1960s Abstract Expressionist Landscape Prints

    Materials

    Lithograph

  • Lithograph Belgian American Surrealism WPA Modernist Karl Fortess Surrealist Art
    Located in Surfside, FL
    Karl Eugene Fortess (1907-1993) Original color lithographs on BFK Rives paper, 1966, Hand signed and numbered 29/36 in pencil, Sheet size 20.5 x 15 inches. Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker. Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community. Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...
    Category

    Mid-20th Century Surrealist Landscape Prints

    Materials

    Lithograph

  • 8 Million Tons of Plastic That Go Into the Sea Each Year
    Located in New Orleans, LA
    This image is a Tamarind lithograph printed on Bisque Revere Suede bearing Tamarind chop, printer's chop and artist signature. The edition was 95 impressions. Hayal Pozantı...
    Category

    21st Century and Contemporary Abstract Abstract Prints

    Materials

    Lithograph

  • Wild Path
    By Ronald Julius Christensen
    Located in San Francisco, CA
    Artist: Ronald Julius Christensen – American (1923-1999) Title: Wild Path Year: circa 1980 Medium: Color Lithograph on BFK Rives paper Image size: 26 x 18 inches. Sheet size: 30 x 22.5 inches Signature: Signed lower right Edition size: 295 This one: 263/295 Condition: Good Unframed This exceptional vivid lithograph is by noted artist Ronald Julius Christensen (1923-1999). It makes use of vivid colors and bold strokes. The print is in good, never-framed condition with some faint creases near the upper and lower edges of the sheet as well as some faint, tiny tiny spots in the upper left corner visible in strong light. Born in Quincy, Massachusetts, Ronald Christensen established a fine-art career as a printmaker, painter and muralist in Boston where he had studied at the Boston Museum School of Fine Art and the Vesper George School of Art. He became a teacher in Color Theory at the New England School of Art in Boston in 1963. Exhibition venues included the National Academy of Design (1965) and the Rhode Island Art...
    Category

    1980s Impressionist Landscape Prints

    Materials

    Paper, Lithograph

  • (after) Antoine Pevsner - Face of a Man - Lithograph
    Located in Collonge Bellerive, Geneve, CH
    (after) Antoine Pevsner - Face of a Man - Lithograph From the literary review "XXe Siècle" 1959 Signed in the plate Dimensions: 32 x 24 cm Publisher: ...
    Category

    1950s Modern Abstract Prints

    Materials

    Lithograph

Recently Viewed

View All