Wifredo LamEl Ultimo viaje del buque fantasma, Plate I1976
1976
About the Item
- Creator:Wifredo Lam (1902-1982, Cuban)
- Creation Year:1976
- Dimensions:Height: 29.875 in (75.89 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Wifredo Lam
Wifredo Lam is not only a major artist in Cuba but also the first artist of color in art historiography. He was a member of the movement Niggerism. Lam’s style is the result of his habitual travels, primitive graffiti with clear Cubist influences in a Surrealist mood. By then an artist of international fame, Lam tried to combine Paris, the city of his adoption, with Cuba, his native country and with Albissola Marina in Italy, a town chosen by his family as a peaceful place. Today, some of the artist’s works belong to the Tate gallery's collections in London, some to the Museo Nacional Centro de Arte Reina Sofía in Madrid, some to the Museum of Modern Art in New York and some to the National Gallery of Art in Washington, D.C.
- ShippingRetrieving quote...Ships From: Fairlawn, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
- Double PersonageBy Wifredo LamLocated in Fairlawn, OHDouble Personage Color lithograph, 1975 (?) Unsigned (as issued) Edition: Large Edition Limited, (estimated to be approximately 2000) Published in: XXe Siecle, No. 52, Juin 1979 Published: G. di San Lazzaro Printer: Mourlot Imprimeur, Paris, France Reference: Lam-Tonneau-Ryckelynck L7513 Condition: Excellent, fresh colors Traces of glue residue along margin edge where it was bound in the book Image/sheet size: 12 1/4 x 9 1/4 inches Wilfredo Lam (1902-1982) Biography Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry. The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence. In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain. His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. He discovered surprising correlations between western art and so called “primitive” art. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters...Category
1970s Surrealist Abstract Prints
MaterialsLithograph
- El Ultimo viaje del buque fantasma, Plate IIIBy Wifredo LamLocated in Fairlawn, OHEl Ultimo viaje del buque fantasma, Plate III Color lithograph, 1976 Signed and numbered in pencil From: Gabriel Garcia Marquez, El Ultimo viaie del buq...Category
1970s Surrealist Abstract Prints
MaterialsLithograph
- El Ultimo viaje del buque fantasma, Plate IVBy Wifredo LamLocated in Fairlawn, OHEl Ultimo viaje del buque fantasma, Plate IV Color lithograph, 1976 Signed and numbered in pencil (see photos) From: Gabriel Garcia Marquez, El Ultimo viaie del buque Fantasma (The Last Voyage of the Ghost Ship (1868), 12 illustration by Wilfredo Lam Edition: 99 (6/99) This one of an edition of 99 from the deluxe edition of the book of the same title There was an additional edition of 200 books, signed and numbered on the justification page Publisher: Poligrafa, Barcelona Printer: Poligrafa, Barcelona The Gabriel Garcia Marquez/Lam book is an illustrated version of the short story, a man recalls the night during his boyhood when an enormous passenger ship went aground in his small town on the shores of the Caribbean. It is considered a Latin American masterpiece of surrealism and transculturation. (See below analysis of the story) Condition: slight yellows (aging) of paper small paper scuffs verso from previous hinges Sheet size: 22 x 29 7/8 inches About the author and the storyline of the book by Marquez: Gabriel García Márquez was born in 1927, he is a famous Colombian writer, novelist, short story writer, screenwriter and journalist. In 1982 he received the Novel Prize for Literature. He is an author sometimes inherently related to magical realism and his best-known work is the novel One Hundred Years of Solitude in which we find this literary genre. Summary of "The Last Voyage of the Ghost Ship" (1868): The novel by Gabriel García Márquez, The Last Voyage of the Ghost Ship, written in 1968, is written in a single great sentence, which tells the surprising and amazing adventure that has changed the existence of a child living in a coastal town with a small port sunny, almost forgotten by civilization. The days are peaceful, the nights are silent and illuminated only by the rotating beacon that, every fifteen seconds, transforms the town into a lunar camp with phosphorescent houses. During one night in March, the boy saw an immense afterlife ship that sails through the seas with all the dead crew and sometimes appears to the living, silently crossing the deserted sea, a huge and unexpected mass whose trajectory suddenly it seems to drift, and then runs aground on the reefs. This cataclysm is accomplished without disturbing the night's silence, and the next day the boy found no traces of the shipwreck and no one believed it, not even his mother. Time passes, and the same shipwreck occurs again, every year, on the same night in March; the adolescent...Category
1970s Surrealist Abstract Prints
MaterialsLithograph
- El Ultimo viaje del buque fantasma, Plate XBy Wifredo LamLocated in Fairlawn, OHEl Ultimo viaje del buque fantasma, Plate X Color lithograph, 1976 Signed in pencil lower right corner (see photo) From: Gabriel Garcia Marquez, El Ultimo viaie del buque Fantasma (The Last Voyage of the Ghost Ship (1868), 12 illustration by Wilfredo Lam Edition: 99 (6/99) This one of an edition of 99 from the delixe edition of the book of the same title There was an additional edition of 200 books, signed and numbered on the justification page Publisher: Poligrafa, Barcelona Printer: Poligrafa, Barcelona The Gabriel Garcia Marquez/Lam book is an illustrated version of the short story, a man recalls the night during his boyhood when an enormous passenger ship went aground in his small town on the shores of the Caribbean. It is considered a Latin American masterpiece of surrealism and transculturation. (See below analysis of the story) Sheet size: 29 7/8 x 22 inches Condition: Very fresh colors and condition Slight scuffing verso from previous hinges Reference: Lam-Tonneau-Ryckelnck CR360 About the author and the storyline of the book by Marquez: Gabriel García Márquez was born in 1927, he is a famous Colombian writer, novelist, short story writer, screenwriter and journalist. In 1982 he received the Novel Prize for Literature. He is an author sometimes inherently related to magical realism and his best-known work is the novel One Hundred Years of Solitude...Category
1970s Surrealist Abstract Prints
MaterialsLithograph
- Les Bijoux IndiscretsBy René MagritteLocated in Fairlawn, OHLes Bijoux Indiscrets (The Indiscreet Jewels) Color lithograph, 1962-3 As published in XXeme Siecle, 1963 From the edition issued by San Lazarro unsigned for the album XXeme Siècle No.22. Printed from the same stones and at the same date as the signed edition of 75 impressions. Printed at the studio of Mourlot, Paris 1963. Signed in the stone (see photo) Titled in the stone (See photo) Edition c. 2000 Reference: Kaplan and Baum: Magritte Graphic Work no 3. Kaplan, Surrealist Prints, Figure 80, page 103 Image size: 9 3/16 x 11 7/8 inches "Executed in 1963, Les bijoux indiscrets (pen and ink drawing) is a work which shows a hand which has a face, its eyes closed, on its wrist. Magritte had originally intended to call the oil version of this work, which he conceived of in 1962 but only finally painted during the following year, the same this work on paper was created, La divine comédie, but according to the catalogue raisonné changed his mind following the suggestion of his friend Paul Scutenaire. Instead of the Dante reference, it was replaced by one to Denis Diderot's first novel, a satire in which a monarch had a magic ring able to make the genitals of women speak. In an old English translation, the bijoux were the 'toys', or genitals, of the women, making the play on the notion of transformative and elusive jewels evoked by Magritte's picture all the more complex. For here, in place of a bracelet, is a human face: this is, indeed, an indiscreet jewel; however, in the eighteenth-century novel the indiscretion was shared by the ring which was able to gain such voluble responses from the women of the fictitious Congo of which the main protagonist was sultan and by those women's no-longer-private parts themselves. This title therefore adds an extra layer of Surrealism to the work, paying homage to one of the movement's predecessors. Les bijoux indiscrets is a preparatory work for a lithograph that Magritte created for XXe Siècle, which was published at Christmas the same year. Clearly, the artist was returning to and embellishing his original composition, which had shown a simple landscape as a backdrop to the articulate hand...Category
1960s Surrealist Prints and Multiples
MaterialsLithograph
- Plate VI, Le Cocu MagnifiqueBy Pablo PicassoLocated in Fairlawn, OHPlate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...Category
1960s Surrealist Figurative Prints
MaterialsEtching, Aquatint
- Bones And ChrysalidsBy André MassonLocated in Roma, ITHand Signed. Edition of 60 prints.Category
1950s Surrealist Abstract Prints
MaterialsLithograph
- Miró Lithographe I - Plate VII - Lithograph by Joan Mirò - 1972By Joan MiróLocated in Roma, IT"Miró Lithographe I - Plate VII" is a vintage lithograph realized by Joan Miró in 1972. Perfect conditions. It comes from the set of 11 lithographs realized for the catalogue "Mi...Category
1970s Surrealist Abstract Prints
MaterialsLithograph
- Le Retour du Fils Prodigue IBy Giorgio De ChiricoLocated in Roma, ITFrom the Series “Métamorphoses”, one of the most important graphic works of the founder of the “Metafisica” Movement. Original colour etching numbered and signed by the artist, reali...Category
1920s Surrealist Abstract Prints
MaterialsLithograph
- Les Essències de la Terra - Lithograph by Joan Mirò - 1968By Joan MiróLocated in Roma, ITLes Essències de la Terra is an original artwork realized by Joan Miró in 1968. The photolithography is part of a portfolio that includes eight Catalan texts from the 16th and 17th centuries, illustrated with plates (6 in colors and 8 in black, of which 6 in two pages) mainly printed in photolithograph after compositions by Joan Miró. Complete with the publisher's cloth-covered folder. Editions Poligrafa, Barcelona. Very good conditions. Reference: Patrick Cramer, Joan Miró, Catalogue Raisonné des Livres Illustrés, Editeur P. Cramer, Genève 1989, n. 123. Joan Miró (Barcelona, 1893 – Palma de Majorca, 1983) was a Catalan painter and artist. He combined Abstractionism with Surrealism. He produced many lithographs and numerous murals, tapestries, and sculptures for public spaces. In the 1920s, Miró combined detailed figures with abstract landscapes and began taking objects out from their natural contexts to reassemble them in a new mysterious way. In the 1930s, during the Spanish Civil War, he moved to France. During World War II, he returned to Spain, where he began painting the famous Constellations (1941). At the end of the 1940s, Miró traveled back and forth between Spain and France and created some of his most spontaneous artworks. After World War II, he became famous internationall...Category
1960s Surrealist Abstract Prints
MaterialsLithograph
- Is It Lawful to Pay Taxes to Caesar Biblia Sacra Salvador DaliBy Salvador DalíLocated in Paonia, COIs it Lawful to Pay Taxes To Caesar shows Caesar as an imposing seated figure taking up three quarters of the image against a white background with a mounted horseman over Caes...Category
1960s Surrealist Abstract Prints
MaterialsLithograph
- American Yachting Scene Salvador Dali Currier & Ives series lithograph 1971By Salvador DalíLocated in Paonia, COAmerican Yachting Scene is a vibrant explosion of ocean blue , whitecaps and strong yellow slashes to describe the ships sailing to their destination. There is an insert of a Currier and Ives print of sailing ships that Dali used as his inspiration. This original lithograph is from the series “The World Of Currier...Category
1970s Surrealist Landscape Prints
MaterialsLithograph