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(after) Josef AlbersHomage to the Square: Selected (from "Albers")1971
1971
About the Item
Josef Albers (after)
Homage to the Square: Selected (from "Albers")
Screenprint in brilliant Colors on strong wove paper double folded, 1971
Image 6.25 x 6.25 inches
Sheet: 9 x 7.625 inches
Unsigned
Published by Landesmuseum Museum fuer Kunst und Kulturgeschichte Muenster in collaboration with Verlag Aurel Bongers KG, Recklinghausen, Germany - 1971
Serigraphs by Trautwein KG, Recklinghausen, Germany
Edition: Limited; 1,500
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Josef Albers was a German-American artist and educator, best known for his series Homage to the Square. His rigid, geometric works focus on the interplay of color and shape, and Albers is considered one of the fathers of both Minimalism and Conceptual Art.
Albers was born in Bottrop, Germany, and relocated to Munich in 1919 to study at the city’s Academy of Fine Arts. Albers began his career as an educator at the famous Bauhaus in 1922, first as a stained glass instructor and then as a full professor in 1925. Working at the Bauhaus brought Albers into contact with many other famous artists of the period, including Kandinsky and Klee. When the Nazis forced the Bauhaus’ closure in 1933, Albers left Germany and settled permanently in the United States.
For ten years, Albers (and his wife, fellow artist Anni Albers) taught at Black Mountain College, a progressive school in North Carolina. Between his time there and later at Yale University, Albers taught a number of artists who would later become quite famous, including Robert Rauschenberg, Cy Twombly, Eva Hesse, Ruth Asawa and Richard Anuszkiewicz.
- Creator:(after) Josef Albers (1888 - 1976, American, German)
- Creation Year:1971
- Dimensions:Height: 9 in (22.86 cm)Width: 7.625 in (19.37 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Image intact, no issues. Minute yellowing along the double fold and margins - consistent with age.
- Gallery Location:Kansas City, MO
- Reference Number:
(after) Josef Albers
Josef Albers (March 19, 1888 – March 25, 1976) was a German-born American artist and educator whose work, both in Europe and in the United States, formed the basis of modern art education programs of the twentieth century. Accomplished as a designer, photographer, typographer, printmaker, and poet, Albers is best remembered for his work as an abstract painter and theorist. He favored a very disciplined approach to composition. Most famous of all are the hundreds of paintings and prints that make up the series, Homage to the Square. In this rigorous series, begun in 1949, Albers explored chromatic interactions with nested squares. Usually painting on Masonite, he used a palette knife with oil colors and often recorded the colors he used on the back of his works. Each painting consists of either three or four squares of solid planes of color nested within one another, in one of four different arrangements and in square formats ranging from 406×406 mm to 1.22×1.22 m Tags: Bauhaus,Homage to the Square,Geometric Abstraction,Color Theory,Abstract Art,Modernism,Op Art,Interaction of Color,Bauhaus School,Abstract Expressionism,Color Study,Art Education,Abstract Painter,Josef Albers Foundation,Optical Art,Square Paintings,Minimalism,Hard-edge Painting,Form and Color,Art and Science,German Artist,Color Perception,The Interaction of Color Book,Color Variants,Structural Constellations,Art of Seeing,Color Field Painting,Josef Albers Museum,Modernist Printmaker
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