Items Similar to Crab, Plaice and Prawns
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Colin SelfCrab, Plaice and Prawns2009
2009
About the Item
A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his diverse oeuvre. Yet unlike most artists associated with Pop Art, Self eschewed glossy, colorful bombast for nuanced drawings in a limited palette. Self's imagery has ranged from the geopolitical -- nuclear bombers, fallout shelters; to American icons -- hot dogs, Coca Cola cans; to the everyday -- intimate scenes of animals and plants, and whimsical figure drawings. Here, a playful marine scene features fish, crabs and shrimp sketched in black and white with red accents. Crosshatched fish scales and finely spiked crab legs add illustrative charm to this copper dry point print.
Crab, Plaice and Prawns, 2009.
drypoint on copper plate 3 1⁄2 x 5 in. (9 x 12.7 cm) on Magnani Pescia Satinato paper 6 1⁄2 x 7 1⁄2 in. (16.3 x 19.4 cm.)
Edition 35 + 5 proofs, this impression
Colin E Self (born 1941 in Rackheath, Norfolk) is an English Pop Artist, whose work has addressed the theme of Cold War politics. As a student at the Slade School of Fine Art from 1961 to 1963 Colin Self received encouragement for his drawings and collages from the artists David Hockney and Peter Blake. Visits to the United States and Canada in 1962 and 1965 heightened his consciousness of Cold War politics and events such as the Cuban Missile Crisis and the CND marches led him to create highly-innovative prints such as Nuclear Bomber No.1 (1963), one of the earliest multiple plate etchings, and paintings such as ‘Waiting Women and Two Nuclear Bombers’ (1962–63). He also explored the relationship between violence and sexual threat in drawings of glamorous models and his iconic ‘Leopard-skin Nuclear Bomber’ sculptures.
Following his trip to the United States in 1965 he produced a series of drawings based on American nuclear fall-out shelters, Art Deco cinema interiors and of hot dogs, which he described as being ‘as important a 20th century development as (say) a rocket.’ His highly personal and distinctive style of drawing led the artist Richard Hamilton to call him ‘the best draughtsman in England since William Blake.’ During the 1960s Self showed with the Robert Fraser Gallery, London. As printmaker, Self has been a great innovator and was a central figure in the 1960s boom in printmaking. Drawing images from a variety of commercial sources, he created the Power and Beauty series of screenprints (1968) at Editions Alecto while his etching suite Prelude to the 1000 Temporary Objects of Our Time (1970–71) sought to provide a unique record of society in the event of its possible destruction.
Suspicious of the commercial art world Self worked in isolation during the 1970s, seeking a sense of solace through the production of atmospheric watercolours and charcoals of the landscapes of his native county Norfolk, and Scotland. From 1972 to 1974 Self worked in collaboration with the German potter Mathies Schwarze at the Töpferei Schwarze Pottery near Cologne, Germany. A trip to the former Soviet Union in 1985-6 provided further stimulus to his explorations of Cold War culture. His collages from the 1980s to the present day combine his interest in Surrealist juxtaposition and the subconscious, with an inventive visual imagination. Some of these works such as ‘Burning Man Jumping from Building’ (1983) and ‘New York Disaster’ (1998) appear remarkably prescient in the light of events such as the attack on the World Trade Center in 2001, while others create lighter, often humorous narratives from found material in everyday life – an extension of the language of Pop art. In 1997 the Tate Gallery held a show of all its holdings of his work. Since 2000 Self has worked on his ‘Odyssey/Iliad’ suite of etchings, in which the artist has returned to his 1960s technique of multiple-plate etching to re-tell the classical story by Homer using contemporary found-imagery and themes.
A retrospective of his work entitled 'Colin Self: Art in the Nuclear Age' was held at Pallant House Gallery in 2008, curated by art historian Simon Martin. Public collections holding work by Colin Self include Arts Council of Great Britain, Museum of Modern Art, Pallant House, Tate Gallery and The Priseman Seabrook Collection.
- Creator:Colin Self (1941, British)
- Creation Year:2009
- Dimensions:Height: 6.5 in (16.51 cm)Width: 7.5 in (19.05 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU121129248682
Colin Self
Colin E Self (born 1941 in Rackheath, Norfolk) is an English Pop Artist, whose work has addressed the theme of Cold War politics. As a student at the Slade School of Fine Art from 1961 to 1963 Colin Self received encouragement for his drawings and collages from the artists David Hockney and Peter Blake. Visits to the United States and Canada in 1962 and 1965 heightened his consciousness of Cold War politics and events such as the Cuban Missile Crisis and the CND marches led him to create highly-innovative prints such as Nuclear Bomber No.1 (1963), one of the earliest multiple plate etchings, and paintings such as ‘Waiting Women and Two Nuclear Bombers’ (1962–63). He explored the relationship between violence and sexual threat in drawings of glamorous models and his iconic ‘Leopard-skin Nuclear Bomber’ sculptures. Following his trip to the US in 1965 he produced a series of drawings based on American nuclear fall-out shelters, Art Deco cinema interiors and of hot dogs, which he described as being ‘as important a 20th century development as a rocket.’ Richard Hamilton called him ‘the best draughtsman in England since William Blake.’ During the 60s Self showed with the Robert Fraser Gallery, London. Self was a central figure in the 1960s boom in printmaking. Drawing images from a variety of commercial sources, he created the Power and Beauty series of screen prints (1968) at Editions Alecto while his etching suite Prelude to the 1000 Temporary Objects of Our Time (1970–71) sought to provide a unique record of society in the event of its possible destruction. Suspicious of the commercial art world Self worked in isolation during the 1970s, producing atmospheric watercolours and charcoals of the landscapes of his native county Norfolk, and Scotland. A trip to the former Soviet Union in 1985-6 provided further stimulus to his explorations of Cold War culture. His collages from the 1980s to the present day combine his interest in Surrealist juxtaposition and the subconscious, with an inventive visual imagination. Some of these works such as ‘Burning Man Jumping from Building’ (1983) and ‘New York Disaster’ (1998) appear remarkably prescient in the light of events such as the attack on the World Trade Center in 2001, while others create lighter, often humorous narratives from found material in everyday life – an extension of the language of Pop art. In 1997 the Tate Gallery held a show of all its holdings of his work. Since 2000 Self has worked on his ‘Odyssey/Iliad’ suite of etchings, in which the artist has returned to his 1960s technique of multiple-plate etching to re-tell the classical story by Homer using contemporary found-imagery and themes. A retrospective of his work entitled 'Colin Self: Art in the Nuclear Age' was held at Pallant House Gallery in 2008. Public collections holding work by Colin Self include Arts Council of Great Britain, Museum of Modern Art, Pallant House, Tate Gallery and The Priseman Seabrook Collection.
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1968
1stDibs seller since 2019
296 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Dead Bird for Craigie No. 2By Colin SelfLocated in New York, NYA contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his diverse oeuvre. Yet unlike most artists associated with Pop Art, Self eschewed glossy, colorful bombast for nuanced drawings in a limited palette. Self's imagery has ranged from the geopolitical -- nuclear bombers, fallout shelters; to American icons -- hot dogs, Coca Cola cans; to the everyday -- intimate scenes of animals and plants, and whimsical figure drawings. This arresting portrait of a raven's body is executed in moody shades of black and grey. A tangle of short, sharp marks swirls against the white background, resembling flying birds. At the top, hand written text reads: "dead bird...Category
Early 2000s Expressionist Animal Prints
MaterialsDrypoint
- Cat with Red Claws and a BirdBy Colin SelfLocated in New York, NYOnce a peer of David Hockney and Peter Blake during school, Colin Self is an important contemporary British printmaker whose innovative etching techniques and novel use of found mate...Category
Early 2000s Animal Prints
MaterialsDrypoint
- Dog: realist expressive black and white portrait drawing of pet dog in the sunBy Michele ZalopanyLocated in New York, NYThis tenderly illustrated print depicts a black dog sitting comfortably on the lawn. A low fence and a bench can be seen in the background. Plants grow along the sides of the lawn, b...Category
1980s Contemporary Animal Prints
MaterialsLithograph
- Dressed Lobster by Patrick Caulfield red British pop art still lifeBy Patrick CaulfieldLocated in New York, NYPatrick Caulfield's cheeky, Pop Art take on a seaside favorite, dressed lobster, abstracted in graphic black strokes atop a field of red decorated with tiny sprigs. Signed by the art...Category
1970s Pop Art Animal Prints
MaterialsScreen
- The Old Professor (Oo La La) Jim Dine lithograph and Ron Padgett poetryBy Jim DineLocated in New York, NYBright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett...Category
1970s Pop Art Figurative Prints
MaterialsLithograph
- So I lean back (Oo La La) Jim Dine lithograph and Ron Padgett poetry pink birdBy Jim DineLocated in New York, NYA sparrow perches at the center of a swath of pale pink, around which wraps hand-written lines from Ron Padgett’s poem “Ode to Clemens Laurrell”: “So I lea...Category
1970s Pop Art Figurative Prints
MaterialsLithograph
You May Also Like
- The Butterfly.By Edmund BlampiedLocated in Storrs, CTEdmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...Category
Early 20th Century Modern Animal Prints
MaterialsDrypoint, Etching
- Cowboy, Art print, Horse, Cowboy, Horse riding, Back and white artLocated in Deddington, GBCowboy is a limited edition drypoint etching made with carborundum on paper by printmaker and artist, Kate Boxer. The classic black and white artwork is somewhat reminiscent of the o...Category
2010s Contemporary Animal Prints
MaterialsPaper, Drypoint, Etching
- The Cat - Etching and Drypoint by Giselle Halff- 1950sBy Giselle HalffLocated in Roma, ITThe Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca. Good conditions with some foxing.Category
1950s Modern Figurative Prints
MaterialsEtching, Drypoint
- Bucking Bronco, Art print, Horse, Cowboy, Horse riding, Back and white artLocated in Deddington, GBBucking Bronco is a limited edition drypoint etching by Kate Boxer. Bucking Bronco depicts a horse rearing up with the rider trying to control it. This contemporary artwork is in Kat...Category
2010s Contemporary Animal Prints
MaterialsPaper, Drypoint, Etching
- Night Time, Dieppe.By Edmund BlampiedLocated in Storrs, CTNight Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...Category
1920s Modern Figurative Prints
MaterialsDrypoint, Etching
- Minne Playing with a Cat (Minne Jouant avec un Chat)By Jacques VillonLocated in New York, NYJacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...Category
Early 1900s Impressionist Figurative Prints
MaterialsDrypoint, Etching, Aquatint
Recently Viewed
View AllMore Ways To Browse
Dry Point Print
Crab Art
Art Deco Sketch
Black And White Contemporary Pottery
Limited Edition Prints 1970s And 1980s
Art Deco Copper Plate
Hockney Etching
David Hockney Etching
Burning Man
Iconic Leopard
6 Day War
David Hockney 1
1974 Pottery
Soviet Etching
Marine Etchings
Plate With Two Fish
20th Century Charcoal Sketch
Peter Blake Artist