Jean ArpJean Arp - Original Lithograph1962
1962
About the Item
- Creator:Jean Arp (1886 - 1966, French)
- Creation Year:1962
- Dimensions:Height: 12.6 in (32 cm)Width: 9.45 in (24 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16123774961
Jean Arp
Jean Arp was born Hans Arp on September 16, 1886, in Strasbourg. In 1904, after leaving the École des Arts et Métiers, Strasbourg, he visited Paris and published his poetry for the first time. From 1905–07, Arp studied at the Kunstschule, Weimar and in 1908 went to Paris, where he attended the Académie Julian. In 1909, he moved to Switzerland and in 1911 was a founder of the Moderner Bund group there. The following year, he met Robert and Sonia Delaunay in Paris and Wassily Kandinsky in Munich.
Arp participated in the Erste Deutsche Herbstsalon in 1913 at the gallery Der Sturm, Berlin. After returning to Paris in 1914, he became acquainted with Guillaume Apollinaire, Max Jacob, Amedeo Modigliani and Pablo Picasso. In 1915, he moved to Zurich, where he executed collages and tapestries, often in collaboration with his future wife Sophie Taeuber (who became known as Sophie Taeuber-Arp after they married in 1922).
In 1916, Hugo Ball opened the Cabaret Voltaire, which was to become the center of Dada activities in Zurich for a group that included Arp, Marcel Janco, Tristan Tzara, and others. Arp continued his involvement with Dada after moving to Cologne in 1919. In 1922, he participated in the Kongress der Konstruktivisten in Weimar and the Exposition Internationale Dada at Galerie Montaigne in Paris. Soon thereafter, he began contributing to magazines such as Merz, Mécano, De Stijl and later, to La Révolution surréaliste.
Arp’s work appeared in the first exhibition of the Surrealist group at the Galerie Pierre, Paris in 1925. In 1926, he settled in Meudon, France. In 1931, Arp was associated with the Paris based group Abstraction-Création and the periodical transition. Throughout the 1930s and until the end of his life, he continued to write and publish poetry and essays. In 1942, he fled Meudon for Zurich after which he was to make Meudon his primary residence again in 1946. The artist visited New York in 1949 on the occasion of his solo show at Curt Valentin’s Buchholz Gallery. In 1950, he was invited to execute a relief for the Harvard Graduate Center in Cambridge, Massachusetts. In 1954, Arp received the Grand Prize for Sculpture at the Venice Biennale. A retrospective of his work was held at the Museum of Modern Art, New York in 1958, followed by another at the Musée National d'Art Moderne, Paris in 1962. Arp died on June 7, 1966, in Basel.
Find original Jean Arp art on 1stDibs.
- ShippingRetrieving quote...Ships From: Collonge Bellerive, Geneve, Switzerland
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Marc Chagall - Couple With a Goat - Original LithographBy Marc ChagallLocated in Collonge Bellerive, Geneve, CHMarc Chagall Original Lithograph Title: Couple With a Goat 1970 Dimensions: 32 x 24 cm From the art revue XXè siècle Reference: Mourlot #608 Unsigned and unumbered as issuedCategory
Mid-20th Century Surrealist Figurative Prints
MaterialsLithograph
- Max Ernst - Birds - Original LithographBy Max ErnstLocated in Collonge Bellerive, Geneve, CHMax Ernst - Birds - Original Lithograph Birds, 1964 (BNF, 63) Dimensions: 32 x 24 cm Revue Art de France ax Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...Category
1960s Surrealist Animal Prints
MaterialsLithograph
- Max Ernst - Birds - Original LithographBy Max ErnstLocated in Collonge Bellerive, Geneve, CHMax Ernst - Birds - Original Lithograph Birds, 1964 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issuedCategory
1960s Surrealist Animal Prints
MaterialsLithograph
- Max Ernst - Abstract Birds - Original LithographBy Max ErnstLocated in Collonge Bellerive, Geneve, CHMax Ernst - Birds - Original Lithograph Birds, 1962 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issuedCategory
1960s Surrealist Animal Prints
MaterialsLithograph
- Max Ernst - Elektra - LithographBy Max ErnstLocated in Collonge Bellerive, Geneve, CHMax Ernst - Elektra Lithograph 1939 Dimensions: 32 x 24 cm Signed in the plate From XXe siècle Unsigned and unumbered as issuedCategory
1930s Surrealist Animal Prints
MaterialsLithograph
- Marino Marini - Knight - Original LithographBy Marino MariniLocated in Collonge Bellerive, Geneve, CHMarino Marini - Knight - Original Lithograph 1967 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issuedCategory
1960s Surrealist Animal Prints
MaterialsLithograph
- 'Family Portrait', AIC, Paris Salon d'Automne, Art Deco American Woman ArtistBy Nura UlreichLocated in Santa Cruz, CASigned lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935. This painter, illustrator, muralist, lithographe...Category
1930s Surrealist Figurative Prints
MaterialsPaper, Lithograph
- 'Anabel & Millicent', Art Deco, Woman Artist, AIC, ASL, Paris, Salon d'AutomneBy Nura UlreichLocated in Santa Cruz, CASigned lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally inscribed lower left with title, 'An...Category
1930s Surrealist Figurative Prints
MaterialsPaper, Lithograph
- Le Cheval du Printemps (The Horse of Spring), Lithograph by Salvador DaliBy Salvador DalíLocated in Long Island City, NYA close portrait of a horse wearing a laurel crown with the rays of the sun emanating from behind its head. The horse theme was frequently used by Dali throughout his career. The hor...Category
1970s Surrealist Animal Prints
MaterialsLithograph
- Psuedo sonnetBy Leonor FiniLocated in Columbia, MOLeonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....Category
1970s Surrealist Figurative Prints
MaterialsLithograph
- Le Picador, Surrealist Lithography by Salvador DaliBy Salvador DalíLocated in Long Island City, NYA picador rides in on a horse, lance in hand, to enrage a bull we cannot see. The horse theme was frequently used by Dali throughout his career. The horse is seen as a symbol of beau...Category
1970s Surrealist Animal Prints
MaterialsLithograph
- El Ultimo Viaje Del Buque Fantasma, Lithograph by Wifredo LamBy Wifredo LamLocated in Long Island City, NYEl Ultimo Viaje Del Buque Fantasma by Wifredo Lam, Cuban (1902–1982) Year: 1976 Lithograph, signed and numbered in pencil Edition of EA XIII/XX Size: 30 x 21.75 in. (76.2 x 55.25 cm)Category
1970s Surrealist Figurative Prints
MaterialsLithograph