Alberto Giacometti
Paris sans fin
1969

About the Item

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord, Giacometti: A Biography).

Creator:
Alberto Giacometti (1901 - 1966, Swiss)
Creation Year:
1969
Dimensions:
Height: 16.54 in (42 cm)Width: 12.68 in (32.2 cm)Depth: 1.97 in (5 cm)
More Editions & Sizes:
Edition of 270Price: $58,745
Medium:
Lithograph
Movement & Style:
Art Nouveau
Period:
1960-1969
Condition:
Gallery Location:
London, GB
Reference Number:
Seller: 1012001stDibs: LU4708619852
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Alberto Giacometti

Alberto Giacometti was a painter, printmaker and furniture designer but he is best known as one of the 20th century’s most important sculptors. He is revered for the elongated, slender human figures he created in the years following World War II that reflected existentialism and the trauma associated with the conflict.

Giacometti was born in Borgonovo, Switzerland, in 1901 to a creative family. His father Giovanni was a Post-Impressionist painter, his godfather Cuno Amiet was a Fauvist painter, his brother Bruno was an architect, and his other brother Diego was an artist and furniture designer who also served as Giacometti’s model. (The sculptor worked chiefly with models plucked from his personal life.)

Beginning in 1922, Giacometti studied at the Académie de la Grande-Chaumière in Paris and was influenced by the Cubist work of Alexander Archipenko, Raymond Duchamp-Villon and the post-Cubist sculptures of Jacques Lipchitz and Henri Laurens.

During the 1930s, Giacometti designed furniture such as lamps, vases and wall décor to earn a living, often collaborating with interior designer Jean-Michel Frank, whose interiors tastefully mixed extravagance with sophisticated simplicity. However, Giacometti’s passion lay in creating sculptures.

Alberto and his brother Diego left Paris in 1940 to escape the Nazi invasion and spent time in the South of France before fleeing to Geneva, remaining there until 1946. In 1947, Giacometti began work on his most famous sculptures — very tall and thin figurines that came to be associated with frailty and loneliness.

Giacometti catapulted to fame in the United States following two exhibitions of his sculptures in 1948 and 1950 at the Pierre Matisse Gallery in New York City — Jean-Paul Sartre authored the catalogue essay for the latter. In 1961, Giacometti’s friend, Irish playwright Samuel Beckett, asked him to design the set for a re-staging of his play “Waiting for Godot.” His response took on the form of a single plaster tree.

In 1962, Giacometti won the grand prize for sculpture at the Venice Biennale, and for much of the rest of his career, he created modern paintings, drawings and sculptures of plaster, clay and bronze in his small Paris studio. He died in 1966.

Giacometti’s works continue to enthrall collectors. In 2010, his life-size bronze sculpture L'Homme qui marche (“the man who walks”), which now adorns the 100 Swiss Franc banknote, became one of the most expensive sculptures to be sold at auction.

On 1stDibs, discover a range of vintage Alberto Giacometti wall decorations, prints and sculptures.