Camille PissarroBûcheronnes - Groupe de paysannes by Camille Pissarro - Lithograph
About the Item
- Creator:Camille Pissarro (1831-1903, French)
- Dimensions:Height: 5.32 in (13.5 cm)Width: 9.53 in (24.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU261214155072
Camille Pissarro
Camille Pissarro was one of the most influential members of the French Impressionist movement and the only artist to participate in all eight Impressionist exhibitions.
Born in July of 1830 on the island of Saint Thomas in the Danish West Indies, Camille was the son of Frédéric and Rachel Pissarro. At the age of 12, he went to school in Paris, where he displayed a penchant for drawing. He returned again to Paris in 1855, having convinced his parents to allow him to pursue a career as an artist rather than work in the family import/export business. Camille studied at the Académie Suisse alongside Claude Monet, and, during this time, he met Paul Cézanne, Édouard Manet and Pierre-Auguste Renoir.
In 1869, Camille settled in Louveciennes. The outbreak of the Franco-Prussian War in 1870 prompted him to move to England, and, with Monet, Camille painted a series of landscapes around Norwood and Crystal Palace, while studying English landscape painting in the museums. Upon returning a year later at the end of the War to Louveciennes, Camille discovered that only 40 of his 1,500 paintings — almost 20 years’ work — remained undamaged.
Camille settled in Pontoise in the summer of 1871, remaining there and gathering a close circle of friends around him for the next 10 years. He reestablished relationships with Cézanne, Manet, Monet, Renoir and Edgar Degas, expressing his desire to create an alternative to the Salon, so that their group could display their own unique styles. Camille married Julie Vellay, with whom he would have seven children. Cézanne repeatedly came to stay with them, and, under Camille’s influence, he learned to study nature more patiently, even copying one of Camille’s landscapes in order to learn his teacher’s technique.
The first Impressionist group exhibition, initiated by Monet in 1874, earned the Impressionists much criticism for their art. While mainly interested in landscape, Camille introduced people — generally, peasants going about their rural occupations — and animals into his works, and they often became the focal point of the composition. It was this unsentimental and realistic approach, with the complete absence of any pretense, which seemed to stop his work from finding appreciation in the general public.
One of the few collectors who did show interest in Camille’s work was a bank employee named Paul Gauguin, who, after acquiring a small collection of Impressionist works, turned to Camille for advice on becoming a painter himself. For several years, Gauguin closely followed his mentor, and, although their friendship was fraught with disagreement and misunderstandings, Gauguin still wrote shortly before Camille’s death in 1906: “He was one of my masters, and I do not deny him.”
In the 1880s, Camille moved from Pontoise to nearby Osny, before Eragny, a small village much further from Paris. At a time when he was dissatisfied with his work, in 1885, Camille met both Paul Signac and Georges Seurat. He was fascinated by their efforts to replace the intuitive perceptive approach of the Impressionists with a “Divisionist” method, or scientific study of nature’s phenomena based on optical laws. Despite having reached his mid-50s, Camille did not hesitate to follow the two young innovators. The following year, he passed on this new concept to Vincent Van Gogh, who had just arrived in Paris and was keen to learn of the most recent developments in art. However, after a few years, Camille felt restricted by Seurat’s theories and returned to his more spontaneous technique while retaining the lightness and purity of color acquired during his Divisionist phase.
In the last years of his life, Camille divided his time between Paris, Rouen, Le Havre and Eragny, painting several series of different aspects of these cities, with varying light and weather effects. Many of these paintings are considered among his best and make for an apt finale to his long and prodigious career.
When Camille Pissarro died in the autumn of 1903, he had finally started to gain public recognition. Today his work can be found in many of the most important museums and collections throughout the world.
Find original Camille Pissarro art on 1stDibs.
(Biography provided by Stern Pissarro Gallery)
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- The Four Seasons - Spring by Lélia Pissarro, SerigraphBy Lelia PissarroLocated in London, GBThe Four Seasons - Spring by Lélia Pissarro (B. 1963) Serigraph 50.5 x 69 cm (19 ⅞ x 27 ⅛ inches) 61.5 x 79 cm (24 ½ x 31 ⅛ inches) Signed and numbered Printed in an edition of 300 ...Category
1990s Impressionist More Prints
MaterialsSilk, Lithograph
- The Four Seasons - Autumn by Lélia Pissarro, SerigraphBy Lelia PissarroLocated in London, GBThe Four Seasons - Autumn by Lélia Pissarro (B. 1963) Serigraph 51 x 69 cm (19 ⅞ x 27 ⅛ inches) 61.5 x 79 cm (24 ¼ x 31⅛ inches) Signed and numbered Printed in an edition of 300 Art...Category
21st Century and Contemporary Impressionist More Prints
MaterialsSilk, Lithograph
- Prairies de Bazincourt by Camille Pissarro - Landscape etchingBy Camille PissarroLocated in London, GBPrairies de Bazincourt by Camille Pissarro (1830-1903) Etching and aquatint 8.1 x 12 cm (3 ¹/₄ x 4 ³/₄ inches) Stamped with initials lower left, C.P. and numbered 3/18 lower right T...Category
1880s Impressionist Figurative Prints
MaterialsEtching
- Paysanne au puits by Camille Pissarro - EtchingBy Camille PissarroLocated in London, GBPaysanne au puits by Camille Pissarro (1830-1903) Etching 23 x 19.3 cm (9 x 7 ⁵/₈ inches) Stamped lower left, C.P. and numbered 8/50 Created in 1891 and printed at a later date as a...Category
1890s Impressionist Figurative Prints
MaterialsEtching
- Une Femme Assise by Lucien Pissarro - EtchingBy Lucien PissarroLocated in London, GBUne Femme Assise by Lucien Pissarro (1863-1944) Etching 23 x 13 cm (9 x 5 ¹/₈ inches) Stamped lower right, L.P. and numbered lower left, 10/20 Provenance: John Bensusan Butt Private...Category
1890s Impressionist Figurative Prints
MaterialsEtching
- La Rue Malpolue, à Rouen by Camille Pissarro - Etching, CityscapeBy Camille PissarroLocated in London, GBLa Rue Malpolue, à Rouen by Camille Pissarro (1830-1903) Etching 19.8 x 15 cm (7 ³/₄ x 5 ⁷/₈ inches) Stamped lower right, C.P. and numbered 18 Created in 1883-84 (printed at a later ...Category
1880s Impressionist Figurative Prints
MaterialsEtching
- Vilhelmina Fjallen, Vilhelminafjällen Sverige original vintage travel posterLocated in Spokane, WAVilhelmina Fjallen. Vilhelminafjällen Sverige. Original Scandinavian vintage poster lithograph. Mounted on acid-free archival linen. A city located on the edge of Lapland in the Västerbotten area.. This region has a subarctic climate, suitable for reindeer. Artist: Folke Ricklund. Printed by: Tullbergs Esselte STHLM Very good to excellent condition, linen-backed, ready to frame. Mid Century Modern. This poster advertises travel to a mountainous region of Northern Sweden, where Laplanders can live off the reindeer. A rare travel poster...Category
1950s American Impressionist Animal Prints
MaterialsLithograph
- LeRoy Neiman "Polo Lounge" - Signed, Framed, Large - Find the Movie Stars!By LeRoy NeimanLocated in New Orleans, LAThis is a signed press proof of one of Leroy Neiman's coolest images, created originally for Playboy Magazine in two panels. This never fails to get guests' attention on the wall, as...Category
1980s Impressionist Figurative Prints
MaterialsLithograph
- Ahaseurus banishes Vashti, Lithograph by Marc Chagall 1960By Marc ChagallLocated in Long Island City, NYArtist: Marc Chagall, Russian (1887 - 1985) Title: Ahaseurus banishes Vashti from “Dessins pour la Bible” Verve Vol. X, Nos. 37-38, Editions de la Revue Verve, Paris, 1960 Year: 1960...Category
1960s Impressionist Figurative Prints
MaterialsLithograph
- Dimanche a Deauville, Urbain HuchetBy Urbain HuchetLocated in Fairfield, CTArtist: Urbain Huchet (1930) Title: Dimanche a Deauville Year: Circa 1990 Medium: Lithograph on Arches paper Edition: 110/300, plus proofs Size: 15.5 x 25 inches Condition: Good Insc...Category
1990s Impressionist Figurative Prints
MaterialsLithograph
- "La Triennale: Exposition d'Art Francais, " Lithograph by Theophile SteinlenBy Théophile Alexandre SteinlenLocated in Long Island City, NYArtist: Théophile Alexandre Steinlen, Swiss (1859-1923) Title: La Triennale: Exposition d'Art Francais Year: 1916 Medium: Lithograph, signed in the plate Image Size: 56 x 48 inches F...Category
1910s Impressionist Figurative Prints
MaterialsLithograph
- Maternity : Mom & His Child - Original Lithograph Signed Plate - Delteil 50By Pierre Auguste RenoirLocated in Paris, FRPierre Auguste Renoir (1841-1919) Maternity, 1910 Original lithograph Signed in the plate Edition of 100 copies On China paper size c. 60 x 49 cm (c. 23.6 x 19.3 in) In a beautiful ...Category
1910s Impressionist Figurative Prints
MaterialsLithograph