Howard Norton Cook'Financial District', New York City — 1930s American Modernism1931
1931
About the Item
- Creator:Howard Norton Cook (1901-1980, American)
- Creation Year:1931
- Dimensions:Height: 13.32 in (33.84 cm)Width: 10.38 in (26.37 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:
Howard Norton Cook
Howard Norton Cook left his childhood home in Springfield, Massachusetts in 1919 to receive formal training in New York at the Art Students League. While in New York, Cook studied under George Bridgman and attended an experimental class with Max Weber and Andrew Dasburg. He spent his time between sessions painting outdoor billboards and working in lithography and photo-engraving shops. In 1922, Cook began work as an illustrator, contributing woodcuts and drawings to Harper's, Scribner's, Survey, Atlantic Monthly, and Forum. Various assignments allowed him to travel all over the world. Cook was on assignment for Forum to illustrate the serialization of Willa Cather's Death Comes to the Archbishop when he first visited New Mexico in 1926. Cook remained in New Mexico for a year and a half, during which time he met and married artist Barbara Latham. During the next few years, the couple traveled to Paris where Cook studied in a prominent lithographic workshop; to Taxco, Mexico, where he studied fresco painting on a Guggenheim fellowship; and to the Deep South of the United States on a second Guggenheim fellowship. In 1935, Cook and Latham settled in Taos, New Mexico. By that time, Cook had been represented in 50 Prints of the Year several times, yet his focus turned to fresco painting. He traveled across throughout the United States on mural commissions and, in 1937, the Architectural League of New York awarded Cook the Gold Medal for mural painting. Cook later served in the Navy as an artist-war correspondent in the South Pacific. His paintings from that period were exhibited in the National Gallery in Washington, D.C., and later displayed across the U.S. in a traveling exhibition funded by the War Department. After returning from the war, Cook produced several powerful lithographs depicting his experiences in the South Pacific. In 1949, he was elected to membership in the National Academy as a graphic artist. During the 1940's, Cook was known for his watercolors set in New Mexico. Later paintings in oil became increasingly abstract. Some of the artist's favorite subjects included Southwestern landscapes and Indian dances that focused on conveying a strong sense of movement. Throughout his career, Cook was a guest professor at many art schools and universities. In 1967, he became the first artist in residence at the Roswell Museum, Roswell, NM. Howard Cook remained in New Mexico until his death in 1980. ©David Cook Galleries, LLC
- ShippingRetrieving quote...Ships From: Myrtle Beach, SC
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- 'Backyards of Broadway' — 1920s American Precisionism, New York CityBy Louis LozowickLocated in Myrtle Beach, SCLouis Lozowick, 'Backyards of Broadway ( Waterfront I )', lithograph, 1926, edition 10, Flint 7. Signed in pencil. A fine, richly-inked impression, on BFK Rives off-white, wove paper...Category
1920s American Modern Figurative Prints
MaterialsLithograph
- 'Coenties Slip' — 1920s Lower Manhattan, Financial DistrictBy Luigi KasimirLocated in Myrtle Beach, SCLuigi Kasimir, 'Coenties Slip', color etching with aquatint, 1927, edition 100. Signed in pencil. Dated in the plate, lower right. Annotated 'NEW YORK HANOVER SQUARE (COENTIES SLIP)'...Category
1920s American Modern Landscape Prints
MaterialsEtching, Aquatint
- 'Brooklyn Bridge' — 1920s view of an iconic New York City landmarkBy Luigi KasimirLocated in Myrtle Beach, SCLuigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...Category
1920s American Modern Landscape Prints
MaterialsEtching, Aquatint
- Bridges of FlorenceLocated in Myrtle Beach, SCAlonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...Category
1920s American Realist Figurative Prints
MaterialsEtching
- 'Chion-in Temple Gate' from 'Eight Scenes of Cherry Blossoms' — Jizuri SealBy Hiroshi YoshidaLocated in Myrtle Beach, SCHiroshi Yoshida, 'Chion-in Temple Gate (Sunset)' from the series 'Eight Scenes of Cherry Blossoms (Sakura hachi dai: Sakura mon)', color woodblock print, 1935. Signed in brush 'Yoshida' and in pencil 'Hiroshi Yoshida'. A superb, early impression, with fresh colors; the full sheet with margins, on cream Japan paper; an area of slight toning in the top right sheet corner, not affecting the image, otherwise in excellent condition. Marked with a jizuri (self-printed) seal, upper left margin. Self-published by the artist. Image size 9 5/8 x 14 3/4 inches (444 x 375 mm); sheet size 10 7/8 x 16 inches (276 x 406 mm). Archivally sleeved, unmatted. Provenance: M. Nakazawa, Tokyo. Literature: Japanese Landscapes of the 20th century (Hotei Publishing calendar), 2001, May. Collections: Honolulu Museum of Art, Museum of Fine Arts, Boston. ABOUT THE IMAGE Located in Kyoto, Chionin is the main temple of the Jodo sect of Japanese Buddhism, one of the most popular Buddhist sects in Japan, having millions of followers. The Sanmon Gate, Chionin's entrance gate, standing 24 meters tall and 50 meters wide, it is the largest wooden temple gate in Japan and dates back to the early 1600s. Behind the gate, a wide set of stairs leads to the main temple grounds. ABOUT THE ARTIST Painter and printmaker Yoshida Hiroshi (1876-1950) is regarded as one of the greatest artists of the Japanese 'shin hanga' (New Print) movement. Yoshida was born as the second son of Ueda Tsukane in Kurume, Fukuoka Prefecture, a schoolteacher from an old samurai family. In 1891 he was adopted by his art teacher Yoshida Kasaburo in Fukuoka and took his surname. In 1893 he went to Kyoto to study painting, and the following year to Tokyo to join Koyama Shotaro's Fudosha private school; he also became a member of the Meiji Fine Arts Society. These institutions taught and advocated Western-style painting, greatly influencing Yoshida’s artistic development. In 1899 Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art), making the first of many visits to the US and Europe. In 1902 he helped reorganize the Meiji Fine Arts Society, renaming it the Taiheiyo-Gakai (Pacific Painting...Category
1930s Showa Figurative Prints
MaterialsWoodcut
- Angry Skies (Andante Cantabile) — Central Park, New York CityBy Louis LozowickLocated in Myrtle Beach, SCLouis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- Rue des Rats, Modernist Lithograph by Stuart Davis 1928By Stuart DavisLocated in Long Island City, NYA modernist lithograph by American artist Stuart Davis. In this cityscape of Paris he begins to show his inclinations towards Cubism, with the slightly skewed perspective and the fla...Category
1920s American Modern Landscape Prints
MaterialsLithograph
- Prodigal SonBy Thomas Hart BentonLocated in London, GBA fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- Alfred Bendiner, Rue des Matrys (Paris)By Alfred BendinerLocated in New York, NYWorld traveler that he was, Bendiner was clearly at home in Paris. He found everyone fascinating and has made this print a compendium of local characters and types. Nothing escapes h...Category
1950s American Modern Landscape Prints
MaterialsLithograph
- Alfred Bendiner, Flic et Bonne (Gendarme and Nursemaid)By Alfred BendinerLocated in New York, NYThe world was Bendiner's oyster, but here he shows us a all we need in a small corner of Paris. It's charming and safe: the 'Flic et Bonne' (gendarme and nursemaid) are together, goi...Category
1950s American Modern Landscape Prints
MaterialsLithograph
- Alfred Bendiner, Place St. Andre des Arts (Paris)By Alfred BendinerLocated in New York, NYThe Place St. Andre des Arts, on the Left Bank in Paris, would have been a natural environment for Bendiner. It was the Latin Quarter, just south of the Louvre and near everything im...Category
1950s American Modern Landscape Prints
MaterialsLithograph
- Discus Thrower, Felix de WeldonBy Felix de WeldonLocated in Fairfield, CTArtist: Felix de Weldon (1907-2003) Title: Discus Thrower Year: 2001 Edition: 150, plus proofs Medium: Lithograph with graphite ink on BFK Rives cream color paper Inscription: Signed...Category
Early 2000s American Modern Landscape Prints
MaterialsInk, Graphite, Lithograph