Milton AveryNIGHT NUDE1953
1953
About the Item
- Creator:Milton Avery (1885 - 1965, American)
- Creation Year:1953
- Dimensions:Height: 16 in (40.64 cm)Width: 30 in (76.2 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The print has been inspected outside the frame, and is free of any damage, fading, foxing or other defect. The framing elements are archival.
- Gallery Location:Portland, ME
- Reference Number:
Milton Avery
Milton Clark Avery was born in 1885 in Altmar, New York. Largely self-taught, Avery is today regarded as one of the great early modern American artists; his inspired palette, simplified forms and unwavering commitment to a figurative tradition have secured him a place not only in the canon but also in the hearts of the American public.
Always at odds with the dominant style of the time, be it the American Scene Painting and Social Realism of the 1930s and '40s or the Abstract Expressionism of the 1950s, Avery's oeuvre is a labor of singular dedication. As a boy, Avery worked factory jobs to help support his large family following their move to Connecticut in 1898. He did not seriously begin to pursue art until sometime following his father's death in 1905, when he intermittently attended classes at the Connecticut League of Art Students. He made his artistic debut in 1915 at the Wadsworth Atheneum's Fifth Annual Exhibition of Oil Painting and Sculpture.
In 1925 Avery relocated to New York to be closer to his future bride. Following his marriage in 1926 he was able to quit working and paint full time. At this time Avery replaced the light-drenched palette of his Hartford days with more muted tones. He also exchanged his heavy impasto for thin washes of pigment, which he used to create veiled fields of color.
In 1927 Avery exhibited with the Society of Independent Artists. Success quickly followed. Two of his paintings were selected for inclusion in a 1928 group show at the Opportunity Gallery in New York. Also in 1928, renowned collector Louis Kaufman became the first person to purchase a painting by the artist; and in 1929 Duncan Phillips purchased Winter Riders (1929) for the Phillips Memorial Gallery, making it Avery's first painting to enter a museum collection.
Avery's signature figurative style characterized by simple forms and flattened shapes filled with arbitrary color "in the manner of Matisse" was fully developed by the 1940s. His work as a colorist greatly influenced succeeding generations of artists, specifically Color Field painters Mark Rothko, Barnett Newman, and Adolph Gottlieb. In 1944 he was given his first solo museum exhibition at the Phillips Memorial Gallery. That same year, he entered into a contract with famed dealer Paul Rosenberg, in which Rosenberg agreed to purchase 25 of Avery's paintings twice a year.
In 1952 the Baltimore Museum of Art hosted Avery's first museum retrospective, and Avery was the subject of a major article in Arts magazine by eminent art critic Clement Greenberg. In 1960 the Whitney Museum of American Art hosted his second museum retrospective.
Find authentic Milton Avery prints and paintings on 1stDibs.
(Biography provided by Helicline Fine Art)
- ShippingRetrieving quote...Ships From: Portland, ME
- Return PolicyA return for this item may be initiated within 10 days of delivery.
- AT THE SEASHOREBy Will BarnetLocated in Portland, MEBarnet, Will. AT THE SEASHORE. Szoke 69, Cole 68, Johnson 54. Woodcut printed in black, brown and white, 1939. There was no edition, only a few proofs printed by the artist on Japane...Category
1930s American Modern Figurative Prints
MaterialsWoodcut
- SLEEPING MAN (REST)By Will BarnetLocated in Portland, MEBarnet, Will. SLEEPING MAN (REST). Szoke 42, Cole 41, Johnson 40. Woodcut, 1937. Edition of 10. Titled "Sleeping Man" at left, and signed at right, both in pencil. This print is usua...Category
1930s American Modern Figurative Prints
MaterialsWoodcut
- CHILD REACHINGBy Will BarnetLocated in Portland, MEBarnet, Will. CHILD REACHING. Szoke 83, Cole 82, Johnson 65. Woodcut, 1940. Edition of 25. Titled and signed in pencil. 7 1/4 x 11 1/4 inches (image), 8 1/8 x 11 1/2 inches (sheet). ...Category
1940s American Modern Figurative Prints
MaterialsWoodcut
- SPEAKING OF CHILDREN and PTA FRIEND'S SEMINARYBy Peggy BaconLocated in Portland, MEBacon, Peggy. SPEAKING OF CHILDREN and PTA FRIEND'S SEMINARY. Flint 120. Etching, 1933, together with a preparatory drawing, titled "PTA Friend's Seminary." The etching titled, dated an signed in pencil. The edition size is not known, but likely small as the print is uncommon; there are no auction...Category
1930s American Modern Figurative Prints
MaterialsEtching
- THE CLINICBy Peggy BaconLocated in Portland, MEBacon, Peggy. THE CLINIC. Flint 109. Drypoint, 1932. Edition size not known, but likely very small as the print is rare. 4 15/16 x 6 7/8 inches, plus wide margins (the sheet is 11 x ...Category
1930s American Modern Figurative Prints
MaterialsDrypoint
- ZWEI MATROSEN (TWO SAILORS)By Erich HeckelLocated in Portland, MEHeckel, Erich (German, 1883-1970). ZWEI MATROSEN (TWO SAILORS) Dube 302. Woodcut, 1916. Signed and dated "16" in pencil. Printed on laid paper watermarked "SLG." 14 1/4 x 11 3/8 inc...Category
1910s Figurative Prints
MaterialsWoodcut
- City Scene I — Mid-Century Modernism, PrecisionismBy Bernard Brussel-SmithLocated in Myrtle Beach, SCBernard Brussel-Smith, 'City Scene I', wood engraving, 1949, edition 100. Signed, titled, and numbered '93/100' in pencil. A superb, richly-inked impression, on white wove paper, wi...Category
1940s American Modern Figurative Prints
MaterialsWoodcut
- City Scene II — Mid-Century Modernism, PrecisionismBy Bernard Brussel-SmithLocated in Myrtle Beach, SCBernard Brussel-Smith, 'City Scene II', wood engraving, 1949, artist's proof, edition 100. Signed, titled, and annotated 'A.P.' in pencil. A superb, richly-inked impression, on whit...Category
1940s American Modern Figurative Prints
MaterialsWoodcut
- 'Spring' — 1920s American Modernism, Color WoodcutBy Charles TurzakLocated in Myrtle Beach, SCCharles Turzak, 'Spring', color woodcut, edition 50, c. 1925. Signed, titled, and numbered '4/50' in pencil. Signed in the block, lower left. A fine impression, with fresh colors, on...Category
1920s American Modern Figurative Prints
MaterialsWoodcut
- 'Autumn' — 1920s American Modernism, Color WoodcutBy Charles TurzakLocated in Myrtle Beach, SCCharles Turzak, 'Autumn', color woodcut, edition 50, c. 1925. Signed, titled and numbered '17/50' in pencil. Signed in the block, lower left. A fine impression, with fresh colors, on...Category
1920s American Modern Figurative Prints
MaterialsWoodcut
- THE RUG WEAVERBy Gustave BaumannLocated in Santa Monica, CAGUSTAVE BAUMANN (1881 – 1971) THE RUG WEAVER, 1910 (Chamberlain 26) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...Category
1910s American Modern Figurative Prints
MaterialsWoodcut
- 'Sailor and His Girl' —Mid-Century Modernism, WWIIBy Bernard Brussel-SmithLocated in Myrtle Beach, SCBernard Brussel-Smith, 'Sailor and His Girl', wood engraving, 1941, edition 35. Signed, titled, and numbered '21/35' in pencil. Signed in the block, lower right. A superb, richly-in...Category
1940s American Modern Figurative Prints
MaterialsWoodcut