Items Similar to Marilyn Monroe & Albert Einstein, Red Grooms
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Red GroomsMarilyn Monroe & Albert Einstein, Red GroomsCirca 1987
Circa 1987
About the Item
Artist: Red Grooms (1937)
Title: Albert Einstein and Marilyn Monroe
Year: circa 1987
Medium: Monotype and mixed media on wove paper
Size: 47.62 x 31.87 inches
Condition: Excellent
Inscription: Signed by the artist.
Notes: Dave Ray wrote in The Vintage News, “In her memoirs, actress Shelley Winters, Monroe’s roommate from 1947-51, recounts a revealing episode. The roommates challenged each other to make a list of men they wanted to sleep with, just for fun. Winters later recalled, “There was no one under 50 on hers. I never got to ask her before she died how much of her list she had achieved, but on her list was Albert Einstein, and after her death, I noticed that there was a silver-framed photograph of him on her white piano.” This rare artwork by Red Grooms depicts Monroe’s fantasy of Albert Eisenstein.
RED GROOMS (1937) is an American multi-media artist who has consistently been at the fore of major, innovative art movements. Starting in the 1950’s, Grooms was an early pioneer in Happenings & Performance Art. He was also an early force in Art Film, Installation Art and Pop art. Grooms is best known for his idiosyncratic style that often combines painting and sculpture with a humorous, often slapstick, aesthetic. A prolific print-maker, Grooms is also known for printed editions that exist in three dimensions. His work is owned by nearly every museum in North America including the Museum of Modern Art, Metropolitan Museum, Smithsonian Institution, and the National Gallery of Art.
- Creator:Red Grooms (1937, American)
- Creation Year:Circa 1987
- Dimensions:Height: 47.62 in (120.96 cm)Width: 31.87 in (80.95 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU1342113530612
Red Grooms
Charles Roger Grooms was born in 1937 in Nashville, Tennessee, a city that, with its lively honky-tonk scene and the theatricality of the historic Grand Ole Opry, would later influence much of his work. Nicknamed for his ginger hair, Red enrolled at the Art Institute of Chicago in 1955. A self-proclaimed “restless and undisciplined student,” Grooms spent the next few years moving between schools and cities, including the New School in New York, Peabody College (now part of Vanderbilt University) in Nashville, and Hans Hofmann’s summer school in Provincetown, Massachusetts. Frustrated with the academic track and anxious to enter the New York art scene, Grooms abandoned formal education to focus exclusively on creating art and securing exhibition opportunities in his Chelsea neighborhood. There, he found quick success and a supportive circle of artists that became close friends and collaborators. From the start of his career, Grooms has worked in multiple media, from painting, printmaking, and sculpture, to installation art, filmmaking, and theatrical experiences known as “Happenings.” Much of his art blurs the boundaries between these different forms, such as his large-scale, carefully-crafted environments he calls “sculpto-pictoramas,” and smaller objects like Dalí Salad. In this example, Grooms combines silkscreened and lithographic elements with a wooden base and acrylic dome to create a three-dimensional portrait of the famous Surrealist artist. Grooms is perhaps best known for his colorful and comedic commentary on the culture, politics, and figures associated with the American urban environment and art historical traditions. Relying on satire and caricature, Grooms’ art has paid homage to a wide range of artists including Rembrandt, Auguste Rodin, Thomas Eakins, and Benjamin West, as well as national icons like Thomas Jefferson and Chuck Berry. Grooms’ disparate output is so difficult to classify that he has been compared to the influential Dada artist, Marcel Duchamp. Like Duchamp, Grooms often deliberately confronts the art world establishment, noting in 1974 that “it’s good to have . . . something to go against.” Despite his affinity for defying the mainstream, Grooms is routinely cited by scholars as one of the leading American artists of his generation and was honored with the National Academy of Design’s Lifetime Achievement Award in 2003. The subject of a 1984 mid-career retrospective exhibition held at the Pennsylvania Academy of the Fine Arts, the artist’s work can be found in public collections across the United States, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Hirshhorn Museum and Sculpture Garden, as well as in many international museums. - The Johnson Collection, Spartanburg, South Carolina
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2002
1stDibs seller since 2020
796 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Fairfield, CT
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Warhol, Chanel (Blue), Chanel Ad CampaignBy Andy WarholLocated in Fairfield, CTTitle: Chanel Year: 1997 Medium: Offset lithograph on archival paper mounted on canvas Size: 30 x 21 inches Condition: Excellent Inscription: Signed in the plate Notes: This special ...Category
1990s Pop Art Figurative Prints
MaterialsCanvas, Offset
- United We Stand, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: United We Stand Year: 2002 Edition: 107/300, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.5 x 9 inches Condition: Excellent Inscript...Category
Early 2000s Pop Art Figurative Prints
MaterialsLithograph
- On a Distant Planet, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: On a Distant Planet Year: 1978 Edition: H.C. 9; aside from the edition of 165 Medium: Silkscreen on Somerset paper Size: 26.5 x 20.75 inches Conditio...Category
1970s Pop Art Figurative Prints
MaterialsLithograph
- Peace on Earth, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: Peace on Earth Year: 2002 Edition: 150/300, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.25 x 9 inches Condition: Excellent Inscript...Category
Early 2000s Pop Art Figurative Prints
MaterialsLithograph
- God Bless America, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: God Bless America Year: 2002 Edition: 201/300, plus proofs Medium: Lithograph on archival paper Size: 12.5 x 9 inches Condition: Excellent Inscription...Category
Early 2000s Pop Art Figurative Prints
MaterialsLithograph
- Dream I: The Blossoming, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: Dream I: The Blossoming Year: 1998 Edition: 285/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 10 x 9.25 inches Condition: Excelle...Category
1990s Pop Art Figurative Prints
MaterialsLithograph
You May Also Like
- Some Los Angeles Apartments - True, Stated 1st Edition of only 700 Artist BookBy Ed RuschaLocated in New York, NYEd Ruscha Some Los Angeles Apartments (Unsigned), 1965 True First Edition Artist Book: Stated Limited Edition of only 700 7 × 5 1/2 inches Unframed A rare and elusive 1960s Artist Book. Makes a terrific gift. This is a TRUE 1965 1st Edition of only 700 stated copies. (NOT to be confused with the second edition in 1970 which was published in a much larger edition of 3000 and NOT to be confused with an eponymous 1990 Whitney Museum publication.) A must have for Ruscha Fans. SOME LOS ANGELES APARTMENTS. Los Angeles: Self-Published, 1965. True First Edition Printed Wrappers with Glassine. Original Artist's Book. This marvelous vintage 1965 48 page book features 34 black and white illustrations and is in surprisingly fine condition. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies. This is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. "In the 1960s, Ed Ruscha more or less reinvented the artist’s book. By turning away from the craftsmanship and luxury status that typified the livre d’artiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. Some Los Angeles Apartments, with its straightforward presentation of modern California domestic buildings, celebrated the vernacular architecture of Southern California." The Getty Museum "....It's perhaps fitting that Ed Ruscha - one of the central figures in late 20th century photography - does not consider himself a photographer. "I think photography is dead as a fine art," he told John Coplans...Category
1960s Pop Art Figurative Prints
MaterialsLithograph, Offset, Mixed Media
- TONTO-CONDO (THREE DIMENSIONAL)By Red GroomsLocated in Aventura, FLTonto-Condo, 1983, published by Shark's Ink, Lyons, Colorado (Knestrick, 96). Hand signed and numbered by the artist in pencil. Three-dimensional color lithographic construction with...Category
1980s Pop Art Landscape Prints
MaterialsLithograph, Mixed Media, Paper
- "Seba after Hiroshige" from "Japanese Suite" original lithograph signed pop artBy Michael KniginLocated in Milwaukee, WI"Seba after Hiroshige" is an original color lithograph from the Japanese Suite by Michael Knigin. The artist signed the piece lower right and titled it...Category
1970s Pop Art Landscape Prints
MaterialsLithograph
- Something American, Woodcut Print by David PrestonBy David PrestonLocated in Long Island City, NYArtist: David Preston Title: Something American Medium: Woodcut, signed, numbered, dated, and titled in pencil Image Size: 40 x 30 inches Paper Size: 47 x 32 in. (119.38 x 81.28 cm)Category
1990s Pop Art Landscape Prints
MaterialsWoodcut
- Downhill Skier, Screenprint by Len RosolioLocated in Long Island City, NYDown Hill Len Rosolio, American Date: 1981 Screenprint, signed and numbered in pencil Edition of 350 Size: 35 x 28.5 in. (88.9 x 72.39 cm)Category
1980s Pop Art Figurative Prints
MaterialsScreen
- THAMES SCENE WITH POWER STATIONBy Tom WesselmannLocated in Aventura, FLScreenprint on museum board. Hand signed and numbered by the artist. From the PP edition of 2/3 apart from the edition of 60 plus 12 artist’s proofs. Published by International Imag...Category
1990s Pop Art Landscape Prints
MaterialsBoard, Screen