Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Reuben Nakian
Leda and the Swan IX, Etching by Reuben Nakian

1979

About the Item

Leda and the Swan IX by Reuben Nakian, American (1897–1986) Date: circa 1979 Etching with Chine Colle, signed and numbered in pencil Edition of 25 (in Roman Numerals) Size: 20 in. x 26 in. (50.8 cm x 66.04 cm)
  • Creator:
    Reuben Nakian (1897-1986, American)
  • Creation Year:
    1979
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 26 in (66.04 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Long Island City, NY
  • Reference Number:
    Seller: RO100381stDibs: LU46610634902
More From This SellerView All
  • "Harvest (Sugar Beets), " Aquatint Etching by Manuel Robbe, circa 1910
    By Manuel Robbe
    Located in Long Island City, NY
    This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...
    Category

    1910s Impressionist Figurative Prints

    Materials

    Etching, Aquatint

  • Jean Francois Millet, "La Boullie (The Porridge)", Drypoint Etching, 1861
    By Jean François Millet
    Located in Long Island City, NY
    Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...
    Category

    1860s Impressionist Figurative Prints

    Materials

    Drypoint, Etching, Intaglio

  • Leda and the Swan III, Minimalist Nude Etching by Reuben Nakian
    By Reuben Nakian
    Located in Long Island City, NY
    Leda and the Swan III by Reuben Nakian, American (1897–1986) Date: circa 1979 Sepia Drypoint Etching with Chine Colle, signed in ink and numbered in pencil Edition of 25 Image Size: ...
    Category

    1970s Impressionist Figurative Prints

    Materials

    Etching

  • Couler Voyage Pour Attaper, Aquatint Etching by Theo Tobiasse
    By Théo Tobiasse
    Located in Long Island City, NY
    Artist: Theo Tobiasse Title: Couler Voyage Pour Attaper Year: 1983 Medium: Aquatint Etching with Carborundum, signed and numbered in pencil Image Size: 40 x 28 inches Paper Size: 53....
    Category

    1980s Impressionist Figurative Prints

    Materials

    Etching, Aquatint

  • Granada, Modern Framed Etching by Marc Chagall
    By (after) Marc Chagall
    Located in Long Island City, NY
    Artist: Marc Chagall, After, Russian (1887 - 1985) Title: Granada Year: 1962 Medium: Etching with Aquatint (Restrike) Image Size: 13 x 9 inches Size: 19 in. x 15 in. (48.26 cm x 38.1...
    Category

    1960s Impressionist Figurative Prints

    Materials

    Etching

  • Interference, Football Color Etching by LeRoy Neiman 1972
    By LeRoy Neiman
    Located in Long Island City, NY
    Artist: LeRoy Neiman, American (1921 - 2012) Title: Interference Year: 1972 Medium: Etching, signed and numbered in pencil Edition: 54/150 Image Size: 7.5 x 8.4 inches Size: 9 x 9.25...
    Category

    1970s American Impressionist Figurative Prints

    Materials

    Etching

You May Also Like
  • Mère et enfant by Lélia Pissarro - Etching
    By Lelia Pissarro
    Located in London, GB
    Mère et enfant by Lélia Pissarro (b. 1963) Etching 3 x 3 cm (1 ¹/₈ x 1 ¹/₈ inches) Signed lower left, Lélia Pissarro Inscribed lower right: E.A (artist proof in French) Artist biog...
    Category

    21st Century and Contemporary Impressionist Figurative Prints

    Materials

    Etching

  • Le Chapeu Epinglé - Etching by Pierre Auguste Renoir - 1894
    By Pierre Auguste Renoir
    Located in Roma, IT
    Le chapeu épinglé is a modern artwork realized by Pierre Auguste Renoir. Etching on laid paper. Signed on the plate lower left. Pencil inscriptions bearing the artist's personal d...
    Category

    1890s Impressionist Figurative Prints

    Materials

    Etching

  • The Venetian Mast
    By James Abbott McNeill Whistler
    Located in Storrs, CT
    The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...
    Category

    1870s American Impressionist Landscape Prints

    Materials

    Drypoint, Etching

  • Lady Hailing a Carriage Dame, eine Droschke rufend - German Impressionism
    By Lesser Ury
    Located in London, GB
    This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It is also hand numbered in pencil from the edition of 150, at the lower ...
    Category

    1910s Impressionist Figurative Prints

    Materials

    Drypoint, Etching

  • Noon Time Lull
    By Louis Oscar Griffith
    Located in Fairlawn, OH
    Noon Time Lull Etching, c. 1930 Signed by the artist in pencil lower right (see photo) Note: An image done in South Carolina. An impression of this image is in the permanent collecti...
    Category

    1930s American Impressionist Figurative Prints

    Materials

    Etching

  • Five Pigeons (Jardin du Luxembourg, Paris)
    By Harold Altman
    Located in San Francisco, CA
    Artist: Harold Altman (American, 1924-2003) Title: Five Pigeons (Jardin du Luxembourg, Paris) Year: 1981 Medium: Original color etching with aquatint Edition: Numbered 75/200 in pencil Paper: Arches Image (plate mark) size: 11.75 x 8.25 inches Framed size: 24.5 x 17.65 inches Signature: Hand signed and titled in pencil by the artist Condition: It is in very good condition, the matting have some marks, see picture #1 Frame: Custom framed in a wooden silver frame frame, with fabric matting and brownish green fillet. About the artist. Printmaker Harold Altman was an etcher, painter, and teacher, who was born in New York City in 1924. He attended the Art Students League, 1941-42 and Cooper Union, (Graduate in Fine Arts), 1941-47, both in New York City. In 1946, he attended Black Mountain College, North Carolina and then went on to The New School, New York City 1947-49. Finishing his extensive art education at the L'Academie de la Grande Chaumiere in Paris 1949-52. Altman settled in the central Pennsylvanian village of Lemont in 1962, where a nineteenth-century frame church serves as his studio. Approximately four months out of the year are spent working in Paris where his lithographs are printed at Atelier DesJobert. In previous years, his etchings were printed at Atelier George LeBlanc. Altman's landscapes and figurative works have been exhibited at numerous galleries and museums, both in the United States and abroad. He is represented in nearly every significant collection in the world. New York's Museum of Modern Art owns over forty Altmans while the Whitney Museum of American Art and Brooklyn Museums each have over fifty of his works in their permanent collections. His work is to be found in many significant museum collections outside of the United States, several of which are the Victoria and Albert Museum of London, the Stedelijk Museum of Amsterdam, the Kunst Museum of Basel, the Royal Museum of Fine Arts of Copenhagen and the Bibliotheque Nationale of Paris. OVER 300 ONE-MAN EXHIBITIONS (PARTIAL LISTING) Galerie Huit - Paris (1951) The Art Institute of Chicago - (1960) The Escuela Nacional de Artes Plasticas - Mexico City (1961) The San Francisco Museum of Art - (1961) The Santa Barbara Museum of Art - (1961) Oklahoma Art Center - (1966, 1976) The Southeastern Center for Contemporary Art - Winston-Salem, NC (1976) Milwaukee Art Center - (1969) The Print Cabinet...
    Category

    Late 20th Century American Impressionist Landscape Prints

    Materials

    Etching, Aquatint

Recently Viewed

View All