Items Similar to 'The Red Horseman', Hand Signed, Leo Castelli Gallery Exhibition Poster, Pop Art
Want more images or videos?
Request additional images or videos from the seller
1 of 14
'The Red Horseman', Hand Signed, Leo Castelli Gallery Exhibition Poster, Pop Art1975
1975
About the Item
Vintage, 1975, Leo Castelli New York Gallery exhibition poster; signed, lower right, in felt pen, 'R. Lichtenstein' for Roy Lichtenstein (American, 1923-1997).
Roy Lichtenstein first studied under Reginald Marsh at the Art Students League of New York, and the following year under Hoyt L. Sherman at the College of the Arts at Ohio State University in Columbus. He served in the army from 1943 to 1946, after which he resumed his studies and was hired as an instructor. He obtained an MFA in 1949. In 1951, the Carlebach Gallery, New York, organized a solo exhibition of his semi-abstract paintings of the Old West. Shortly thereafter, the artist moved to Cleveland, where he continued painting while working as an engineering draftsman to support his growing family.
From 1957 to 1960 Lichtenstein obtained a teaching position at the State University of New York, Oswego. By then he had begun to include loosely drawn cartoon characters in his increasingly abstract canvases. From 1960 to 1963 he lived in New Jersey while teaching at Douglass Residential College, a division of Rutgers University in New Brunswick, New Jersey. He met artists such as Jim Dine, Allan Kaprow, Claes Oldenburg, Lucas Samaras, George Segal, and Robert Whitman, all of whom were experimenting with different kinds of art based on everyday life. In 1961 he began to make paintings consisting exclusively of comic-strip figures, and introduced his Benday-dot grounds, lettering, and balloons; he also started cropping images from advertisements. From 1964 into the next decade, he successively depicted stylized landscapes, consumer-product packaging, adaptations of paintings by famous artists, geometric elements from Art Deco design (in the Modern series), parodies of the Abstract Expressionists’ style (in the Brushstrokes series), and explosions. They all underlined the contradictions of representing three dimensions on a flat surface.
In the early 1970s he explored this formal question further with his abstract Mirrors and Entablatures series. From 1974 through the 1980s, he probed another long-standing issue: the concept of artistic style. All his series of works played with the characteristics of well-known 20th-century art movements. Lichtenstein continued to question the role of style in consumer culture in his 1990s series Interiors, which included images of his own works as decorative elements. In his attempt to fully grasp and expose how the forms, materials, and methods of production have shaped the images of Western society, the artist also explored other mediums such as polychromatic ceramic, aluminum, brass, and serigraphs.
Beginning in 1962, the Leo Castelli Gallery, New York, held regular exhibitions of the artist’s work. Lichtenstein participated in the Venice Biennale in 1966, and was honored with solo exhibitions in 1967 and 1968 at the Pasadena Art Museum and the Solomon R. Guggenheim Museum, New York, respectively. The artist was the subject of a major retrospective at the Guggenheim in 1994, three years before his death on September 30, 1997.
(with thanks to the Guggenheim Museum)
- Creation Year:1975
- Dimensions:Height: 22.75 in (57.79 cm)Width: 28 in (71.12 cm)Depth: 0.13 in (3.31 mm)
- Medium:
- Movement & Style:
- After:Roy Lichtenstein (1923 - 1997, American)
- Period:
- Condition:original poster laid down on archival, eight-ply 100% cotton-fiber card; minor creasing, minor marks; unframed; shows well.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU34414028602
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1982
1stDibs seller since 2013
639 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Santa Cruz, CA
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- 'Family Portrait', AIC, Paris Salon d'Automne, Art Deco American Woman ArtistBy Nura UlreichLocated in Santa Cruz, CASigned lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935. This painter, illustrator, muralist, lithographe...Category
1930s Surrealist Figurative Prints
MaterialsPaper, Lithograph
- 'Autumn', Hand-colored Lithograph, listening to music under the treeLocated in Santa Cruz, CAAn early twentieth-century, hand-colored lithograph showing an idyllic scene of two young lovers in medieval dress seated in a rural bower beneath fruit...Category
1920s Romantic Animal Prints
MaterialsPaper, Lithograph
- 'Equestrian Actress', Modernism, Circus, Vietnamese, French, Horse, AcrobatsBy Hoi LebadangLocated in Santa Cruz, CASigned lower right, 'Lebadang' and with number and limitation, 163/215, lower left. Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...Category
1960s Modern Animal Prints
MaterialsPaper, Lithograph
- 'Happy Tidings', Geisha, Holding a Fan, Receives a White Crane, Silk KimonoBy Miharu LaneLocated in Santa Cruz, CASigned lower center, 'Miharu Lane' (Japanese-American, born 1948), titled, 'Happy Tidings' and with number and limitation, '193/350'. Paper dimensions: 19 x 24 inches. Miharu Lane ...Category
1990s Contemporary Animal Prints
MaterialsPaper, Lithograph
- 'Lida & the Swan', New York Armory Show, Ashcan School, ASL, NYMOMA, AIC, LACMABy Arthur B. DaviesLocated in Santa Cruz, CASigned lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) and created circa 1915. An early twentieth-century sugar-lift aquatint showing Zeus in the guise of a swan, reclining and cradling Lida in his wings while King Tyndareus ponders the mutability of human circumstance. Born in Utica, New York, Arthur Davies attended the Chicago Academy of Design from 1879 to 1882. He furthered his studies at the Chicago Art Institute, before moving to New York City in 1885 where he studied at the Art Students League and Gotham Art Students League. In 1893, he made the first of many trips to Europe, visiting Holland, Paris, and London. He became an arch-exponent of Modernism and the central organizing figure of 1913's watershed Armory Show. Davies developed a style that combined visionary Symbolism with elements of Tonalism and Cubism. Who Was Who in American Art describes him as an “…important but enigmatic Modernist whose work was poetic, mysterious, and visionary”. Davies was the recipient of many gold medals and prizes and juried awards and his work is held in the permanent collections of museums nationwide, including New York’s Museum of Modern Art, the Art Institute of Chicago, the Baltimore Museum of Art and the Los Angeles County Museum of Art, among others. Photo of Arthur B Davies circa 1907 in New York City by Gertrude Käsebier courtesy of Library of Congress Prints and Photographs Division Washington, D.C. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, p. 835; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 280; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 7/8, p. 470; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 4, p. 293; Davenport’s Art Reference and Price Guide 2009/10 Edition, LTB Gordonsart, Inc. 2008, p. 672; et al. Additional biographical information follows, written by Catherine Southwick and Robert Torchia from the National Gallery of Art Online Editions: Arthur B. Davies’s mystical, mysterious paintings hearken back to 19th-century romanticism, even while Davies aligned himself with American artists advancing the most radical ideals of their day. Davies was born on September 26, 1862, in Utica, New York, the son of English and Welsh parents who had immigrated to the United States in 1856. He first took art lessons as a teenager from a local landscape painter, Dwight Williams...Category
Early 1900s Modern Figurative Prints
MaterialsAquatint, Paper
- 'Peggy and Dot', Art Deco Sisters, Woman Artist, AIC, Paris, Salon d'AutomneBy Nura UlreichLocated in Santa Cruz, CASigned lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally titled lower left, 'Peggy and Dot' with numb...Category
1940s Art Deco Figurative Prints
MaterialsPaper, Lithograph
You May Also Like
- Keith Haring Luna Luna 1986By Keith HaringLocated in NEW YORK, NYKeith Haring Luna Luna Karussell. A Poetic Extravaganza!, 1986 (Keith haring Luna Luna): Luna Luna "was organized by Andre Heller for “A Fair with Mod...Category
1980s Pop Art Figurative Prints
MaterialsLithograph, Offset, Paper
- Milton Glaser Temple University Music Festival poster (Milton Glaser posters)By Milton GlaserLocated in NEW YORK, NYMilton Glaser Temple University Music Festival, 1975: Vintage original 1970s Milton Glaser poster designed by Milton Glaser on the occasion of the T...Category
1960s Pop Art Figurative Prints
MaterialsOffset, Lithograph
- KAWS exhibition poster 2001 (KAWS Tokyo 2001)By KAWSLocated in NEW YORK, NYKAWS Tokyo First Exhibit Poster 2001: 2001 KAWS Parco Gallery exhibition poster featuring a photograph by fashion photographer David Sims reimagined by KAWS in his classic 1990's interventionist style. A KAWS Kimpsons Krusty the Clown graces the background while a signature iconic KAWS Bendy wraps itself around the model. Reverse side features exhibition info from Parco Gallery, including Supreme and A Bathing Ape...Category
21st Century and Contemporary Pop Art Figurative Prints
MaterialsOffset, Lithograph
- Rare Original 1980s Keith Haring Vinyl Record Art (Keith Haring Hiroshima)By Keith HaringLocated in NEW YORK, NYKeith Haring Hiroshima 1988: Rare 1988 7” Japanese vinyl record featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art and unique vintage Keith Haring collectible. Rare and not to be passed upon. *1st Pressing 1988 (not a re-issue) Medium: Off-Set Lithograph on vinyl record cover and labels. Dimensions: 7 x 7 inches. Plate signed on lower right & dated 1988 by Haring Light signs of handling; otherwise good to very overall vintage condition. Includes the original record (very good condition). Haring off-set illustrations appearing throughout the exterior and interior covers and record labels. _ Keith Haring Album Art: a brief history: Whether collaborating with Grace Jones, Andy Warhol, and Jean-Michel Basquiat, regularly frequenting clubs like Paradise Garage alongside close friend Larry Levan, or sketching DJ robots, New York artist and activist Keith Haring’s work was deeply entwined with the music world lending his vision to sounds by everyone from David Bowie to Run DMC. Looking for something cool to complement this work? Please feel free to browse additional items like this from Jean Michel Basquiat, Andy Warhol, Damien Hirst, Keith Haring & more on our 1stDibs gallery page. Related Categories Keith Haring prints. Keith Haring figurative. East Village art. Street art. 80s graffiti. Pop Art. Keith Haring animals.Category
1980s Pop Art Figurative Prints
MaterialsLithograph, Offset
- Keith Haring 1985 announcement (Keith Haring Tony Shafarzi Leo Castelli)By Keith HaringLocated in NEW YORK, NYKeith Haring Tony Shafrazi/Leo Castelli Gallery, New York, 1985: Rare original 1980s Keith Haring announcement published on the occasion of: Keith Haring at Tony Shafrazi Gallery,...Category
1980s Pop Art Animal Prints
MaterialsOffset, Lithograph
- Milton Glaser Temple University Music Festival poster (Milton Glaser posters)By Milton GlaserLocated in NEW YORK, NYMilton Glaser Temple University Music Festival, 1975: Vintage original 1970s Milton Glaser poster designed by Milton Glaser on the occasion of the Temple University Music Festival. A classic Milton Glaser poster & design featuring a surreal-like swan, superimposed on an enigmatic profile. Offset lithograph poster in colors. 24 x 35 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Milton Glaser printed signature lower right; from an edition of unknown. Commissioned by Mobil. Literature: Milton Glaser Posters, Glaser, pg. 193. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...Category
1960s Pop Art Figurative Prints
MaterialsOffset, Lithograph
Recently Viewed
View AllMore Ways To Browse
Art Deco Red Art
Art Deco Gallery
American Art Deco Art Poster
Art Deco Exhibition Posters
Art Deco New York Poster
Vintage Museum Exhibition Posters
Vintage Engineering Posters
Art Deco Vintage New York Poster
Pop Art Ceramic
Art Deco Pen
Vintage Cartoon Posters
Ceramic Poster
Standing Mirror Three
Art Deco Advertisement
20th Century Advertisement Poster
Mirror 1961
Retro Cartoon Posters
Retro Venice Poster