Takashi Murakami

TAKASHI MURAKAMI: COLORFUL, MIRACLE, SPARKLE Superflat Japanese Pop Art Flowers

2022

FLOWER BALL - BURNING BLOOD Date of creation: 2018 Medium: Offset lithograph with silver and high gloss varnishing on paper Edition number: 30/300 Size: 71 cm Ø Condition: In mint co...

Takashi Murakami - COLORFUL, MIRACLE, SPARKLE Date of creation: 2022 Medium: Offset lithograph with cold stamp and high gloss varnishing on paper Edition number: 207/300 Size: 71 cm ...

MIYABI: KŌRIN ( KŌRIN: COURTLY ELEGANCE 2020) Date of creation: 2020 Medium: Offset print with cold stamp and high gloss varnish on paper Edition number: 200/300 Size: 72 × 76,25 cm ...

Takashi Murakami - THE GOLDEN AGE: HOKKYO TAKASHI Date of creation: 2016 Medium: Offset lithograph with cold stamp and high gloss varnish on paper Edition: 213/300 Size: 71 cm Ø Cond...

Takashi Murakami - KÕRIN: TRANQUILITY Date of creation: 2020 Medium: Offset lithograph with cold stamp and high gloss varnish on paper Edition number: 123/300 Size: 71 cm Ø Condition...

KYOTO: KŌRIN Date of creation: 2020 Medium: Offset print with cold stamp and high gloss varnish on paper Edition number: 300 Size: 72 × 76,25 cm Observations: High quality and textur...

Christo The MCA (Museum of Contemporary Art) Wrapped, Chicago, 1969, 2019 Limited Edition Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil...

Christo and Jeanne-Claude The Wrapped (MCA), 1969 (Hand Signed), 2019 Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil stamp. Hand Signed by Christo 22 3/5 × 30 inches Edition of 200 Hand-signed by artist, Signed in graphite pencil by Christo on the front. Also elegant gold foil stamp. Unnumbered from the documented limited edition of only 200 Published by Museum of Contemporary Art, (MCA) Chicago Unframed A great gift for anyone with ties to Chicago! This limited-edition, hand signed offset lithograph on 110 lb. Crane Lettra Cover stock commemorates Christo's exhibition "Wrap In Wrap Out", which took place at the MCA’s original location on 237 East Ontario Street, Chicago. The project became the first public building Christo and his wife, Jeanne-Claude, wrapped in the United States. In an illuminating 2010 article entitled, "A daring plan to wrap a Chicago museum raises city ire – and makes art history," author Robin Amer recounts how Christo came to choose Chicago -- or rather how Chicago chose New York based artist Christo: "During a recent conversation he [Christo] ticked off the list of buildings he approached in downtown Manhattan starting in 1961. “Number 2 Broadway, number 20 Exchange Place,” he recalled. “We tried to wrap a building at Times Square. They all said no. Christo said he quickly realized that his best hope to wrap a building – his first in North America – would be to wrap a museum, which might be more amenable to his strange proposition.Christo and Jeanne-Claude approached New York’s Museum of Modern Art in 1967. The museum was interested, but Christo said they failed to secure permission for the show from the New York Fire...

1964 Offset lithograph in colors, on wove paper Sheet: 23 1/8 x 23 1/8 in. Edition of 300 Signed and dated in ballpoint pen, lower right Unframed, pristine condition

Robert Rauschenberg at Leo Castelli Gallery 1986: Vintage original Robert Rauschenberg exhibition poster published by Castelli Graphics in conjunction with the exhibition, Robert Rauschenberg: Tibetan Keys and Locks, May 21-June 18, 1986 at Leo Castelli New York. A unique vintage Rauschenberg collectible featuring the artist's signature collage style. Well-sized and suitable for framing. Off-set lithograph 1986. 20 x 29.75 inches. Double-quattro fold-lines as originally issued; minor edge wear to one fold-line; otherwise very good condition (no rips, tears, stains, etc.) Scarce form an edition of unknown; unsigned. First edition, 1st printing; postmarked 1986 on the verso. Artist biography: Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as a true art world rebel rouser...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Yale University Art Gallery (Washing Machine)" Series: Yale University Art Gallery Posters Year: 1991 Medium: Original Offset-Lithograph, Poster on smooth wove paper Limited edition: Unknown Printer: Springdale Graphics, Springdale, CT Publisher: Yale University Art Gallery, New Haven, CT Sheet size: 24" x 27" Image size: 19.25" x 23.5" Condition: Some faint surface marks in margins. One small nick upper left edge. In otherwise excellent condition with strong colors Very rare Notes: Comes from the 1991 "Yale University Art Gallery" series of three offset-lithograph, posters: "Thinking of Him", "Blam", and "Washing Machine". The image featured on this poster is Lichtenstein's 1961, 55.75" x 68", oil painting on canvas "Washing Machine" which is part of the Yale University Art Gallery's permanent collection. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweller Laurence Graff...

Artist: (after) Jim Dine (American, 1935-) Title: "Nassau County Museum of Art (Sculpture/Jim Dine/Pinocchio)" *Signed by Dine in black marker lower righ...