Herbert Pullinger

East on Market St. From 15th

1921

A compelling peek into the African American church on a Sunday.

RGRFineArts is pleased to offer this WPA Era lithograph by Carl Pickhardt. Sight dimensions are 18 x 11.5 in and the image measures 11.5 x 9 in. Signed and titled in pencil.

RGRFINEARTS is pleased to offer this fine lithograph of a couple on the beach appropriately titled Sun Bathers" from and editoon of 30 prints. Signed and numbered below the image.

RGRFINEARTS is pleased to offer this baseball themed lithograph of Alibi Ike after the character in the 1935 movie. A fine example of the draftsmanship that Pickhardt was known for.

Excellent condition and matted with archival materials. An excellent addition to any New York or WPA collection.

A lithograph by the well known Philadelphia artist Herbert Pullinger depicting the local landmark, Christ Church. A richly inked impression with wide margins. The print is pebcil si...

Artist: Richard Haas Title: Houses, Texas Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 10/40 Image Size: 17.5 x 24 inches Paper Size: 21.5 x 29 in. (5...

"July Fifteenth" is a lithograph from 1938 by Grant Wood. The artwork size is 9 3/4 x 12 1/2 inches. The framed size is 17 x 19 1/2 x 5/8 inches. The piece is signed in pencil, lower...

City Park, Winter Lithograph, c. 1947 Signed in pencil lower right (see photo) Published by Associated American Artists Printed by George C. Miller, New York Edition: c. 250 In the Bohrod papers at Syracuse University, the artist states that it is a view of Pittsburgh. It depicts the George Washington Monument in Allegheny Commons Park, dedicated in 1891. The sculptor f the monument is Edward Ludwig Albert Pausch (1856-1931). Condition: Excellent Image size: 9 1/4 x 13 7/16 inches Frame size: 19 x 23 inches Provenance: Estate of Adolf Dehn Reference: AAA Index No. 848 Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings. Education Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. Career He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...

Action Plus Lithograph, 1950 Signed lower right (see photo) Titled lower left (see photo) Edition 250 Published by Associated American Artists, New York Illustrated: AAA catalogs 1950-01 and 1950-02 Reference: AAA Index No. 1072 Condition: Excellent Slight aging to paper Image size: 9 1/4 x 14 1/2 inches Sheet size: 12 x 15 7/8 inches Clarence William Anderson Clarence William Anderson (1891–1971), born in Wahoo, Nebraska, and known professionally as C.W. Anderson, was a writer and illustrator of children's books. Anderson had an interest in horses and drawing. When he wasn't out riding horses, he was drawing them, taking great interest in their bone structure and conformation. Anderson started his career by illustrating for other authors, but eventually began developing texts to accompany his realistic and lively black and white drawings. He is best known for his "Billy and Blaze" book series. The adventures of Billy and Blaze revolve around proper care of the horse, while teaching a lesson. Anderson would go to great lengths to give accurate information. He would even go on to write Heads Up, Heels Down as a training tool for young horse lovers. All of the stories Anderson wrote would be based on true stories or people that he knew-only the plots were fictitious. By the end of Anderson's life, he had written and illustrated over thirty-five horse books, and had also created covers for the Saturday Evening Post. Anderson is the namesake for Andy's Summer Playhouse, a youth theater in Wilton, New Hampshire.[1] Anderson also was a member of the Society of American Graphic Artists. Artwork portfolios • All Thoroughbreds, Harper and Brothers Publishers, 1948 – 20 illustrations • Post Parade, Harper and Brothers Publishers, 1949 – 15 illustrations • Turf and Bluegrass, Harper and Brothers Publishers, 1950 and 1952 – 15 illustrations • Grey, Bay, and Chestnut, Harper and Brothers Publishers 1952 and 1955 – 10 illustrations • Colts and Champions, Harper and Brothers Publishers, 1955 and 1956 – 10 illustrations • Accent on Youth, 1958 – 10 illustrations • Bred to Run, 1960 – 12 illustrations • The Look of a Thoroughbred, 1963 – 8 illustrations • Before the Bugle, 1965 - 9 illustrations • The World of Horses, 1965 – 8 illustrations • Fillies and Colts, year unknown – 5 illustrations • Man O'War, Horse of the Century, 1970 – 8 illustrations Works As author and illustrator • And So to Bed...

Early Speed Lithograph, 1953 Signed lower right Edition 250 Published by Associated American Artists Illustrated: AAA catalog 1953-03 Reference: AAA Index 1187 Condition: The sheet i...

Backyard II Lithograph, 1972 Signed lower right Signed lower right Annotated: Printer's Proof Reference: Karl Lunde 58 An impression is in the collection of the Art Institute of Chic...