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Damien HirstDamien Hirst 'H13-1 Deadman’s Cove -2023' Signed & numbered2023
2023
About the Item
Artsist: Damien Hirst
Title: 'H13-1 Deadman's Cove"
Year: 2023
Medium: Laminated Giclee print on aluminium composite panel
Size: 47.2 x 35.4 Inches
Edition: 131/346
Numbered and hand-signed on the label by the artist.
Publisher: Heni Publishing
Conition: In mint condition
Contemporary artist, Damien Hirst, had released 12 unique prints after works from his latest series 'Coast Paintings', 'Sea Paintings’ and ’Seascapes’. The editions are laminated Giclée prints on aluminium composite panel, in sizes ranging from 90 x 90 cm to 135 x 90 cm. The prints are numbered and hand-signed on the label by the artist.
H13-1 Deadman's Cove by Damien Hirst
Damien Hirst was born in 1965 in Bristol and grew up in Leeds. In 1984 he moved to London, where he worked in construction before studying for a BA in Fine Art at Goldsmiths college from 1986 to 1989. He was awarded the Turner Prize in 1995
Since the late 1980’s, Hirst has used a varied practise of installation, sculpture, painting and drawing to explore the complex relationship between art, life and death. Explaining: "Art’s about life and it can’t really be about anything else … there isn’t anything else, Hirst’s work investigates and challenges contemporary belief systems, and dissects the tensions and uncertainties at the heart of human experience. At Goldsmiths, Hirst’s understanding of the distinction between painting and sculpture changed significantly, and he began work on some of his most important series. The ‘Medicine Cabinets’ created in his second year combined the aesthetics of minimalism with Hirst’s observation that, “science is the new religion for many people. It’s as simple and as complicated as that really.” This is one of his most enduring themes, and was most powerfully manifested in the installation work, ‘Pharmacy' (1992).
Whilst in his second year, Hirst conceived and curated 'Freeze’ – a group exhibition in three phases. The exhibition of Goldsmiths students is commonly acknowledged to have been the launching point not only for Hirst, but for a generation of British artists. For its final phase he painted two series of coloured spots on to the warehouse walls. Hirst describes the spot paintings as a means of “pinning down the joy of colour”, and explains they provided a solution to all problems he’d previously had with colour. It has become one of the artist’s most prolific and recognisable series, and in January 2012 the works were exhibited in a show of unprecedented scale across eleven Gagosian Gallery locations worldwide. In 1991 Hirst began work on ‘Natural History’, arguably his most famous series. Through preserving creatures in minimalist steel and glass tanks filled with formaldehyde solution, he intended to create a "zoo of dead animals”. In 1992, the shark piece, ‘The Physical Impossibility of Death in the Mind of Someone Living’ (1991) was unveiled at the Saatchi Gallery's 'Young British Artists I’ exhibition. The shark, described by the artist as a “thing to describe a feeling", remains one of the most iconic symbols of modern British art and popular culture in the 90's. The series typifies Hirst's interest in display mechanisms. The glass boxes he employs both in ‘Natural History’ works and in vitrines, such as 'The Acquired Inability to Escape’ (1991), act to define the artwork’s space, whilst simultaneously commenting on the "fragility of existence".
- Creator:Damien Hirst (1965, British)
- Creation Year:2023
- Dimensions:Height: 47 in (119.38 cm)Width: 35 in (88.9 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Pembroke Pines, FL
- Reference Number:1stDibs: LU2382213652052
Damien Hirst
British artist Damien Hirst is widely considered the enfant terrible of contemporary art. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics” in his paintings, prints, sculptures and other works.
In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God.
Working primarily in sculpture, Hirst takes after French modernist master Marcel Duchamp in his use of ready-made objects and materials, which he combines to ironic effect. He often creates in series, as with "The Cure (Violet)" and "The Cure (Turquoise)," both from 2014, which are among several pill paintings referencing Andy Warhol’s embrace of mass production.
Belonging to Hirst's ongoing series of “spot” paintings, begun in the 1980s, the 2005 piece Xylene Cyanol Dye Solution is striking for its machinelike, industrial uniformity and almost childlike simplicity, a seeming rebuke to the idea of the artist-as-genius.
In addition to making art, Hirst has launched stores that sell editioned works (Other Criteria), a restaurant (Pharmacy2) and even his own London museum (Newport Street Gallery).
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