George GroszThe Hypochondriac - Original Lithograph and Offset by George Grosz - 19231923
1923
About the Item
- Creator:George Grosz (1891-1969, German)
- Creation Year:1923
- Dimensions:Height: 13.98 in (35.5 cm)Width: 9.65 in (24.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
George Grosz
George Grosz was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. Grosz studied drawing at the Dresden Academy (1909–11) and at the School of Arts and Crafts in Berlin (1912–14). He was in the army from 1914–15, and again for a short time in 1917, but spent the rest of the war in Berlin, where he made violently anti-war drawings, in which his main focus was attacking the social corruption of Germany (capitalists, prostitutes, the Prussian military caste, the middle class). His artworks had great impact in the Berlin Dada movement, 1917–20, and collaborated with John Heartfield and Raoul Hausmann in the invention of photomontage.
Many of Grosz’s drawings were published in albums (Gott mit uns, Ecce Homo, Der Spiesser-Spiegel, etc.), and he was subject to prosecutions for insulting the army and blasphemy. He visited the United States in 1932 to teach at the Art Students League, New York, and settled there in 1933. In the latter part of his career, he tried to establish himself as a pure painter of landscapes and still life, but also painted many compositions of an apocalyptic and deeply pessimistic kind. His role in the Berlin Dada movement affected political outlooks and artistic developments not only in Germany, but also in Russia, the Balkan nations, and parts of France.
Grosz's penetrating, darkly humorous style of drawing and his use of satire as a weapon left a deep impression on the work of his contemporaries and the artists of the next generation. Some of his works from the early 1940s, particularly during World War II, do present an allegorical and dramatic representation of Grosz's moral perspective regarding war. Additionally, some of his last pieces from 1958 were photomontages, and hearken back to his earlier Dadaist aesthetic and message, passing judgment upon consumerism and suggesting that his absorption with American culture had ended in disappointment. In 1959, Grosz sold his house and moved back to Berlin. He died shortly after his return, after a fall down the stairs.
- ShippingRetrieving quote...Ships From: Grasse, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Louise - Original Lithograph and Offset by George Grosz - 1923By George GroszLocated in Roma, ITLouise is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 20 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-V...Category
1920s Expressionist Portrait Prints
MaterialsOffset, Lithograph
- Separe - Original Lithograph and Offset by George Grosz - 1923By George GroszLocated in Roma, ITSepare is an original offset and lithograph realized by George Grosz. The artwork is the plate n.22 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...Category
1920s Expressionist Portrait Prints
MaterialsLithograph, Offset
- Man of Honor - Offset and Lithograph by George Grosz - 1923By George GroszLocated in Roma, ITMan of honor from Ecce Homo is a vintage offset and lithograph, realized by George Grosz. The artwork is the plate n. 59 from the porfolio Ecce Homo published between 1922/1923,edit...Category
1920s Expressionist Figurative Prints
MaterialsLithograph
- The Responsible - Original Lithograph and Offset by George Grosz - 1920By George GroszLocated in Roma, ITThe Responsible is an original offset and lithograph print realized by George Grosz. The artwork is the plate n.23 from the portfolio Ecce Homo published between 1922/1923, edition...Category
1920s Expressionist Portrait Prints
MaterialsLithograph
- Portrait of Young Girl - Original Lithograph by Hervè Morvan - 1957Located in Roma, ITPortrait of Young Girl is an original litograph realized by Hervè Morvan in 1957. Good condition except for some spoiled paper on the upper and lower margin. Signature and dated wi...Category
1950s Expressionist Figurative Prints
MaterialsLithograph
- Greta Garbo as Mata Hari - Lithograph by Andy Warhol - 1981By Andy WarholLocated in Roma, ITGreta Garbo as Mata Hari is a contemporary artwork realized by Andy Warhol in 1981. Offset and color lithograph. Includes frame: 104,5 x 86 x 3 cm. Hand signed on the lower right....Category
1980s Pop Art Portrait Prints
MaterialsOffset, Lithograph
- Pèlerin au cierge, 1986, original lithograph by Jean Jansem, signed and numberedBy Jean JansemLocated in Carouge GE, GEJean Jansem (1920-2013) Pélerin au cierge, 1986 Lithographie sur papier Japon, justifiée XIV / XXX Signée en bas à droite 67 x 51 cm / 76 x 54 cm Bibliographie: CR Jansem, 1993, n...Category
Late 20th Century Expressionist Figurative Prints
MaterialsLithograph
- IVRESSE Signed Lithograph, Female Portrait, Mask Face, Dark Pink, Green, BlueBy CorneilleLocated in Union City, NJIVRESSE is an original hand drawn limited edition lithograph printed in 12 colors on archival Somerset paper 100% acid, free, by the Dutch artist known as CORNEILLE(Guillaume van Bev...Category
1980s Expressionist Portrait Prints
MaterialsLithograph
- LES DEUX AMIES Signed Lithograph, Two Friends Portrait, Dark Mauve, PeriwinkleBy CorneilleLocated in Union City, NJLes Deux Amies is an original hand drawn limited edition lithograph printed in 13 colors on archival Somerset paper 100% acid, free, by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. Les Deux Amies is a fantastical red outlined portrait of two people; one a frontally posed female depicted with a bright blue, wavy wedge hairdo and dark mauve face. Her colorful mask...Category
1980s Expressionist Portrait Prints
MaterialsLithograph
- Sophie aux bas rouges, 1993, original lithograph by Jean JansemBy Jean JansemLocated in Carouge GE, GEJean Jansem (1920-2013) Sophie aux bas rouges, 1993 Lithographie sur papier Arches, justifiée E/A Signée en bas à droite 66 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°...Category
Late 20th Century Expressionist Figurative Prints
MaterialsLithograph
- Christina et sa poupée, 1985, original lithograph by Jean Jansem handsignedBy Jean JansemLocated in Carouge GE, GEJean Jansem (1920-2013) Christina et sa poupée, 1985 Lithographie sur papier Arches Signée et justifiée 76 x 54 cm Imprimeur: Mourlot, Paris Editeur Sanbi, Tokyo Bibliographie: Jan...Category
Late 20th Century Expressionist Figurative Prints
MaterialsLithograph
- Repos, 1999, original lithograph by Jean Jansem handsigned numberedBy Jean JansemLocated in Carouge GE, GEJean Jansem (1920-2013) Repos, Album Danse, 1999 Lithographie sur papier Arches Signée et justifiée 50 x 65 cm / 54 x 76 cm Imprimeur: Mourlot, Paris Editeur: Jansem, Paris Bibliographie: Jansem Lithographe, 1993-1999, Flora Jansem, Paris, n. 155, reproduit p.81, référencé p. 97. "Ma première lithographie date de 1954. Elle représente un enfant en haillons portant deux seaux d'eau, d'après un croquis rapporté de Cordoue lors de mon voyage en Espagne en 1952. Je l'exécutai sur pierre, au pinceau et à l'encre lithographique. Je fus déçu du résultat et n'en tirai qu'un essai et une épreuve. Quatre ans plus tard, je réalisai une dizaine de nouvelles lithographies, toujours sur pierre, la plupart en noir. Au lieu d'employer l'encre et le crayon lithographiques, j'utilisai l'encre zincographique plus fluide me permettant de travailler à la plume ou avec de fins pinceaux de martre. Le tirage fut très satisfaisant. au grand étonnement du Père Guillard, lithographe. Jusqu'alors l'encre zincographique ne servait qu'à la zincographie. Actuellement elle est d'un usage courant puisque pratiquement toutes les lithographies se font sur zinc et non plus sur pierre, ce qui facilite la manipulation. Par ailleurs, le zinc offre autant de possibilités que la pierre. En 1959, La Guilde de la Gravure me demanda une édition en couleur. Je choisis une nature morte aux chardons, tirée à 220 exemplaires. Par la suite, les tirages varièrent de 10 à 160 épreuves. Mes lithographies en couleur étaient assez proches de mes toiles. A partir de 1968, période de La Danse, je supprimai petit à petit le clair-obscur et la matière pour donner plus de légèreté et de transparence. Les lithographies postérieures à 1970 sont dessinées en noir sur un fond coloré souvent volontairement arbitraire, donnant l'aspect d'un dessin rehaussé. La couleur n'est pas intégrée au dessin mais joue un rôle d'accompagnement du trait qui est lui-même une arabesque écrite. Quand le noir...Category
Late 20th Century Expressionist Figurative Prints
MaterialsLithograph